Enter Slide 1 Title Here

Enter Slide 2 Title Here

Enter Slide 3 Title Here

Monday, January 31, 2022

Photo By Robert Henderson

Today’s Photo Of The Day is “Waterbuck Marsh 1” by Robert Henderson. Location: Nyerere National Park, Tanzania.

“This common waterbuck was up to his shoulders in the vibrant grass fringing the shores of the Rufigi River,” describes Henderson. “The day-glow bright green grass is common throughout the Nyrere (formerly Selous) National Park in Tanzania. The November rains had been quite heavy, and the grass was especially lush.”

Canon 7D Mark II, EF 100-400mm f/ 4.5 – 5.6L IS II USM lens with 1.4x III teleconverter at 280mm. Exposure: 1/500 sec, f/7.1, ISO 200.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Robert Henderson appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/N4nDL0Wgr

This week’s tip is about creating three dimensionality using light. If you are a portrait or product photographer and use artificial lights, you more than likely know what a GOBO is. If you’re more of an outdoor photographer, you may not know the concept. Studio photographers take pride in being able to control light. They can direct a viewer’s eye to the product or portion of the face using special accessories that channel it to given areas. One of the items that creates this effect is a GOBO. It’s actually a shortened photo word derived from two others: Go Between. A baffle of some sort is angled so the emitted light illuminates the product but not the background. This makes the main subject stand out. It’s a powerful way to unconsciously direct the viewer of the photo to the product.

In nature photography, when the sun is the only light source, it’s impossible to force this studio effect. It has to occur naturally. The only way it does is when there are clouds in the sky and a bit of serendipity occurs. A cloud has to cast a shadow across the background yet the sun must fall on the main part of the landscape the photographer wants to emphasize. With wildlife photography, it’s even more of a challenge especially when an animal is on the move. The light has to fall on the subject while the cloud casts a shadow behind it. When it occurs, in that the animal is brighter than the now darker background, the subject “comes forward” and is visually much more powerful. It’s special when it does occur. When I lead my safaris to the Serengeti and I see an opportunity to create three dimensionality using light and clouds, I make sure my participants capture the moment.

In the image of the battling elk, a small hole opened in the western sky and it was truly a serendipitous moment—one we all dream about. The clouds cast a shadow on the mountain behind the two duelers and the sun couldn’t have lit them any better. Note how they totally stand out from the dark background. In the portrait of the lioness, early light lit her from the side while a soft shadow was cast behind her. The cloud was thin so the background didn’t go dark, but it still allowed her face to come forward in the image.

With small subjects, I can create the full effect using flash. The subject needs to be cooperative as I need to photograph it against a dark background and it needs to be in the open. It also must allow me to approach fairly close in that light from a flash falls off quickly. If the background isn’t directly behind the subject, it receives much less light than the subject. In the photo of the agama lizard taken in the Central Serengeti, exactly what I elaborated on above fell into place. The lizards walk the rocks near the visitor center and I had everyone in my group bring a flash. We looked for the ones in the open and used flash. The effect is obvious.

In the photo of the bear and mountain goat, it’s once again obvious how each subject comes forward against the darker backgrounds. This was caused by clouds that acted as GOBOs to darken the background. Again, serendipity needs to be a factor to allow the sun to find the key animal. In the photo of the two elephants with the background zebra, I included it on purpose. While the elephants nor the zebra are offset against a cloud darkened background, the rim of the Ngorongoro Crater and sky were shadowed so they become secondary subjects. As a result, they don’t compete for attention, which easily allows the eye to go to the animals. Be cognizant of how you can create three dimensionality using light and clouds, and when it’s bestowed, take full advantage!

To learn more about this subject, join me on a photo safari to Tanzania. Visit www.russburdenphotography.com to get more information.

The post Create Three Dimensionality Using Light appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/LkmHvzxsj

Sunday, January 30, 2022

Today’s Photo Of The Day is “Royal View” by Ryan Cairl.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Ryan Cairl appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/50fyEz9bJ

Saturday, January 29, 2022

Photo By Jeff Sullivan

Today’s Photo Of The Day is “Gower Wash Morning Light” by Jeff Sullivan. Location: Death Valley National Park, California.

“Few places in Death Valley are more iconic than Zabriskie Point, and one of the main views from Zabriskie Point is looking toward the eroded badlands of Gower Wash,” explains Sullivan. “During some times of the year, the sun angle is just right to strike the raised ridges in the eroded badlands, emphasizing the pattern of the eroded geography.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

 

The post Photo Of The Day By Jeff Sullivan appeared first on Outdoor Photographer.



from Outdoor Photographer https://bit.ly/3ALwsNx

Congratulations to Laura Zirino for winning the recent Go Wide Assignment with the image, “White Sands Sunrise.” See more of Zirino’s photography at laurazirino.smugmug.com.

View the winning image and a selection of submissions in the gallery below. And be sure to check out our current photography assignment here and enter your best shots!

[See image gallery at www.outdoorphotographer.com]

The post Go Wide Assignment Winner Laura Zirino appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3L3an1U

Friday, January 28, 2022

Photo By britainandrew

Today’s Photo Of The Day is “The Captain and The Bear” by britainandrew. Location: Yosemite National Park, California.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By britainandrew appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3KQYmMG

Thursday, January 27, 2022

Today’s Photo Of The Day is “Morning Glory” by Max Foster. Location: Minnesota.

“A super low-angle shot of a beautiful sunrise on Lake Superior in Minnesota,” describes Foster.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Max Foster appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3G2TCQx

Wednesday, January 26, 2022

Photo By David Connel

Today’s Photo Of The Day is “Facing The Storm” by David Connel. Location: Grizzly and Wolf Discovery Center, Montana.

I’ve been to the Grizzly and Wolf Discovery Center several times,” explains Connel. “On this particular snowy winter day, the weather kept getting worse and worse until it reached blizzard conditions. Everyone, including the staff, all left or found shelter. I hung around in the storm hoping for a good dramatic picture depicting the harsh conditions. As the visibility started to really deteriorate, this lone wolf came out and stood facing into the wind and snow. This was the image I was waiting for.”

Exposure: 1/320 sec., f/6.3, ISO 125, 200mm.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By David Connel appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3u2g0Hi

Tuesday, January 25, 2022

Photo By Archie Tucker

Today’s Photo Of The Day is “Pure As Snow” by Archie Tucker.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Archie Tucker appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3nTqxkk

Monday, January 24, 2022

Photo By Sergio Rojo

Today’s Photo Of The Day is “The Magic Place” by Sergio Rojo.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Sergio Rojo appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/32sehjn

I remember looking at the amazing black-and-white prints of Ansel Adams of the sprawling landscape. His view of the Teton Range from the Snake River still resonates in my brain as do many of his other remarkably perfect images. I also remember looking through issues of National Geographic wondering how any photographer was able to get a full-frame portrait of just a lion’s face. Deeper research taught me about wide-angle and telephoto lenses, which explained how each image could be made, but it didn’t lower the amazement and jealously held for the stunning quality of each photo. I had to discover how these images were created and how I could mimic these visuals.

Try An Alternate Lens

As my photography evolved, those early seeds mentioned above naturally lead me to grab my wide angle when I went on a landscape photography trip and, conversely, grab all my long zooms for the times I went to photograph wildlife. As time went on, I continued to learn more tricks about each type of photography and how to utilize various lenses to acquire the best possible image, but after years and years, all my photos continued to have “the same look.” It was time to break the mold, think outside the box, rethink my focal lengths and alter my mindset.

Wide Width Wildlife

As my passion gravitated toward wildlife, I knew I had to buy a long prime telephoto. No exaggeration, it took me 10-plus years to finally bite the bullet. I have to admit I love the effects it provides, but eventually, the novelty slightly dissipated. It certainly has its purpose and place, but that got me thinking…If a long prime has a specific purpose, so does every other lens and focal length. Why not use each for a given purpose? If a wide angle takes in a large field of view, so be it…

My passion for wildlife began when I went to the gorgeous national parks in which they dwelled. I grabbed a long lens each time I saw a moose, bison, bear, marmot, mountain goat, etc. But, then it hit me like a ton of telephotos all dumped on me at once. I’m in a national park that’s gorgeous. There’s a moose standing in the river. The river is below a gorgeous mountain. And the light and clouds are dramatic. If I photograph just the moose, I miss out on the beautiful scene in which it stands. Who needs a telephoto to photograph wildlife when the subject is in a gorgeous habitat? Why carry all that weight when a story can be told of a beautiful animal in a beautiful setting? Why lug a heavy tripod and gimbal head if the prize-winning photo can be made at 30mm? This began my quest of using an alternate lens for wildlife in the environment type images.

Of course, I’m exaggerating, but you get my point. I will still schlep all my gear, lug the heavy lens and do all the above, but I will also exhaust all possibilities. I’ll eliminate all variables and make sure I capture every wildlife subject with a telephoto and wide angle, as well as vertically and horizontally. I’ll no longer limit myself to my innate thinking that wildlife should be photographed with a long zoom set to its maximum focal length!

Long Lens Landscapes

Along the same vein as what I experienced as my wildlife photography evolved, a parallel universe compelled me to alter my mindset for my landscape photography. After repetitive excursions to each national park and also many I visited for the first time, I constantly used my “wide-angle eyes” to compose all my images. Once again, everything began to look the same and it was time to break the mold by using an alternate lens. 

If I can use a wide angle for my wildlife, why can’t I use a telephoto for my landscapes? I began to narrow my field of view each time I encountered a scene. I studied small portions of how the light played upon the elements. I narrowed my field of view to key into small sections that piqued my curiosity. The more I did this, the more I came home with images that depicted much greater diversity in subject matter and light. I looked for subtleties of light as it played upon much smaller sections of what my eyes beheld. I was hooked. I began to walk around the national park using two camera bodies onto which one had a medium telephoto zoom. To this day, I do the same and I’ll never change—at least until I think of something new!

Repeat after me: I (fill in the blank with your name), promise to always break the mold, think outside the box, try an alternate lens, rethink my focal lengths and alter my mindset!

To learn more about this subject, join me on a photo safari to Tanzania. Visit www.russburdenphotography.com to get more information.

The post Reach For Your Alternate Lens appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3Ar20bj

Sunday, January 23, 2022

Photo By Gary Fua

Today’s Photo Of The Day is “Awaiting” by Gary Fua. Location: Yosemite National Park, California.

“A breathtaking winter scene at Yosemite National Park will always blow your mind, so surreal and such an indescribable feeling,” explains Fua.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Gary Fua appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3fNvZki

Saturday, January 22, 2022

Photo By James Day

Today’s Photo Of The Day is “Cannon Beach” by James Day.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By James Day appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3FPZSef

Friday, January 21, 2022

Photo By Tim Nicol

Today’s Photo Of The Day is “Winter Meets Spring” by Tim Nicol. Location: Republic, Washington.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Tim Nicol appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/34ZTCE3

The Alabama Hills National Scenic Area is located near the base of the Sierra Nevada mountain range and a couple miles east of the small town of Lone Pine, California. Dozens of natural arches are within easy walking distance from any of the trailheads. If some of these vistas look familiar, that might be because this area is a favorite location for Hollywood movies and television programs.

Image of a rock arch in the Alabama Hills National Scenic Area.

To the west of the Alabama Hills are the mighty Sierra Nevada mountain range and Mount Whitney, the tallest mountain peak in the contiguous United States. To the south of Whitney is Lone Pine Peak (centered in Mobius Arch in the photograph here), which is often mistaken for Mount Whitney because of how close the mountain appears compared to the farther-back Whitney.

Weather At Alabama Hills

Weather varies from season to season. Summer brings the thunderstorms and regular 100-plus-degree temperatures, so drink lots of water and try to stay cool. Winter temperatures can dip below freezing during the nighttime and early morning. Winter also has a chilling north wind that will suck the warmth from your body, so dressing in layers and having hand warmers will help out a lot.

Photo Experience

The photo you see wasn’t my first choice for composition, but my original idea of photographing beautifully colored sunrise clouds over this arch was scrapped when the clouds didn’t push over. It happens, and you’ve got to photograph what nature gives you.

I live nearby this location and visit often—so often that I have plenty of the classic compositions that everyone photographs while they’re at the Mobius Arch. I wanted to try something completely different. I wanted to capture Lone Pine Peak centered in the Mobius Arch, the half-moon and the view to the south. I had a 10mm lens mounted on my Canon EOS 80D (approximately 16mm equivalent), and it still wasn’t wide enough to capture the scene. So, I took four exposures and stitched them together in Lightroom.

I recommend bringing lenses that range from wide angle to telephoto for this location and that you try capturing the arch from every angle, from up-close wide angle to far down the trail with a medium telephoto.

Best Times To Visit

Every season is a great time to photograph the natural arches of the Alabama Hills, but sunrise in spring is my absolute favorite. There’s still a good amount of snow on the mountains, small patches of wildflowers on the trail, the summer rush of visitors aren’t there yet, and the alpenglow on Mount Whitney is beautiful. No matter the time of year you visit, you won’t be disappointed with majestic views of the Sierra Nevada or the wonder of the natural arches.

Contact: Bureau of Land Management, blm.gov/visit/alabama-hills-national-scenic-area.

The post Alabama Hills National Scenic Area appeared first on Outdoor Photographer.



from Favorite Places – Outdoor Photographer https://ift.tt/3tKB1pP

The Alabama Hills National Scenic Area is located near the base of the Sierra Nevada mountain range and a couple miles east of the small town of Lone Pine, California. Dozens of natural arches are within easy walking distance from any of the trailheads. If some of these vistas look familiar, that might be because this area is a favorite location for Hollywood movies and television programs.

Image of a rock arch in the Alabama Hills National Scenic Area.

To the west of the Alabama Hills are the mighty Sierra Nevada mountain range and Mount Whitney, the tallest mountain peak in the contiguous United States. To the south of Whitney is Lone Pine Peak (centered in Mobius Arch in the photograph here), which is often mistaken for Mount Whitney because of how close the mountain appears compared to the farther-back Whitney.

Weather At Alabama Hills

Weather varies from season to season. Summer brings the thunderstorms and regular 100-plus-degree temperatures, so drink lots of water and try to stay cool. Winter temperatures can dip below freezing during the nighttime and early morning. Winter also has a chilling north wind that will suck the warmth from your body, so dressing in layers and having hand warmers will help out a lot.

Photo Experience

The photo you see wasn’t my first choice for composition, but my original idea of photographing beautifully colored sunrise clouds over this arch was scrapped when the clouds didn’t push over. It happens, and you’ve got to photograph what nature gives you.

I live nearby this location and visit often—so often that I have plenty of the classic compositions that everyone photographs while they’re at the Mobius Arch. I wanted to try something completely different. I wanted to capture Lone Pine Peak centered in the Mobius Arch, the half-moon and the view to the south. I had a 10mm lens mounted on my Canon EOS 80D (approximately 16mm equivalent), and it still wasn’t wide enough to capture the scene. So, I took four exposures and stitched them together in Lightroom.

I recommend bringing lenses that range from wide angle to telephoto for this location and that you try capturing the arch from every angle, from up-close wide angle to far down the trail with a medium telephoto.

Best Times To Visit

Every season is a great time to photograph the natural arches of the Alabama Hills, but sunrise in spring is my absolute favorite. There’s still a good amount of snow on the mountains, small patches of wildflowers on the trail, the summer rush of visitors aren’t there yet, and the alpenglow on Mount Whitney is beautiful. No matter the time of year you visit, you won’t be disappointed with majestic views of the Sierra Nevada or the wonder of the natural arches.

Contact: Bureau of Land Management, blm.gov/visit/alabama-hills-national-scenic-area.

The post Alabama Hills National Scenic Area appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3tKB1pP

Thursday, January 20, 2022

Congratulations to Debbie O’Dell for winning the recent Fall Wildlife Assignment with the image, “Young Elk.”

View the winning image and a selection of submissions in the gallery below. And be sure to check out our current photography assignment here and enter your best shots!

[See image gallery at www.outdoorphotographer.com]

The post Fall Wildlife Assignment Winner Debbie O’Dell appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/33SWK40

Photo By Christopher Baker

Today’s Photo Of The Day is “Frozen Finch” by Christopher Baker. Location: Alabama.

“The freak snowstorm didn’t stop the birds from coming to our backyard feeder,” says Baker. “This house finch paused long enough to let me get a nice snowy portrait.”

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Christopher Baker appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3rDdoNk
To access this content, you must purchase Outdoor Photographer Membership.

The post Convert A Camera To Infrared appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3rBDbph

Wednesday, January 19, 2022

Photo By Laura Schoenbauer

Today’s Photo Of The Day is “After the Snowstorm” by Laura Schoenbauer. Location: St. Paul, Minnesota.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Laura Schoenbauer appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3KpRTYP
Image of the NIKKOR Z 400mm f/2.8 TC VR S

The NIKKOR Z 400mm f/2.8 TC VR S includes a built-in 1.4 x teleconverter.

Nikon today unveiled the NIKKOR Z 400mm f/2.8 TC VR S telephoto prime, a key lens for wildlife and sports photographers. It’s the longest prime available yet for the Z system, though an 800mm is in development. The new lens includes a built-in 1.4x teleconverter to extend the focal length to 560mm and can also be paired with Nikon Z TC-1.4x and TC-2x teleconverters to get all the way out to 1120mm.

The NIKKOR Z 400mm f/2.8 TC VR S is the first lens to include a newly developed Silky Swift Voice Coil Motor (SSVCM) which Nikon states enables “high-speed, high accuracy AF with near-silent operation,” as well as Meso Amorphous Coat for the best reflection control available in a Nikon lens, superior to that of Nikon’s Nano Crystal Coat.

Weighing in at approximately 6.5 pounds, Nikon has achieved a significant reduction of weight in the design of this lens compared to the NIKKOR AF-S 400mm f/2.8FL ED VR which weighs about 2 pounds more. That’s an attractive advantage for photographers who prefer to shoot handheld to react more quickly when tracking wildlife or sports action, as is the built-in Vibration Reduction system that’s capable of up to 5.5 stops of correction.

As you’d expect of a premium professional NIKKOR lens, it features extensive weather sealing and a durable magnesium alloy body. It also includes customizable function buttons on the barrel. The NIKKOR Z 400mm f/2.8 TC VR is expected in “late February” with a list price of $13,999.

For additional details, see the press release below.

###

THE NIKKOR Z 400mm f/2.8 TC VR S: A new pinnacle of performance for sports, action and wildlife shooters

Nikon’s Latest S-Line Super-Telephoto Lens Goes the Distance with Breathtaking Image Quality and a Built-in 1.4x Teleconverter

MELVILLE, NY (January 18, 2022) –Today, Nikon announced the NIKKOR Z 400mm f/2.8 TC VR S, a high performance super-telephoto prime lens for the Nikon Z system. This fast S-Line lens arrives just in time to complement the unstoppable potential of the Nikon Z 9, and opens creative possibilities for professionals photographing sports and wildlife where there is no room for compromise on extreme reach and incredible sharpness.

“Nikon’s engineers continue to bring new and exciting advancements to image creators and working professionals. Immediately following the extraordinary response to the Z 9, the NIKKOR Z 400mm f/2.8 TC VR S lens features the latest technologies resulting from our expertise in optical engineering,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The customers for this lens often find themselves in situations where there is no second chance to get a shot; this lens takes full advantage of new technologies made possible by the Z mount and gives professional shooters an edge to capture the decisive moment with remarkable image quality, under any kind of light.”

The NIKKOR Z 400mm f/2.8 TC VR S has unprecedented rendering capabilities, combined with a myriad of new optical technologies that enhance the image quality and performance. This lens features a constant f/2.8 aperture that provides stellar low-light capabilities as well as beautiful bokeh and subject isolation from the background. For extended reach, this is the first NIKKOR Z lens to utilize a built in 1.4x teleconverter to instantly increase the focal length to 560mm. This feature allows photographers to seamlessly adjust as an athlete moves downfield, or to capture environmental and close-up shots of nature without changing lenses or positions.

The NIKKOR Z 400mm f/2.8 TC VR S is the lightest lens of its type, engineered with superb balance, intuitive controls and weather sealing suitable for professional use. This lens is also the first to employ Nikon’s newly developed optical technologies such as a Silky Swift Voice Coil Motor1 (SSVCM), enabling high-speed, high accuracy AF with near-silent operation. This new S-Line lens also features Nikon’s new Meso Amorphous Coat, which offers the highest anti-reflection capabilities in NIKKOR history. 

Primary features of the NIKKOR Z 400mm f/2.8 TC VR S:

  • A built-in 1.4x teleconverter enables a seamless and rapid switch from a 400mm to a 560mm focal length, using a switch conveniently located close to the camera operator’s right hand. The increase in focal length can be made without changing posture to avoid disturbing wildlife, while minimizing the intrusion of dust often associated with conventional teleconverter assembly. For even more reach, the lens also accepts Z TELECONVERTERS TC-1.4x and TC-2x for a maximum reach of 784mm and 1120mm, respectively.  
  • The lightest lens of its type with a built in teleconverter, weighing in at approximately 6.5lbs (2950 g), which is nearly two pounds lighter (approx. 20% less) than the NIKKOR AF-S 400mm f/2.8FL ED VR. The use of Fluorite elements also contribute to its reduced weight.
  • The newly developed Meso Amorphous Coat offers the best anti-reflection performance in NIKKOR lens history. Regardless of the directions of incident light, this advanced new coating offers an anti-reflection effect that’s superior to that of Nano Crystal Coat, greatly suppressing ghosting and flaring caused by incident light from various directions.
  • The new SSVCM enables fast, highly accurate, quiet AF control, and is optimized to move large elements with the utmost precision. The SSVCM works in conjunction with a new guide mechanism that enables the elements to move smoothly, further increasing accuracy.
  • The lens construction consists of 25 elements in 19 groups; two ED glass elements, a super-ED glass element, two lightweight fluorite lens elements and an SR lens element are incorporated in the optical formula, helping to compensate for aberrations effectively, including chromatic aberration.
  • Built-in Vibration Reduction (VR) provides up to 5.5 stops of compensation2, even when the built-in teleconverter is in use. Synchro VR is available when paired with the Nikon Z 9.
  • Designed with a rugged magnesium alloy body and robust weather sealing on various portions including movable parts of the lens barrel and a rubber gasket around the lens mount, ensuring superior dust- and drip-resistant performance3. Additionally, a fluorine coat with antifouling performance is applied to the surface of the front element, repelling water droplets and dust.
  • Offers multiple customizable function buttons, including a control ring and a new Fn Ring that can recall a focus position quickly with the Memory Recall function.

Pricing and Availability

The NIKKOR Z 400mm f/2.8 TC VR S lens will be available in late February 2022 for a suggested retail price (SRP) $13,999.95*. For more information about the latest Nikon products, including other NIKKOR Z lenses and the entire collection of Z series cameras, please visit nikonusa.com.

###

The post Nikon Introduces NIKKOR Z 400mm f/2.8 TC VR S appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3555ftx

Tuesday, January 18, 2022

Photo By Sharon Philpott

Today’s Photo Of The Day is “Time for a Break” by Sharon Philpott. Location: Grand Teton National Park, Wyoming.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Sharon Philpott appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3fHdWvX

Monday, January 17, 2022

Photo By Ross Stone

Today’s Photo Of The Day is “In The Shadow of The Inyo Mountains” by Ross Stone. Location: Inyo County, California.

“The big tule elk of Fish Springs look small compared to the Inyo Mountains in the background.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Ross Stone appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3ruDAKd

7 quick landscape photography reminders

Nature photography encompasses a lot of subtopics. Abstracts, macro, wildlife, landscapes, star trails, astrophotography, environmental and so much more. Then, factor in that each of these subtopics encompasses further subdivisions. It’s no wonder many nature photographers specialize in just one area. Today’s focus is landscapes, and I share with you a guide of 7 quick landscape photography reminders to carry in your camera bag to remind you of what can be done to bring your landscapes to the next level.

Light

The most sought-after light occurs at sunrise and sunset. The color is warm, it reveals shape and texture due to the low angle and if there are clouds, the colors can be spectacular. Stay out until sunset and be at your location at the crack of dawn to capture the effect. Work the light 90 degrees to your subject to create shape and texture.

Rule of Thirds

I prefer to call it the “guideline of thirds” in that there are times when you can break it successfully, but for the majority of photographic situations, it will help. Get the main subject out of the center of the picture. Place primary subjects where the lines of a tic-tac-toe grid intersect.

Leading Lines

7 quick landscape photography reminders

Leading lines guide the viewer’s eye to the primary focal points. They can be zig-zag, bending, diagonal or straight and should relate to the context of the overall image.

Think Small

Landscapes are commonly photographed with wide-angle lenses to take in the grand scenic. But don’t overlook the intimate landscape that lies at your feet or the narrow slice of the overall environment. Look to the right, to the left, down and up. The shot of the day may be a portion of the overall scene.

Filter It

7 quick landscape photography reminders

Two filters I never leave home without are my polarizer and graduated neutral density. The polarizer saturates a blue sky and removes glare from shiny surfaces. The graduated neutral density allows me to create better exposures of a bright sky when coupled with a shadowed foreground. A two-stop soft edge is the most versatile, although I carry other variations.

Shallow Depth Of Field

If the goal is to make a single flower the focal point, strap on the telephoto, focus on a given bud and open the lens up. This will create a selective focus look wherein just a single plane is sharp. The farther away from the background the subject lives, the greater the effect of shallow depth of field.

Infinite Depth Of Field

To obtain foreground to background sharpness, strap on a wide-angle, stop it down to f/22 and focus one-third into the image. This works great to depict the vast landscape.

Frame It

7 quick landscape photography reminders

The compositional technique of framing draws a viewer’s attention to the main subject. It unifies the primary focal point with natural objects that surround it. These objects emphasize the subject, add a sense of depth and help identify the setting of the photograph. Framing can be used to hide distracting elements and strategically fill in areas that otherwise may lack interest. 

So the next time you’re in the field, refer to these 7 Quick Landscape Photography Reminders to get the most out of your landscape photography opportunities.

To learn more about this subject, join me on a photo safari to Tanzania. Visit www.russburdenphotography.com to get more information.

The post 7 Quick Landscape Photography Reminders appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3qylPKq

Sunday, January 16, 2022

Photo By Nam Hui Cho

Today’s Photo Of The Day is “Harmony of Drift Ice” by Nam Hui Cho.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Nam Hui Cho appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3KgQ3JW

Saturday, January 15, 2022

Photo By CateHotchkiss

Today’s Photo Of The Day is “Pine Forest Palette” by CateHotchkiss. Location: Columbia River Gorge, Oregon.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By CateHotchkiss appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3HZdupc

Friday, January 14, 2022

Photo By Gene Putney

Today’s Photo Of The Day is “Rocky Mountain Elk Calf” by Gene Putney. Location: Rocky Mountain National Park, Colorado.

“On an October afternoon during the elk rut, this calf walked up on a ridge to get a better view to observe its surroundings,” explains Putney. “It stopped and posed in a good spot that worked well compositionally as it scanned the area.”

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Gene Putney appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3FmNfas

Image Quest 2021 is the sixth edition of Red Bull Illume’s adventure and action sports photography contest, and this year’s finalists include some stunning images selected from over 47,000 total submissions. Congratulations to the Overall Winner Will Saunders and to the category winners.

Here’s a slideshow of our 25 favorite winner and finalist images. Learn more about Red Bull Illume Image Quest 2021 at the contest’s official website.

[See image gallery at www.outdoorphotographer.com]

The post 25 Incredible Photos From Red Bull Illume Image Quest 2021 appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/33ign5J
Photo taken at Ah-Shi-Sle-Pah Wilderness Study Area

Nikon D200, AF-S DX Zoom-NIKKOR 18-70mm f/3.5-4.5G IF-ED at 18mm (27mm equivalent), Manfrotto 190XB tripod with Manfrotto 3437 ballhead. Exposure: 3 sec., Æ’/22, ISO 100.

The Ah-Shi-Sle-Pah Wilderness Study Area (WSA) is one of several remote badlands in northwestern New Mexico. Throughout the area known as the San Juan Basin, the same geological features that contain beds of coal and gas coveted by industry have also been carved by the ages into fanciful badlands, populated by strange “hoodoos” of rock. The nearby Bisti Wilderness is the most well-known and easily accessible of these badlands and provides a good introduction to the area.

The Ah-Shi-Sle-Pah and other badlands are on the “checkerboard,” where the square miles of land alternate in ownership between state, Bureau of Land Management and the Navajo Nation. Slow down while driving and watch out for livestock. Maps are recommended to navigate the lonely open-range roads of the area. A high clearance vehicle is usually not needed, but all-wheel drive might keep you out of trouble.

As for the badlands themselves, there’s not much variance in elevation between the highest and lowest parts of the landscape, so topo maps are of limited use. Just keep your eyes open. These alien landscapes are as fragile as any that you’ll ever visit, so please tread lightly because your footprints might be visible for years to come.

Weather At Ah-Shi-Sle-Pah Wilderness

In summer, dusty winds and brutal sun prevail, and the high desert heat of June and July could be too much for some unaccustomed hikers. Sunscreen and lots of water are the most important items to carry in your pack. The summer thunderstorms make for some of the best backdrops for photography, but they can also strand you for hours when the dirt roads become impassable. If stormy skies are what you’re looking for, be prepared to possibly stay a while.

The badlands can be hiked year-round, even in winter, since storms rarely leave snow on the ground for long.

Photo Experience

This image was captured in April of 2010, just after sunset. I had been at this location several times before but either at the wrong time of day or under a less-interesting sky. The challenge was getting the shot under quickly fading light while waiting for a few seconds here and there with no wind to sway the grasses. 

Best Times To Visit Ah-Shi-Sle-Pah

The evening or morning light emphasizes the rich colors often hidden by the harsh mid-day sun, and the best light for photography, as you might expect, is usually within an hour on either side of sunset or sunrise. Dusk and pre-dawn can exaggerate the richest and most unexpected hues in the badlands, making a tripod the most important piece of equipment you should bring. If you intend to shoot in the morning, it’s best to hike an hour or more before sunrise, so selecting a location beforehand is a good strategy. As for the time of year, I prefer the warmer months because when you intend to capture both the evening light and dawn light during one visit, there are fewer hours to wait through the shorter nights.

Contact: Bureau of Land Management, blm.gov/visit/ah-shi-sle-pah-wilderness.


See more of Mike Spieth’s work at mikespieth.com.

The post Ah-Shi-Sle-Pah Wilderness Study Area appeared first on Outdoor Photographer.



from Favorite Places – Outdoor Photographer https://ift.tt/3noMkQu
Photo taken at Ah-Shi-Sle-Pah Wilderness Study Area

Nikon D200, AF-S DX Zoom-NIKKOR 18-70mm f/3.5-4.5G IF-ED at 18mm (27mm equivalent), Manfrotto 190XB tripod with Manfrotto 3437 ballhead. Exposure: 3 sec., Æ’/22, ISO 100.

The Ah-Shi-Sle-Pah Wilderness Study Area (WSA) is one of several remote badlands in northwestern New Mexico. Throughout the area known as the San Juan Basin, the same geological features that contain beds of coal and gas coveted by industry have also been carved by the ages into fanciful badlands, populated by strange “hoodoos” of rock. The nearby Bisti Wilderness is the most well-known and easily accessible of these badlands and provides a good introduction to the area.

The Ah-Shi-Sle-Pah and other badlands are on the “checkerboard,” where the square miles of land alternate in ownership between state, Bureau of Land Management and the Navajo Nation. Slow down while driving and watch out for livestock. Maps are recommended to navigate the lonely open-range roads of the area. A high clearance vehicle is usually not needed, but all-wheel drive might keep you out of trouble.

As for the badlands themselves, there’s not much variance in elevation between the highest and lowest parts of the landscape, so topo maps are of limited use. Just keep your eyes open. These alien landscapes are as fragile as any that you’ll ever visit, so please tread lightly because your footprints might be visible for years to come.

Weather At Ah-Shi-Sle-Pah Wilderness

In summer, dusty winds and brutal sun prevail, and the high desert heat of June and July could be too much for some unaccustomed hikers. Sunscreen and lots of water are the most important items to carry in your pack. The summer thunderstorms make for some of the best backdrops for photography, but they can also strand you for hours when the dirt roads become impassable. If stormy skies are what you’re looking for, be prepared to possibly stay a while.

The badlands can be hiked year-round, even in winter, since storms rarely leave snow on the ground for long.

Photo Experience

This image was captured in April of 2010, just after sunset. I had been at this location several times before but either at the wrong time of day or under a less-interesting sky. The challenge was getting the shot under quickly fading light while waiting for a few seconds here and there with no wind to sway the grasses. 

Best Times To Visit Ah-Shi-Sle-Pah

The evening or morning light emphasizes the rich colors often hidden by the harsh mid-day sun, and the best light for photography, as you might expect, is usually within an hour on either side of sunset or sunrise. Dusk and pre-dawn can exaggerate the richest and most unexpected hues in the badlands, making a tripod the most important piece of equipment you should bring. If you intend to shoot in the morning, it’s best to hike an hour or more before sunrise, so selecting a location beforehand is a good strategy. As for the time of year, I prefer the warmer months because when you intend to capture both the evening light and dawn light during one visit, there are fewer hours to wait through the shorter nights.

Contact: Bureau of Land Management, blm.gov/visit/ah-shi-sle-pah-wilderness.


See more of Mike Spieth’s work at mikespieth.com.

The post Ah-Shi-Sle-Pah Wilderness Study Area appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/3noMkQu

Search This Blog

Popular Posts

Blog Archive

Powered by Blogger.

Pages

About MeHey, this is my blog, so I have to say something about myself. Sometimes it is hard to

Recent Posts