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Monday, October 31, 2022

Photo By Kristy Sharkey

Today’s Photo of the Day is “Star Trails Over Mt. Rainier” by Kristy Sharkey. Location: Washington.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including Assignments, Galleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Many know the familiar quote with a direct connection to Mount Everest (the highest mountain in the world). The quote is, “Because it’s there.” George Mallory uttered the phrase when he was asked why he tried to reach the summit. Although his initial climb was unsuccessful, he saw it as a challenge. He wanted to be the first to summit the peak. On his third attempt, he fatefully perished and never attained his lifelong dream. But his words live on and have become a metaphor for whenever a challenge is encountered. Others followed Mallory’s desire to ascend the peak. Edmund Hillary, along with Sherpa guide Tenzing Norgay, finally conquered the summit and are the first known people to reach the top of Mount Everest.

The above mini history lesson got me thinking about a different question regarding mountains as they relate to photography. While not life threatening, it still has a direct relationship to a challenge. It sparked the idea for this week’s tip. Why do scenic photographers love to photograph mountains? “Because they’re there” is a feasible answer, but it’s already become too famous a quote. More questions came to mind: Why some peaks and not others? Why do geologically newer mountains attract a greater number of photographers? Why do older, lower mountains lure photographers in the autumn? Why is mountain light so spectacular? Here I share with you some of my tricks and techniques to assist you in capturing your mountain images so you can elevate your photos to new heights!

Include a Reflection

Mountains and lakes are often found in conjunction with each other. This works great for lake water in that mountain air is much more still in early morning. This may provide a mirror image of the actual peak and surrounding area. Include this reflection to add an additional compositional element. Still air is rarely found in high elevations in the afternoon, so to improve your chance of getting a reflection, wake early and be at your destination for alpenglow and first light.

Think Wide And Telephoto

One of my favorite expressions is, “Exhaust all possibilities.” Mountain photography and wide-angle lenses are often paired for obvious reasons. But, don’t miss out on a great photo opportunity and limit your captures to a single focal length. Attach a medium to long telephoto to isolate just the peak in early or late light. Use a telephoto to compress individual layers to produce a receding atmospheric effect. Use a long lens to zero in on a patch of fall color. Think outside the box and add diversity to your files.

The Bonus Shots

There’s more to photographing mountains than just their facade. Take a hike, immerse yourself and explore the mountain itself. Bring your gear on one of the hiking trails and photograph waterfalls that appear along the path. If it’s summer and you’re up in elevation, go where the wildflowers bloom and use them as both a foreground and to make individual portraits. Mountains are often associated with wildlife, so don’t overlook the animals that rely on the vegetation as a source of food. Additionally, if there are small critters consuming the greenery, chances are predators are around that consume the little ones. And don’t forget about the gorges that cut through the rock and create gorgeous scenes. So much potential.

Dramatic Light

Blue sky days can be a photographer’s friend. But when it comes to creating eye-popping mountain images that stop viewers in their tracks, dramatic light elevates this friendship to a lifelong blood brother. Check the latest weather apps for impending weather. If the edge of a storm coincides with sunrise or sunset, be at your favorite peak. Is it guaranteed something wonderful will unfold? It’s the luck of the draw, but if drama is what you want in your photos, you need to go the extra mile, roll the dice and hope it’s bestowed upon you.

Filter It

A polarizer and graduated neutral density filter are a mountain photographer’s best friends. The polarizer helps add drama to the sky and the grad filter helps control the exposure discrepancy between a sunlit peak and a shadowed foreground. Post processing allows you to mimic the effect of a grad filter by creating multiple exposures of varying densities and combining the best parts of each exposure with software. The effect is great, but it takes time sitting in front of the computer doing the extra work. Dropping a grad in front of the lens at the time the shutter is pressed is much more efficient. With regards to a polarizer, its effect can’t be mimicked with post processing, so it’s essential you carry this filter to control glare, saturate the sky, enhance reflections and more.

To learn more about this subject, join me on a photo safari to Tanzania. Visit www.russburdenphotography.com to get more information.

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Sunday, October 30, 2022

Photo By Sam Folsom

Today’s Photo of the Day is “Sunburst in Yosemite” by Sam Folsom. Location: Yosemite National Park, California.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including Assignments, Galleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Saturday, October 29, 2022

Photo By Garry Everett

Today’s Photo of the Day is “Superstitious” by Garry Everett. Location: Lost Dutchman State Park, Arizona.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including Assignments, Galleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Friday, October 28, 2022

Today’s Photo of the Day is “Mesa Arch and its Golden Sunburst” by Jonathan Burns. Location: Canyonlands National Park, Utah.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including Assignments, Galleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Thursday, October 27, 2022

Photo By Jeremy Janus

Today’s Photo of the Day is “Sunrise at Mount Whitney” by Jeremy Janus. Location: Near Lone Pine, California.

“When we started the ascent to the top of Mount Whitney it was 2 a.m., explains Janus. “We slept horribly the night before due to the excitement of conquering the biggest mountain in the contiguous United States, which sits at 14,505 feet. We had to trek through the dark of the forest, hike over streams and rivers, and pass by tons of other hikers all with the light of our headlamps. We began to get above the treeline just as the light from the sunrise started to shine over the mountains. I hustled to get to a point where I could get a sunburst with the dramatic light on the rocks and mountains of the Mount Whitney Portal. I took this shot around 5:45 a.m. and to this day it was one of the most gratifying and breathtaking sunrises I have ever experienced. The whole hike took us 14 hours to conquer the 21 miles and it was worth every single grueling moment.”

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including Assignments, Galleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Congratulations to Harry Lichtman for winning the recent Sidelight Assignment with the image, “Light Play.” See more of Lichtman’s photography at www.harrylichtman.com

View the winning image and a selection of submissions below. And be sure to check out our current photography assignment here and enter your best shots!

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Sony today introduced its next generation model in the company’s a7R line, the a7R V. This 61-megapixel camera is the highest resolution model in the Alpha camera system.

Photo of the Sony a7R V

Sony a7R V

The a7R V features a new processing unit that’s dedicated to AI subject recognition, something not before offered in an Alpha camera. The upgraded AF Real-time Recognition system can identify and track a broader range of subjects than was previously possible, including animals and even insects.

Another feature unique to the a7R V is an improved image stabilization system that’s capable of up to 8 stops of correction for hand-held shooting.

Photo of the back of the Sony a7R V

The Sony a7R V features two CFexpress Type A/SDXC compatible media slots. There’s also a 4-axis multi-angle LCD touchscreen monitor.

Despite the camera’s very hi-res sensor, it’s able to shoot continuously at speeds up to 10 fps with full AF and AE tracking, in bursts of up to 583 compressed RAW files. There’s also a “silent, vibration-free” shooting mode that is capable of up to 7 fps.

Photo of the top panel of the Sony a7R V

Top view of the Sony a7R V

Along with the still photography features, the Sony a7R V can record video in 8K resolution as well as 4K oversampled from 6.2K. The camera is expected to ship in December with a list price of $3,900. For more information, see the press release below.

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Sony Electronics’ New Alpha 7R V Camera Delivers a New High-Resolution Imaging Experience with AI-Based Autofocus

New Artificial Intelligence (AI) Processing Unit with 61 MP High Resolution Image Sensor and BIONZ XR™ Processing Engine Combine to Deliver Best-Ever Image Quality for an Alpha Body

SAN DIEGO, CA – October 26, 2022 – Sony Electronics Inc. announced the Alpha 7R V (model ILCE-7RM5) as the newest R series camera in its acclaimed line of Alpha mirrorless interchangeable lens cameras. The Alpha 7R V combines Sony’s highest resolution image sensor in an Alpha camera with a new AI (artificial intelligence) processing unit dedicated to AI-based image recognition – a first in any Alpha camera – as well as the powerful BIONZ XR™ image processing engine – a first in the “R” full-frame lineup. The combination of the high-resolution sensor and these processors enables new breakthroughs in subject recognition and capture for both still photography and video.

The new Alpha 7R V offers 61.0MP still images plus the most effective 8-step[i] image stabilization system ever offered in any of Sony’s Alpha cameras, as well as refined 8K[ii] movie recording, a new 4-axis multi-angle LCD monitor, high-speed communication functions, high-level operability and smooth workflow integration. Sony’s newest camera is ideal for professionals who need a first-class high-resolution imaging tool.

“The newest addition to our Alpha 7R lineup is the perfect example of our relentless drive to develop industry-leading imaging technology,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We are thrilled to introduce the all-new Alpha 7R V with high-resolution and extremely advanced AI integrations that deliver next-generation autofocus performance. We are excited to see what our community creates with the new Alpha 7R V.”

Improved AF Accuracy Based on Newly Developed AI Processing Unit

The Alpha 7R V features next-generation AF Real-time Recognition AF, with advanced accuracy and broader subject recognition thanks to a new AI (artificial intelligence) processing unit with deep learning. The state-of-the-art AI processing uses detailed information about human form and pose estimation to dramatically improve recognition accuracy beyond systems which only detect face and eye and make full use of its potential[iii]. Real-time Recognition AF, using AI subject recognition, has been developed to include several subject types, including animals, vehicles and insects[iv]. The Alpha 7R V also includes continuous shooting at up to 10 fps[v] with AF/AE tracking.

In addition to the advanced AI technology, the Alpha 7R V includes improvement to many beloved features from other cameras in Sony’s Alpha series that are now included for the first time in Sony’s 7R series:

  • Tenacious Real-time Tracking[vi]
  • Faster and more precise wide-area, high-density AF system
  • Silent, vibration-free shooting[vii] at up to 7 fps[viii]
  • Continuously shoot up to 583 compressed RAW images at high speed[ix]

The Alpha 7R V also includes focus features that support high resolution including full-time DMF[x] (direct manual focus), and focus bracketing[xi], a highly-requested capability that allows for focus stacked images.

Extraordinary Resolution Known to Sony’s Alpha 7R Series

The Alpha 7R V was designed to deliver overwhelming detail thanks to the latest BIONZ XR™ image processing engine and a 35mm full-frame back-illuminated Exmor R™ CMOS image sensor with approximately 61.0 effective megapixels. The latest BIONZ XR image processing engine ensures that the resolution potential of the camera’s sensor is fully utilized to deliver the highest resolution at low sensitivity in the Alpha series thus far. This enables sensitivity settings from ISO 100 to ISO 32000[xii] for both stills and movies and wide dynamic range with 15 stops[xiii] for stills.

The Alpha 7R V’s entire image stabilization system has been updated with a high-precision image stabilization unit, advanced gyro sensors, and optimized image stabilization algorithms for stills and video. In addition to up to the 8-step compensation effect for stills, the new stabilization algorithm provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor’s 61.0-megapixel resolution potential to bring out the finest subject details. Sony’s newest camera also offers upgraded Pixel Shift Multi Shooting, which takes advantage of the precision in-body image stabilization system control, capturing multiple pixel-shifted images that are later composited using a computer to achieve overwhelming resolution in a single image. Using the latest version of Imaging Edge Desktop™ Ver.3.5 computer application, small pixel-level movements, such as a shift in the subject’s position or leaves on a tree, are automatically detected and corrected for optimized compositing can be achieved[xiv]. 16-image composites with approximately 240.8 million pixels (19,008 x 12,672 pixels)[xv] can be produced from data that is equivalent to approximately 963.2 million pixels. The Alpha 7R V also supports precise and versatile external flash control for additional creative flexibility. Additionally, when in challenging lighting conditions the Alpha 7R V effectively suppresses flickering from artificial lights[xvi] for stills and video.

Additional features that offer flexibility for still photography includes:

  • Addition of Lossless RAW image compression and selectable RAW image sizes and quality
  • Greatly expanded focus and exposure bracketing
  • Creative Look settings for stills and videos in camera
  • High-quality HEIF images with high compression efficiency
  • Wide brightness range for large screen viewing.

Operability and Reliability

The Alpha 7R V pairs outstanding reliability for professional needs in both stills and videos with a compact, lightweight form factor. The Alpha 7R V includes a new 4-axis multi-angle LCD monitor[xx] that combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility, and an electronic viewfinder with 9.44 million dots. The Alpha 7R V also includes two CFexpress Type A/SDXC compatible media slots and a brand-new menu system with touch control and a wide range of customizable functions.

The Alpha 7R V also allows professionals to optimize their workflow with updated connectivity for improved support. Data can be transferred at high speed over Wi-Fi (802.11ac) 2×2 MIMO[xxi] or a wired SuperSpeed USB 10Gbps connection via a USB-C® port. In addition to allowing efficient remote shooting as well as still and movie file transfers, new USB streaming features support UVC/UAC, allowing direct streaming from the camera even in 4K (QFHD) resolution with audio as well.

Based on feedback from professionals, the Alpha 7R V includes improved heat dissipation for extended recording times[xxii], an upgraded dust and moisture resistant design[xxiii], a durable magnesium alloy chassis, and other refinements for maximum reliability in challenging working environments.

The Alpha 7R V is also compatible with the new PCK-LG3 Screen Protect Glass Sheet, which maintains touch sensitivity while protecting the LCD monitor against stains and fingerprints.  

Designed for Professionals with Sustainability in Mind

Measures have been taken to reduce the environmental footprint of this product at various stages of its life cycle: from product development through supply chain, production, and packaging. Sony aims to inspire through efficient use of energy and resources. Recycled plastic including SORPLAS™[xxiv]  were partially used for the camera body. In addition, manufacturing takes place at a facility using renewable energy.

Sony is working towards the use of plastic free[xxv] packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags[xxvi]. All of these considerations help to minimize environmental impact.

Pricing and Availability

The new Alpha 7R V will begin shipping in December and is available for approximately $3,900 USD and $5,300 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

[i] CIPA standards. Pitch/yaw shake only. FE 50mm F1.2 GM. Long exposure NR off.

[ii] Slow & Quick Motion is not available when recording XAVC HS 8K movies. [APS-C/S35 Shooting] is fixed at [Off]. Angle of view is approx. 1.2x.

[iii] Camera may not accurately recognize all specified subjects in all conditions. Subject types other than the type specified may be erroneously recognized in some cases.

[iv] Camera may not accurately recognize all specified subjects in all conditions. Available subject settings are: Human, Animal/Bird, Animal, Bird, Insect, Car/Train, and Airplane. Subject types other than the type specified may be erroneously recognized in some cases.

[v] Up to 8 fps with AF/AE tracking when shooting with live view. Maximum continuous shooting speed will depend on camera settings.

[vi] [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning.

[vii] Some image distortion may occur when shooting fast-moving subjects or when panning or otherwise moving the camera rapidly.

[viii] Up to 7 fps in continuous “Hi+” mode. Maximum continuous shooting speed will depend on camera settings.

[ix] Sony CEA-G160T CFexpress Type A memory card used. Continuous Hi+ mode. Actual number of images may vary according to shooting conditions.

[x] Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the SEL70200GM lens in AF-C mode.

[xi] A-mount lenses not supported.

[xii] Expandable to ISO 50-80 and 40000-102400 for stills.

[xiii] Sony test conditions. Still images

[xiv] As of the October 2022 product announcement. Applicable models: Alpha 1 and Alpha 7R V

[xv]  Image size after compositing is approx. 60.2 million (9 504×6 336) pixels for 4-image shots, and approx. 240.8 million pixels (19 008 x 12 672) for 16-image shots.

[xvi] Only 100 Hz and 120 Hz flicker is detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording.

[xvii] When shooting Super 35mm at 30p or 24/25p.

[xviii] Slight image crop in Active Mode. Active mode not available when recording XAVC HS 8K or using a frame rate of at 120 (100) fps.

[xix] See Sony’s support web page for information on compatible lenses: https://ift.tt/VNOJFLo  A software update may be required for some lenses. Compensation effectiveness may vary according to the lens used.

[xx] Monitor movement may be limited when cables are connected to the camera’s connectors.

[xxi] Wi-Fi® communication is enabled on the 2.4 GHz and 5 GHz bands. 5 GHz communication may be restricted in some countries and regions.

[xxii] Sony internal tests with [Auto Power OFF Temp.] set to [High].

[xxiii] Not guaranteed to be 100% dust and moisture proof.

[xxiv] Depending on the time of production, SORPLAS™ may not be used for some parts

[xxv] Not including materials used in coatings and adhesives.

[xxvi] Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods.

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Wednesday, October 26, 2022

OM Digital Solutions, formerly Olympus, has introduced the OM SYSTEM OM-5 camera, a 20.4-megapixel Micro Four Thirds sensor camera aimed at enthusiast photographers who want a lightweight, compact system. The OM SYSTEM OM-5 continues the lineage of the Olympus OM-D E-M5 series, the company’s mid-range model.

Photo of the front of the OM-5 camera

OM Digital Solutions OM SYSTEM OM-5

One of the features that OM Digital Solutions is emphasizing with the OM-5 is its impressive image stabilization capabilities for handheld shooting. The OM-5 provides up to 6.5 stops of stabilization—and up to 7.5 stops with compatible lenses—with its in-body 5-axis system. The system not only assists single-shot photography, but also enables a 50-megapixel Hand-Held Hi-Res mode which combines multiple captures to produce one high-resolution image.

Photo of the back of the OM-5 camera

The OM-5 includes a 3.0-inch vari-angle monitor with touchscreen control.

The camera can shoot continuously at up to 30 fps, and with its Pro Capture mode enabled, can record up to 14 frames prior to the shutter activation. This is an especially great feature for wildlife photographers who are trying to capture a precise moment of action.

Photo of the top panel of the OM-5 camera

Top view of the OM SYSTEM OM-5

In addition to still photographs, the OM SYSTEM OM-5 can also record 4K video with no time limits. The camera will be offered in silver and black colorways, with availability expected in late November. List price is $1,199 for the body only, or $1,599 in a kit that includes the M.Zuiko 12-45mm F4.0 PRO lens. For additional details, see the press release below.

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Announcing the OM SYSTEM OM-5 Interchangeable Lens Camera 

Tell Your Story with the Compact and Durable OM-5 

Bethlehem, PA – OM Digital Solutions Corporation is pleased to announce the OM SYSTEM OM-5: a perfect companion for adventures big and small. From local micro excursions to exciting exploits in far flung locations, the OM-5 is a versatile addition to the OM SYSTEM range.

This full-featured Micro Four Thirds System standard interchangeable lens camera features durable dustproof and splashproof performance, with freezeproof protection down to 14°F ideal for those with an action-packed lifestyle, allowing worry-free photography in harsh environments that many other cameras cannot endure. This powerful, yet portable, camera body is equipped with expanded features to further inspire creative shooting, including computational photography features such as 50MP Handheld High Res Shot and Live ND, as well as support for vertical video playback on smartphones.

The powerful in-body 5-axis image stabilisation paired with compact, lightweight M.Zuiko Digital lenses deliver outstanding image quality in a highly mobile interchangeable lens camera, making it the ultimate outdoor adventure camera. The OM-5 is ready to capture stunning images anytime, anywhere, in any environment.

OM SYSTEM OM-5 MAIN FEATURES & TECHNOLOGY DETAIL

Compact, lightweight body with 5-axis Image Stabilization

The OM SYSTEM OM-5 packs 5-axis Image Stabilization into a compact body that measures 125.3 x 85.2 x 49.7 mm (WHD) and weighs 12.91 oz. (camera body only). It delivers up to 6.5 shutter speed steps2 of image stabilization, which, when combined with a compatible lens3, expands to 7.5 steps4 thanks to 5-axis sync IS. Powerful image stabilisation enables shooting with slow shutter speed effects in areas where a tripod cannot be used, making it the perfect companion for photo opportunities while traveling. Thanks to the inclusion of the renowned 20.37 million effective pixel5 Live MOS sensor and the high-performance TruePic IX image processing engine, this model delivers natural gradations in images with minimal noise and high image quality even at high-sensitivity settings.

The OM-5 is equipped with a 121-point all cross-type On-chip Phase Detection AF sensor for focusing on various locations across the frame for greater freedom over framing and high-precision focusing. Starry Sky AF delivers high precision auto focusing for easy astrophotography, something previously considered difficult.

IP53 Protection Class weather sealing

The OM SYSTEM OM-5 is equipped with sealing throughout, delivering IP531 protection class dustproof and splashproof performance with freezeproof protection to 14°F, the same high level of weather resistance as the OM SYSTEM OM-1 flagship model. Thanks to this design, users can focus on photo opportunities even in punishing conditions without worrying about ruining their equipment due to sudden rain showers, snow, or water droplets. The camera is also equipped with the SSWF (Supersonic Wave Filter), which significantly reduces issues with dust and dirt on the image sensor when changing lenses, making this an excellent model for active shooting and peace of mind for those who need to change lenses outdoors. The compact BLS-50 battery is used in this model, and the bundled USB-AC adapter can be used to charge the battery in the camera.

Versatile computational photography

Computational photography features allow users to easily capture photos that generally require special equipment or image editing software. The OM SYSTEM OM-5 is packed with convenient, versatile computational photography features that provide further inspiration for creative shooting, such as High Res Shot and Live ND.

High-Res Shot

This model supports Handheld High-Res Shot, which merges multiple images to create approximately 50 Megapixel high-resolution images. With this feature, users can enjoy hand-held shooting from nearly any angle while capturing high-resolution images. Merging multiple images not only improves resolution, but also minimizes noise. The popular Tripod High-Res Shot feature is also included on this model.

Live ND

Achieve slow shutter speed effects like those using ND filter up to ND16 (4 shutter speed steps). This feature delivers slow shutter speed effects even on ultra-wide-angle lenses that cannot accommodate an ND filter, and the effects can be viewed before capturing the photo using the viewfinder or on the LCD monitor when LV Simulation is activated.

Pro Capture

Pro Capture begins recording once the shutter button is pressed halfway and records previous frames beginning with the moment when the shutter button is pressed fully, ensuring users never miss moments due to human reaction and camera operation time lag. With high-speed sequential shooting up to 30 fps (AF/AE locked), up to 14 previous frames can be captured.

Focus Stacking

Focus Stacking captures eight shots at different focal positions and automatically generates a single image so users can incorporate background defocusing effects without excessively stopping down the aperture for control over the depth of field that matches the subject. This feature is useful for macro shooting.

Live Composite

With this feature, users can easily capture beautiful, varied shots while watching the image build on the Live View screen, even in situations where exposure control is difficult, such as when shooting a city against a starry sky.

Keystone Compensation

Just as if shooting with a shift lens, users can view effects in the Live View screen, while using vertical/horizontal simultaneous trapezoidal compensation and perspective enhancement.

Other features include Live Bulb, Interval Shooting/Time Lapse Movie, Focus Bracketing, HDR, Color Creator, Art Filter, and Fisheye Compensation.

High-quality 4K hand-held video recording and vertical video

The powerful in-body 5-axis image stabilization on the OM SYSTEM OM-5 is also compatible with video recording. When combined with the dedicated video electronic stabilization, it enables stable, hand-held 4K recording with no time limits. The camera utilizes On-chip Phase Detection AF sensor information for video focusing control to deliver smooth focusing that matches the characteristics of videos. OM-Log is supported for a greater level of freedom over editing thanks to color grading, which allows users to capture highlights and shadows without overexposing or underexposing shots. Vertical video is also supported on this model; videos recorded in vertical orientation on the camera are saved as vertical files, making them easy to post on social media without the need for special editing software. Users can also connect6 the high-res LS-P5 linear PCM recorder to capture high-quality audio while recording videos and the Slate Tone feature is available for easy audio data synchronization while editing videos.

Other features

  • Supports UVC (USB Video Class)/UAC (USB Audio Class) for use as a high-quality web camera simply by connecting it to a computer via USB.
  • Equipped with AF Target mode which offers freedom over AF areas depending on subject movement and position, with selection of any odd number of points from 11 vertical and 11 horizontal points. Select from three levels of vertical and horizontal AF area movement steps.
  • Equipped with exposure equalization processing for coping with sudden changes in exposure between frames during interval shooting.

Separately available accessories

The ECG-5 External Grip (available now) is equipped with a shutter release and Control Dial, offering a better hold and controls when attached to the camera.

The RM-WR1 Wireless Remote Control (available now) enables remote shooting and features IP57 protection class dustproof and splashproof performance7. It also features an energy-saving design that uses Bluetooth® Low Energy for communication, which can be used to start and stop video recording. This accessory can also be used as a wired remote control when connected via the included cable.

Photography and editing support

The OM Image Share (OI.Share) smartphone app is used to connect to the camera via Wi-Fi, transfer shooting data, and perform remote operation. Location information is acquired from a smartphone then embedded in recorded images using a Bluetooth® Low Energy connection with the smartphone. In Wireless Release, voice control operations are now available in addition to tap operations.

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Photo By John Pierce

Today’s Photo of the Day is “Stormy San Juans” by John Pierce. Location: Ridgway, Colorado.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including Assignments, Galleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Tuesday, October 25, 2022

Photo By Dan M

Today’s Photo of the Day is “Milky Way Over Helen Lake” by Dan M. Location: Lassen Volcanic National Park, California.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including Assignments, Galleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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“In every walk with nature, one receives far more than he seeks.” –John Muir

How does one write about a national park that is so vast that 90 percent of it is accessible only by foot or horseback? I suppose the best way is to start with the 10 percent where the majority of people visit, where they can enjoy spectacular scenery from walking paths or their cars.

Precipice Lake, Sequoia National Park.

Precipice Lake on the Mineral King Loop, High Sierra Trail, Sequoia National Park.

Pioneer naturalist John Muir called California’s Sierra Nevada the “Range of Light.” Here, you’ll find 1,350 square miles of grandeur in Sequoia and Kings Canyon National Parks. You’ll also find smaller crowds than at Yosemite to the north.

I call the Sequoia and Kings Canyon National Parks my “extended back yard” as I live on the eastern slope of the Sierra Nevada mountains. The Sierra Nevada range stretches over 400 miles north and south and approximately 70 miles east and west. Sequoia and Kings Canyon National Parks are located in the southern end of the Sierra Nevada, between California’s Central Valley on the west side and the Owens Valley desert on the east.

A Brief History Of Sequoia & Kings Canyon National Parks

On September 25, 1890, Sequoia became the nation’s second-oldest national park and California’s first national park. Days later, Congress tripled the size of Sequoia and created General Grant National Park to protect all the sequoia trees from logging to keep the pristine beauty of the land. Sequoia National Park expanded again in 1926 to include Kern Canyon and Mount Whitney.

Crabtree Meadow, Sequoia National Park

Crabtree Meadow and the western slope of Mount Whitney on the John Muir Trail/Pacific Crest Trail, Sequoia National Park.

In the late 1930s, Ansel Adams created a book, Sierra Nevada: The John Muir Trail, to help establish Kings Canyon as a National Park. General Grant National Park was absorbed by Kings Canyon when it was named a national park in 1940 to preserve the peaks, canyons, rivers, lakes and forest. The two parks merged in 1946 and are now referred to as Sequoia and Kings Canyon National Parks. Cedar Grove and Tehipite Valley were added to Kings Canyon in 1965, making them off limits for hydroelectric dams. In 1978, Mineral King was added to the Sequoia section after a ski resort proposal that included hotels, restaurants and movie theaters alerted people to the idea that it needed protecting. A few additional expansions have occurred in the years since.

Sequoia National Park Highlights

I recommend going to the Sequoia section of Sequoia and Kings Canyon National Parks in April or May, when temperatures are cooler, grasses are greener, and the wildflowers are blooming.

From California State Route 99, two highways go east into Sequoia and Kings Canyon, State Routes 198 and 180. Since Tioga Pass (east to west) is most often closed till late May due to snow, 180 may not be an option depending on the time of year.

Kaweah Basin, Sequoia National Park

Kaweah Basin on the Mineral King Loop, High Sierra Trail, Sequoia National Park.

It takes me almost a full day’s drive from my home to the Ash Mountain entrance on the park’s southwest corner. I always look forward to staying a night at the artist village in Three Rivers. The Kaweah River flows right through the village and is literally the backyard to the storefronts, which means coffee on the deck with a river view. In the morning, photographing the whitewater rafting from the Gateway Restaurant bridge is a must. The Kaweah drainage is one of the steepest in America. Most of the rapids are rated Class III to Class V. You must be ready when photographing this fast-moving, action-packed sport as things happen in a blink of an eye. A fast shutter speed and even a creative slow shutter speed, using a 16-35mm and a 24-300mm lens, work great.

The road from the Ash Mountain entrance to Hospital Rock follows the river, and in spring, hillsides sparkle with the colors of lupine, Indian paintbrush, shooting stars and long-stemmed flowering yucca. The river, flowers and distant mountains make for a lovely scene in late afternoons.

The pictographs on the rock-face at Hospital Rock are quite impressive, considering how they have withstood the test of time alongside a road of RVs, cars and people. Right next to the site on a flat bedrock slab are several stone mortars. Oak trees shade the worn holes where Potwisha women once socialized while grinding acorns into flour for bread. I remember an evening when I had given up on a scene by the river due to smoke haze. Instead, I decided to visit this site and arrived just as the sun was setting and filtering through a thick smoke layer. Suddenly, the painted rock glowed, and I got the shot.

Photo of pictographs on Hospital Rock

Pictographs at Hospital Rock, Sequoia National Park.

Heading into the park, Generals Highway climbs more than 5,000 feet on narrow, scenic switchbacks to the edge of the Giant Forest, where four towering sequoias called the Four Guardsmen straddle the highway. Seeing these fellows, I start getting excited about the Giant Forest, home to more than 8,000 trees, up ahead. The Giant Forest was named by John Muir for the amazing amount and size of these wonderous trees. At higher elevations, vibrant red snow plant flowers appear through the withering snow beneath the sugar pines and white firs that intermingle with the sequoias.

The General Sherman Tree commands the stage at the Giant Forest, and it deserves to. The world’s largest living tree at 275 feet tall (and still growing) and over 36 feet wide at the base, it’s an estimated 2,300-2,700 years old. Just think about the knowledge this tree has about the early explorers, missionaries, native people, farmers, trappers, fur traders, hunters, gold seekers, cattle ranchers, sheep herders, lumber mills, countless fires and long periods of drought.

A nearby walking path leads you past a phenomenal display of heroically massive trees named after the likes of Abraham Lincoln, George Washington, William McKinley, Robert E. Lee and Chief Sequoyah. I like to wander among them on spring weekdays when fewer people are on the path. With so many big trees, it takes patience to organize a composition and find unique perspectives, all the while studying the light.

A short drive away, Moro Rock’s granite dome soars way above the treetops. It’s well worth the 400 steps to the top if you’re not afraid of heights. There are spectacular panoramic views of the Great Western Divide, snow-topped Sierra Peaks and, toward the foothills, the low-lying chaparral, manzanita, oaks and pine trees. At dawn and at dusk, there are many stunning photos to be had from the top of the dome as well as from the bottom looking toward the sheer granite dome.

The Moro Rock-Crescent Meadow Road also features a tunnel log you can drive through and the well-preserved homestead of pioneer Hale Tharp, who lived in a hollowed tree while tending cattle in the meadow. I once spent hours at Crescent Meadows under a cloud after a rain shower shooting soft light on a wildflower mix of dew dropped blue lupine, mariposa lilies, Columbine and pink shooting stars. A deer was lying in the tree shadows nearby, probably wondering what the heck I was looking at for so long. And then a curious black bear meandered by…

Kings Canyon National Park Highlights

From Giant Forest, Generals Highway heads northward to the Kings Canyon section of the parks. Along the way, I like to stop at Lodgepole Visitor Center and take a 1.7-mile hike to Tokopah Falls, where the Marble Fork of the Kaweah River tumbles down a 1,200-foot staircase of granite. The trail to this cascading waterfall is one of the busiest, but crowds are less at dinnertime. Here, large boulders and granite walls replace the tree towers.

In the northern section near Kings Canyon Visitor Center in Grant Grove Village, there are still more trails and even more magnificent groves, including the General Grant Tree, the centerpiece of Grant Grove. It ranks as the second-largest tree in the world by trunk volume and is estimated to be a mere 1,650 years old. It is the only living object to be declared a “National Shrine,” a memorial to those who died in war. In 1926, General Grant was designated the “Nation’s Christmas Tree,” after a young girl who stood next to just the right person proclaimed, “What a wonderful Christmas tree it would be!” In the same grove, I’m intrigued by the Monarch, a fallen tree used to stable the U.S. Calvary horses. It’s incredibly well-worn and well preserved for a tree that had so many horses sheltered in it.

Photo of Sequoia trees at Grant Grove.

Sequoia trees at Grant Grove, Sequoia National Park.

John Muir rode a borrowed mule named Brownie from Yosemite to Sequoia to study the giant trees. At Converse Basin, once the largest sequoia grove in the world, Muir witnessed the destruction of thousands of trees cut down by sawmills. Throughout the years, Muir’s keen observations, notes and drawings helped save the rest of the trees from total destruction. From Grant Grove Village, a dirt road will take you to Converse Basin, where the grove has slowly recovered and is quite beautiful. Muir found what he claimed to be the oldest giant sequoia at Converse Basin Grove. He was able to determine its age by counting the tree rings visible through a giant fire scar. The tree, called Muir Snag, is dead but still standing.

Over the past two centuries, 95 percent of the old-growth sequoia population has been logged. Today, the trees face new threats. Lengthy years of drought, temperature increase, and insect attacks have reduced their immune systems. Super-heated fires like in 2020 and 2021 can reach the highest crowns of these giants, and once those are burnt, they tend not to survive. The mix is a disaster for a tree meant to withstand natural fires. Thankfully, conservation groups are in the process of replanting. This also got me thinking about how photography is such an important tool for recording nature’s data—past, present and future.

Sixty Lake Basin, Kings Canyon.

Sixty Lake Basin on the John Muir Trail/Pacific Crest Trail, Kings Canyon National Park.

Quite in contrast to the trees are the parks’ marble caverns. More than 200 of these caves exist in the underground world at Sequoia and Kings Canyon National Parks. Two of the caverns are accessible to the public, Crystal Cave near the Giant Forest and Boyden Cavern northeast of Grant Grove. With an expert guide, you’ll get a chance to see how water has carved through marble to create strange formations that took 100,000 years to form. The cavern features crystalline marble, stalactites, stalagmites, flowstone and other geologic formations. It opens in May, and you can also book private extended walking tours that give you extra time for photos. No tripods or backpacks allowed, so in this low-light cavern, I recommend that you take your favorite wide-angle zoom lens, turn on the image stabilization, and increase your ISO before entering the cave—and go have a blast.

If you’re looking for off-the-beaten-path beauty, drive 35 miles beyond Grant Grove on the Kings Canyon Scenic Byway to Cedar Grove’s road-end. It’s the only vehicle route into Kings Canyon. Zigzags and curves along cliffsides above the river make you appreciate the pullouts that have the most spectacular expansive views of one of the deepest river-cut canyons in North America—a mile deeper than the Grand Canyon.

At Cedar Grove, the river is king and can be used as a foreground to grand landscape scenes in just about every direction. Rugged rock walls soar high above a canyon floor of lush green grasses and velvet ferns at Zumwalt Meadows. In early summer, the boardwalk trail is lined with an array of wildflowers. Deer and an occasional bear frequently graze the tall grasses and drink from the river and spring marshes. Marmots and little pikas peek from heaps of jumbled boulders along the meadow edges.

South Fork of the Kings River.

South Fork of the Kings River at Cedar Grove, Kings Canyon National Park.

For car seekers, what makes this hidden gem extra attractive are the constant roadside river and mountain views, like North Dome at 8,715 feet and Grand Sentinel, and easy-access places like Roaring River Falls, Grizzly Falls and Zumwalt Meadow. My favorite is an 8-mile round-trip hike to Mist Falls, one of the largest waterfalls in Kings Canyon. During spring snowmelt, the South Fork of the Kings River thunders its way down giant granite slabs and continues rapidly to South Fork Canyon. It can be a hot walk to the falls, so I suggest you lighten your camera load, bring a dry cloth for the mist, and also take bottled water and loads of mosquito repellent. At sunrise and sunset, the warm light on the mountains and meadows reminds me of the Yosemite paintings by famed artist Albert Bierstadt.

Backcountry Opportunities

All of this may sound wonderful, but don’t forget, I saved the parks’ 90 percent for last. Sequoia and Kings Canyon offer incredible opportunities for wilderness recreation on over 800 miles of maintained trails in more than 800,000 acres of designated wilderness.

The backcountry trails usually don’t open up until late June or July, and even then, the snowpack determines how far you can go. Through the years, I’ve spent days, weeks and even months at a time riding and hiking those trails, trying to capture the Sierra’s magic with my camera. From most of the trailheads, it takes at least a full day or two of hiking or riding over rugged terrain to reach the heart of the Sierra in the Sequoia and Kings Canyon National Parks. Fortunately for me, many of those trailheads begin where the canyon roads end near my home. You must be self-sufficient in these parts; there are no concessions, only nature and lots of it.

The most popular trails in the park’s wilderness are the 215-mile John Muir Trail and Pacific Crest Trail (commonly known as the JMT and PCT). Both travel the entire length of the parks north to south, and the High Sierra Trail traverses 72 miles west and east. Aside from these longer routes, there are plenty of other connecting trails, loop trails, side trails and more.

Nine Lakes Basin, Sequoia National Park

Nine Lakes Basin and Kaweah Gap on the Mineral King Loop, High Sierra Trail, Sequoia National Park.

Mineral King Loop in southern Sequoia National Park is another backcountry opportunity. From State Route 198 at Three Rivers, take Mineral King Road, a 25-mile-long winding drive. At the end, you are greeted by the mountains of the Great Western Divide. The granite ridge is a prominent feature of the landscape in the Mineral King quadrangle snaking north-south for 40 miles. A loop trip starting at Timber Gap can take seven to 10 days or up to a month. From steep switchbacks on Black Rock Pass at 11,600 feet elevation, below are breathtaking views of shimmering lakes in u-shaped glacially carved canyons and the less-seen, weather-beaten foxtail pines.

Traveling farther to Little Five Lakes and Big Five Lakes, you continue on to the barren landscape of stark, rugged granite at Kaweah Gap on the High Sierra Trail. In this remote area, photographs of perfectly mirrored lake reflections are abundant in the Nine Lakes Basin and Kaweah Basin. Looping back, you can enjoy a heaping fish fry with a wandering bear in the deep sculpted Kern River Canyon and then go to Rattlesnake Creek, where there really are rattlesnakes—I saw three in one day. Dusty and tired, you have a long haul back to Farewell Gap and Mineral King.

When planning a backcountry trip, you will need to get wilderness permits ahead of time. You can get them online at recreation.gov.

Whether in the front country or backcountry, you should keep in mind that you’re in a wild environment where landforms are consistently altered by rivers cutting into canyons, avalanches and erosion. It’s a place where wildlife roam free. We are the visitors to this precious natural environment. Fortunately for all of us, the parks were created to protect and preserve these lands for future generations. To keep them a pristine place, our part is really quite simple: What you pack in, pack out. 


See more of Londie Garcia Padelsky’s work at londie.com.

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Monday, October 24, 2022

Photo By Priola Photography

Today’s Photo of the Day is “Fire on the Mountain” by Priola Photography.

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This week’s tip isn’t based on a single theme or idea. Focus on the fact that the important aspect in each paragraph is dedicated to a single photographic concept. Everything below can be applied to any topic, subject or theme of image making. In essence, what follows are the attributes that I find are the keys to apply to every photo you create from this day forward.

It’s All About The Light

Photo = light // graphy = to write. Without light, a photograph can’t be made. The better the light, the better the photo. If you’ve been with me on a Serengeti safari or domestic nature photo tour, you know I live by the following words—“It’s All About The Light.” The angle, color, intensity, where it falls, etc., all work in harmony or against the person behind the camera depending on how this list of factors stack up.

So what defines the best light? It’s impossible to provide a definitive answer in that it “all depends.” If it’s noon and sunny and you’re in the Serengeti, the light is awful. But, if it’s noon and bright overcast, the light is soft and photos can be made all day.

Ideally, I want full sun at sunrise and sunset and I want the subject front lit. The color and light angle are much better. But, if I’m making a Serengeti scenic, I want sunrise and sunset light at a right angle to provide sidelight. If I want to provide a rim-lit glow around my subject, I want it backlit at sunrise or sunset.

Many photographers observe light only when they carry a camera. I encourage you to study light all the time. If you’re walking the dog, look at the light on a neighbor’s house. It will differ when you make the morning walk as opposed to the evening one. Study the nuances. As you drive to and from work, study the light. Long term, notice how it changes from season to season. The bottom line is to learn to read the light and know when, where and how to apply it to the conditions and subjects you choose to photograph.

KISS—Keep It Simple Sweetheart!

I’m often asked to review a photographer’s portfolio. It’s usually easy to discern a beginner from an intermediate to an advanced photographer based on how evident the subject is in each photo. Be aware of distractions such as blown-out highlights that pull the eye away from the subject. Be aware of distractions that grow or are positioned in front of the main subject that blocks the viewer from knowing what the subject is. Be aware of how the light falls and if it’s illuminating the background or the subject. I live by what I refer to as the “Placeholder” concept. I may encounter a subject or scene I’ve never before witnessed, but if the end result doesn’t provide the quality I’ve come to enjoy, I save it as a placeholder. If I see the subject again and the conditions are better, I’ll make another photo and “keep one-upping” it until I get one I’m proud to show.

Use Depth of Field Strategically

Depth of field is based on a number of factors that are critically interconnected. For any given situation, depth of field may be slightly or tremendously impacted based on how all of the following factors work together: Focal length, aperture, proximity to the background, distance from camera and subject magnification. Change one and the end result may vary anywhere from slight to drastic. To emphasize my point, an image made with a 400mm lens will provide completely different results than if you made it with a 50mm. Another obvious concept to understand that emphasizes my point is if a subject is only a few inches from the background, regardless of the focal length, it will be impossible to use depth of field to throw the background out of the range of focus. It behooves you to learn the interconnectivity of how each factor impacts the other so you can take charge of all your end results.

Use Leading Lines

A leading line is used to steer the viewer’s eye to the main subject. A great example is a country road that bends its way to bring the eye to a barn, an important tree or another key element. Another classic one is an S curve of a river or path that allows the viewer’s eye to flow through the image. They can be curved, straight, diagonal or zigzag. Look for them to lead a path to the main subject and place them in your composition in a strategic way.

The Background And Foreground Are As Important As The Subject

The first time I went to the Serengeti and saw my first lion, cheetah, gazelle, chameleon, elephant, etc., of course I made a photo, but I knew I’d never post any of them because the background or foreground all but hid the subject. The elements were so distracting, the photo looked awful. That’s how I began my placeholder concept mentioned above. If the background is busy, bright, distracting or in competition with the subject, move on to the next subject and wait for a better situation. If the foreground hides or blocks the subject, the same applies. Ideally, the subject should be clean and unobstructed. There shouldn’t be factors that pull the viewer’s eye away from what you want noticed. The ideal situation is one where the lead actor of the image is not in competition with other areas of the photo that don’t allow him to shine in the spotlight.

To learn more about this subject, join me on a photo safari to Tanzania. Visit www.russburdenphotography.com to get more information.

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Sunday, October 23, 2022

Photo By Jeff Sullivan

Today’s Photo of the Day is “The Sunset That Wouldn’t End” by Jeff Sullivan. Location: Death Valley National Park, California.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including Assignments, Galleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Saturday, October 22, 2022

Photo By Christoph Stopka

Today’s Photo of the Day is “Buck And Rocky Mountain Sunrise” by Christoph Stopka. Location: Wet Mountain Valley, Colorado.

“I encountered this big buck during my early-morning hike in Colorado’s Wet Mountains at an elevation of about 9,800 feet,” explains Stopka. “The bucks are getting into rut in November and are very territorial. Just like this big guy. I had walked out of the adjacent forest onto a meadow to get a good look at the beautiful red sunrise tint on the Rocky Mountains in the background when I almost bumped into the buck standing motionless in the meadow. Usually, bucks retreat when they meet humans— except when rut is making them slightly crazy and very unpredictable. This buck stood his ground, didn’t move an inch and looked straight into my eyes and started bunching his thick neck muscles up. He was giving me a fair warning, which I took very serious and instantly backed up slowly all the way to the edge of the forest without taking my eyes off the ruler of the meadow.”

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including Assignments, Galleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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