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Friday, March 31, 2023

Photo By Karthik Subramaniam

Today’s Photo of the Day is “The Elusive Long-Tailed Weasel” by Karthik Subramaniam. Location: California.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Photo of Sigma 20mm lens

Sigma last year launched two wide-angle prime lenses for Sony E-mount and Leica/Panasonic/Sigma L-Mount full-frame mirrorless cameras, the Sigma 20mm F1.4 DG DN Art and the Sigma 24mm F1.4 DG DN Art. The 20mm prime is particularly noteworthy since it’s a somewhat unusual lens. Except for the Sigma 20mm F1.4 DG HSM Art for DSLR cameras, the Sigma 20mm F1.4 DG DN Art for mirrorless is the only 20mm F1.4 lens available for full-frame cameras.

Nobody else makes a lens like this, including Canon, Nikon and Sony. There are 20mm F1.8 lenses but no 20mm F1.4 lenses. One of the most surprising things about this unique lens is that it retails for just $899. Read my hands-on review of the Sigma 20mm F1.4 DG DN Art lens below.

Design & Usability

The Sigma 20mm F1.4 DG DN Art, like many of Sigma’s other Art series lenses, is an attractive lens with its varying black materials, including some flat surfaces and some with a bit more gloss. In the case of the shinier surfaces, they do a good job repelling fingerprints, which is nice. The lens is built using Sigma’s Thermally Stable Composite (TSC), a type of polycarbonate that behaves thermally like aluminum. The lens “feels” like metal to me. In terms of materials, it’s a high-quality lens.

It is a relatively large lens at 4.4 inches long with a maximum diameter of 3.5 inches. It’s worth noting that the max diameter is localized to the very front of the lens so that it can accept 82mm filters without a noticeable vignette. The rest of the lens is narrower and especially narrow near the lens mount. It weighs 1.4 pounds, which is heavy for a wide-angle prime lens. That said, the lens balances very nicely on the Sony a7R IV camera that I used to test it and is extremely easy to shoot handheld for extended periods.

The lens includes many switches on the barrel, all of which provide satisfying tactile feedback, including a new MFL switch, which allows you to lock manual focus so that if you accidentally move the large focus ring, your focus won’t change. Focus-by-wire lenses don’t generally offer great manual focusing experiences, but this lens is an exception. There’s an AF/MF switch, an aperture ring de-click switch, an aperture ring lock switch and a function button.

Speaking of the aperture ring, it’s nice. It includes aperture markings at full stops from F1.4 to F16 and dashes for each one-third aperture setting. There’s also an “A” setting that allows you to adjust the aperture using your camera’s dials or let the aperture be controlled automatically.

The lens comes with a high-quality petal-type lens hood. It includes multiple materials, including one with a grippy surface to make it easier to rotate the hood on and off the lens barrel. It includes a lock button, too. A slot to rotate a polarizing filter more easily would be a nice improvement, but otherwise, it’s a good, functional lens hood. The lens also comes with a rectangular case. It’s not a hard case but also a lot more than a pouch. The soft case includes padding and a custom insert for the lens. It’s always nice to see lenses come with good cases, especially when they cost under $1,000.

Overall, the Sigma 20mm F1.4 DG DN Art has excellent build quality and design. The weather-resistant lens seems poised to withstand the elements and last photographers a long time. It feels nice in the hands, and its generously sized focus ring works well, offering a good amount of resistance to make focusing precise and rewarding. Sigma’s design team always does good work, and the new 20mm F1.4 Art lens is no exception.

Photo of a water lily

Sony A7R IV, Sigma 20mm F1.4 DG DN Art. Exposure: 1/6 sec., ƒ/11, ISO 100.

Image Quality

The Sigma 20mm F1.4 DG DN Art includes 17 elements in 15 groups, with two SLD elements and three aspherical lens elements. Among the three aspherical elements is the largest double-sided aspherical element Sigma has ever used in one of its lenses.

The lens is sharp, especially when you stop down. It’s pretty good at ƒ/1.4, but I did notice a bit of softness overall, even in the center of the frame. Granted, this is noticeable only when “pixel peeping.” Images look sharp when viewed at normal sizes or even reasonably large prints.

If you want to improve sharpness, all you must do is stop down to ƒ/2. The image is noticeably sharper in the center of the frame at this aperture. Corner performance improves some, too, although it’s not as big of an improvement.

At ƒ/2.8, the lens is sharper still. At this aperture, the lens has achieved optimal performance, so far as I can tell. The corner performance is a bit better, though still not especially great, but that’s not surprising for a 20mm prime lens. Is performance better at ƒ/4 than at ƒ/2.8? If so, it’s by a very thin margin. You’re splitting hairs to see much difference between the image quality at ƒ/2.8 and ƒ/4.

Of course, there’s more to image quality than sharpness. The Sigma 20mm F1.4 DG DN Art lens does a great job at controlling aberrations. While there’s some minor purple fringing around high-contrast areas, it’s barely noticeable. The lens also performs well regarding distortion and vignette.

The lens features an 11-blade rounded aperture diaphragm. The resulting bokeh is very nice. Even though it’s a wide-angle lens and you don’t often worry about bokeh, it’s also an ƒ/1.4 lens. Out-of-focus elements are rendered softly, and bokeh has no ugly, distracting elements.

Photo of a pond

Sony A7R IV, Sigma 20mm F1.4 DG DN Art. Exposure: 1/800 sec., ƒ/2.8, ISO 100.

Autofocus Performance

The Sigma 20mm F1.4 DG DN Art includes a stepping motor and is an internally focusing lens. The autofocus speed and accuracy are excellent. The lens is also pretty quiet when focusing, although you can occasionally hear a subtle buzzing.

The E-mount version that I used is compatible with Sony’s fancy autofocus modes, including DMF, AF+MF and AF Assist. In terms of manual focus, I’ve already mentioned the MFL lock switch, which is great. As for minimum focusing distance, the lens can focus as close as 9.1 inches, resulting in a max magnification ratio of 1:6.1. It’s a far cry from a macro lens, but it can focus on very close foreground subjects for landscape photography.

There’s a lot to like about the Sigma 20mm F1.4 DG DN Art lens and very little to dislike. The lens isn’t especially sharp when shot wide-open, but stopping down even slightly helps a lot. Overall, it offers a unique combination of an ultra-wide-angle field of view and fast maximum aperture. To offer this compelling combination at $899 is very impressive.

Jeremy Gray is the reviews editor of our sibling website Imaging Resource. Read an extended version of this review and check out additional sample images at imaging-resource.com.

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Thursday, March 30, 2023

Photo By Jeff Sullivan

Today’s Photo of the Day is “First Strike” by Jeff Sullivan. Location: Humboldt-Toiyabe National Forest, Nevada.

“I was out to pursue photos of the Lyrid Meteor Shower, but I was treated to something even better: an active thunderstorm forming from sunset into the night!” says Sullivan. “I set up camp on the top of a mountain to capture clouds changing color at sunset, but I ended up capturing much more. The lightning continued for over an hour into the night, so I kept my cameras going while cooking dinner on a campfire nearby. This storm started as some nice clouds at sunset with a little rain coming down, but the clouds consolidated over time to become a more energetic cell with frequent lightning. I kept shooting it well into the night and ended up with a time-lapse sequence of a few thousand shots. The lightning is striking Bald Mountain in the Wovoka Wilderness Study Area, as seen from the Bodie Hills across the Rosaschi Ranch on the East Walker River.”

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Wednesday, March 29, 2023

Photo By Lori Hibbett

Today’s Photo of the Day is “Moonbows in the Spring” by Lori Hibbett. Location: Yosemite, National Park, California.

“When the snow melts in the Yosemite high country, Yosemite Falls can get enough spray for us to capture moonbows in the spray,” explains Hibbett. “We brought our group up here early in the evening and saw that the moonbow was getting underway. It’s always fun to hang out and meet new people who want to experience this fun phenomenon.”

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Tuesday, March 28, 2023

Photo By Sahil Zutshi

Today’s Photo of the Day is “Pause for Reflection” by Sahil Zutshi. Location: Kedarnath Musk Deer Sanctuary, India. 

“I found myself at the right place and the right time to capture this portrait of a Koklass pheasant that paused very briefly while scampering downhill,” recalls Sahil.

Nikon D500, AF-S Nikkor 200-500mm F/5.6E ED VR. Exposure: 1/800 sec., ƒ/7.1, ISO 6400.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Congratulations to Christopher Baker for winning the recent Winter Waterfowl Assignment with the image, “Morning Spat.” See more of Baker’s photography at cscottphoto.smugmug.com

View the winning image and a selection of submissions below. And be sure to check out our current photography assignment here and enter your best shots!

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Monday, March 27, 2023

Today’s Photo of the Day is “Through the Grass” by Leah Zarin. Location: Washington.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Get the viewers of your landscapes to feel as if they can walk into your photographs. Make them feel like they were with you when you clicked the shutter. Have them feel they read your thoughts and became part of your experience. Allow them to become one with the photo. An excellent way to engage viewers is to use strategic perspective or what’s known as point of view. Those who study your photos will become involved in the composition and become one with the subjects. I generally use both wide and super-wide angles to accomplish this, but sometimes the light works in my favor to use medium telephotos. Wides are commonly utilized as are low angles, but don’t get locked into feeling they’re the only tools that reveal point of view.

Leading Line, Strong Verticals And Light

In the photo of the redwood trees with the path in the foreground, I incorporated a few strategies. First, I used the path and pullout as a leading line to let the viewer enter the image. This courses the eye from the front to the back. I got low and composed the path so it would strongly contrast with the bold verticals of the trees and bushes. I also waited for a hint of light to fall upon the left side of the dominant tree. Because it’s a highlight, the viewer’s eye gets attracted. The eye tends to go to a bright area of a photo when the surrounding tones are darker.

Leading Line, Foreground And Layers

I love the wildlife opportunities on Mount Evans, but I never pass up an iconic scenic. Summit Lake is close to the road as you climb the mountain. On this particular morning, the air was mostly still, which is a rare occurrence given the high altitude. I used a foreground pool of water with an exposed rock to draw the viewer’s eye into the bottom and completed the image by standing at a given height to layer the rest of the planes of foreground, reflection, grasses, lake, mountain and sky. The color contrasts of orange and cyan were a total bonus.

Simplicity In Story Telling

Whether it’s a grand landscape, a close-up of rock patterns or a stand-alone tree, a way to immerse a viewer into your images is to communicate a story. In the small-scale landscape of a bird’s wing patterns on snow, an onlooker will study the image and draw the conclusion the bird made it safely into the air. Starting at the first flap from a standing position, the snow first shows a lot of wing movement and it lessens on the last one at the edge of the frame. A story is told and each person who views the photo will create their own details as to why and how it flew. To get someone to create an individual story after viewing one of your photos is powerful!

Fish-Eye And Shoot Up

Point a camera toward the sky and you introduce power and strength to a subject. Psychologically, you tell the viewer that you “look up to it,” implying it’s revered and admired. In addition, if you get low to exaggerate perspective with a fish-eye focal length, the subject takes on authority and fortitude. Its magnitude becomes elevated. In the strong vertical photo of the redwoods, I got super low and even included the foreground ferns. They provided a base for the immense trees. I stopped the lens down to a small aperture to attain the necessary depth of field, but you’ll find that the wider the lens, the more forgiving the depth of field is and wider apertures can cover it. Super wides impart a unique perspective that lures viewers given their unique effect.

Tell A Story

In the photo of the plowed road and snow, I incorporated the dark leading line in the lower left of the composition to “welcome” the viewer into the image. The stark feeling of no cars, threatening sky and road warning sign leave the viewer wondering what’s ahead for the driver: Is it safe? Will I get stuck? Should I make a U-turn? Even though the road is fully plowed, the question of safety exists. When situations like this are encountered, think about dialogue that could be generated, and if you find yourself immersed in self talk, make a photo.

Direct The Eyes Using A Frame

I used the old weathered bristlecone in Rocky Mountain National Park along with its exposed root to frame principle components of the scene (top of page). The top frames the primary rock and foreground trees, blocks the brightest area of the cloud, frames the textures and becomes a subject in the sky. The soft late light adds just enough color to provide a nice warm tone. And most importantly, note how the components of the frame lead the viewer to each of the items mentioned above. As in the image of the redwoods, I used it as a leading line to invite the viewer into the composition, in addition to being a primary subject.

Leave The Viewer Wondering

One of my favorite conditions in which I love to photograph is fog. It simplifies a composition as it helps hide distractions and backgrounds that may impart chaos. As shown above in the photo of the reflected mountain at first light, I search for simplicity—fog provides that. In this photo, the viewer doesn’t know if it was a cold raw fog or a balmy humid day, if it was it made in the mountains, if the fog is rare or happens often, if it was along a coast, etc. Reduce the composition to its basics and create the scene. Use depth to your advantage as the fog either thickens or recedes to reveal more detail.

Minimize

An old adage states “less is more.” While not true for everything, with photography, it often reigns supreme. As evidenced above, you know I love simplicity. In the image made on the east side of Zion National Park in Utah, the eye is drawn to the tree and hoodoo on the ridge yet they make up very little image real estate. I intentionally composed the image to include the dark layers of waffled rock in the lower left. Because they’re subdued, they don’t have prominence but they do serve as leading lines to show off the topography and slowly bring the viewer to the lit area. Note that the brightly illuminated rocks don’t reveal texture! The bright ridge immediately courses the eye to the tree and hoodoo, which it offset by an ominous storm cloud in close proximity. Learn to use negative space to your advantage. Experiment with composition to get a feel for the technique. It works!

When possible, incorporate the above tips into your future landscape photographs. Use them as a baseline to begin your quest to involve viewers in your photos. The more you can immerse the onlooker, the greater the chance it will generate interest in your photography. Let your creativity guide you.

Feel free to explore more of my photography at my website: www.russburdenphotography.com or visit my SmugMug page: https://russburden.smugmug.com.

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Sunday, March 26, 2023

Photo By Ted Uihlein

Today’s Photo of the Day is “Alpine Stream” by Ted Uihlein. Location: Alta Lakes, Colorado.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Saturday, March 25, 2023

Photo By Jody Partin

Today’s Photo of the Day is “Sunrise Serenade” by Jody Partin. Location: Huntley Meadows Park, Virginia.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Friday, March 24, 2023

Photo By Beth Young

Today’s Photo of the Day is “Foggy Rhododendron Looking Up” by Beth Young. Location: California.

“Every year, in a short window of time on Memorial Day weekend, I endeavor to capture the magical ingredients of redwoods, fog, rhododendrons, and sunbeams all in one frame,” says Young. “This year’s missing ingredient was sunbeams; however, I can never complain about being in one of my favorite places, and most fragile ecosystems in the world, with my camera. For me, this is like being in church, with the towering coastal redwoods conveying a sense of both peacefulness and awe.”

See more of Young’s photography at www.optimalfocusphotography.com.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Photo of wildflowers

Desert sand verbena and brown-eyed primrose with Coyote Mountain in the background at Anza-Borrego Desert State Park.

Colorful wildflowers announce a new year, new growth and freshness on the land. “Spring” wildflowers bloom not just in spring but throughout the fall in many regions of the country. Blooming depends on seasonal weather, altitude, temperature, habitat and latitude.

I live in California, a state over 1,000 miles from north to south, blessed with all these elements. I can photograph wildflowers from early February through September. You can find similar situations in many regions of the country.

Join me as I go on the road in California to reveal the best spots to photograph wildflowers. I’ll also share tips with you on how to capture these colorful beauties at their best as they emerge in other parts of the country this spring.

Photo of a honeybee

Honey bee on Rocky Mountain Beeplant.

Desert Blooms

The deserts of Southern California produce the first spring wildflowers if winter rains cooperate. One of the earliest blooming areas is the low desert in Anza-Borrego Desert State Park. Wildflowers bloom here in February, and you will be amazed at the diversity of species. Dune primrose bloom among desert sand verbena, and the color combination makes great images. The park has a website with wildflower blooming information.

You can find sand verbena carpeting the desert floor. I captured an image that isolated just the expanse of flowers emphasizing the lushness of the new growth. But I also like to capture grand landscapes of the flowers and their habitat.

I recomposed to include Coyote Mountain in the background, an interesting contrast of arid desert and lush new growth. I used a low angle of view in these compositions to emphasize the wildflower elements.

Anza-Borrego Park is immense, and driving distances are significant. Plan a few days in Borrego Springs, a small town with all facilities in the park. When I find a field of flowers, I like to spend time capturing the different faces of the flowers, from wild-angle vast landscapes to macro detail. Plan on using a tripod and have lots of patience waiting for a break in the ever-present wind.

If you arrive in March or April, you can find a wide variety of cacti, which produce spectacular flowers. I usually spend a lot of time with one flowering cactus looking for different perspectives and ways to capture the flowers. 

Photo of wildflowers

Lemmon’s paintbrush at Mammoth Overlook in the Eastern Sierras.

Joshua Trees and Santa Monica Mountains

North of Anza-Borrego, Joshua Tree National Park is a vast, protected land of arid Colorado desert. The park is named for the Joshua trees that grow there. These “trees” are not your usual wildflower subject, but they produce spectacular white blooms. I photographed this tree with the buds just forming to emphasize an old, gnarled-looking tree still has life.

There are cactus gardens throughout the park. Go in March and April for the Joshua tree and cactus blooms. Another beautiful plant in the area is the ocotillo. During most of the year, they are spindly, dried-out branches. But in spring, they produce lush green leaves and brilliant red flowers. They make a great subject. I like to photograph the complete plant and include the arid surroundings. Then I turn to the flowers for intimate closeups. The plant supports insects and other wildlife, and I like to show their relationship.

The Santa Monica Mountains National Recreation Area in Los Angeles is a protected, wooded wonderland of trails, streams and wildflower opportunities. In spring, you may see spectacular wildflowers, like hummingbird sage and California mariposa lily.

Surprisingly, you can find orchids in the Santa Monica Mountains. Stream orchids grow in lightly shaded areas along ephemeral streams. Look closely along the banks.

In spring, following a wildfire burn now common in Southern California, wildflowers often spring up in large displays. Look for these displays surrounding charred remnants of plants and trees lost in the fire. Images like these lupine surrounding a burned tree stem contrast the fire devastation with the feel of new life signified by the wildflowers.

Photo of poppies

California poppies and wildflowers at sunrise at Lancaster Poppy Reserve.

Poppy Fields

In March or April, if winter rains were good, head for Lancaster Poppy Reserve (officially known as the Antelope Valley California Poppy Reserve State Natural Reserve) north of Los Angeles for spectacular wildflower photography. The diversity of flowers and color are outstanding. The Reserve sponsors wildflower days and has extensive information on species and locations.

Wander the area early in the morning to capture flowers before they open, then stick around for fully opened blooms for entirely different images like the cover image for this article, taken just a little later in the morning. Later morning light can be very harsh, so photograph as early as possible, when the poppies open.

These massive wildflower displays only occur every few years. If you are in the area, make sure you visit during a display. When wandering fields of flowers, PLEASE respect them and DO NOT tramp them down to get your image.

I wander around the wildflowers looking to isolate individual flowers for another perspective. Early in the morning, you can photograph the poppies just as they are about to open. Stay a while and capture images of the fully opened flower. It looks like a completely different species.

Photo of a butterfly

Pipevine swallowtail on desert thistle.

Head North

Wildflowers bloom depending on warming trends, so work your way north from Los Angles as the temperatures rise. In early June, head to the Eastern Sierras in California. Drive to the Eastern Sierras via U.S. Route 395 north of Los Angeles. Stop in the Alabama Hills, just west of Lone Pine, for high desert wildflowers. Wildflowers here are tiny, like desert calico and Parry’s gilia. The whole flower bouquets were 3 feet high. Walk carefully. This is “on your belly” photo time.

In the summer, head to Bishop in the Eastern Sierras via Route 395 north of Lone Pine. Take California State Route 168 west of Bishop into the Sierras for spectacular higher-altitude wildflowers. Stop along the highway for wildflower hikes. You could be rewarded with flowers like these Kelly’s tiger lilies. Bishop is a full-service town and a great location for photo day trips.

North of Bishop, on Route 395, take the California State Route 203 turnoff to Mammoth Lakes. Go through Mammoth Mountain ski area to the overlook. The view here is spectacular. In early summer, you may be able to capture grand landscapes of the distant Sierras with fields of Lemmon’s paintbrush in the foreground. Lemmon’s paintbrush are soft pink multi-petaled flowers worthy of isolated photographs of just the blossoms themselves. Use your wide-angle lens and get low to feature the wildflowers or a little higher to bring out the Sierras. Sunrise offers the best light.

Photo of poppies

California poppies and desert dandelions at Lancaster Poppy Reserve.

The Birds and The Bees and The Butterflies

A great late summer to early fall location in northern California is Prairie Creek Redwoods State Park. Drive and hike the area for wildflowers like mountain iris. Multiple blooms or blooms in interesting spots make for unique images.

Lupine bloom throughout the park, and early summer is breeding time for birds. With a little luck, you might capture a male perched on colorful lupine singing to announce his territory.

Driving the back roads in California can be especially productive. I found several Rocky Mountain bee plants blooming along a dirt road. Wildflowers provide nectar and food for a variety of insects. Find a flower with insects buzzing, set up and wait. I photographed a honeybee visiting his namesake. I sat in my car and used a medium telephoto lens with shallow depth of field and a bean bag to stabilize my camera on the windowsill.

Another roadside gem was a stunning goatsbeard. Drive slowly, enjoy the scenery and watch for unique colors in the landscape. Or lock your car and wander. The scenery everywhere is beautiful.

Photo of a bird on a wildflower

Lazuli bunting on lupine in Prairie Creek Redwoods State Park.

Wildflowers are diverse, and so are the insects that feed on them. Butterflies on wildflowers make great images. Find an area where they are feeding, set up on a photogenic blossom and wait. Use a long telephoto lens with shallow depth of field to diffuse the background and give you distance from the butterfly. You might be rewarded with an image like this pipevine swallowtail.

Wildflowers are interesting, colorful, challenging subjects. Look for grand landscapes, isolated flowers, interaction with wildlife that depend on them for food, and abstract interpretations that challenge the viewer, like this closeup of cactus flower leaves. Animals feeding among wildflowers also make great wildflower/species interaction images.

Areas of wildflower diversity exist in all regions of all countries. Go out and wander. You will create beautiful images and be happy you did.

See more of Dave Welling’s work at strikingnatureimagesbydavewelling.com.

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Thursday, March 23, 2023

Photo By Hi il Lee

Today’s Photo of the Day is “Running Water” by Hi il Lee.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Wednesday, March 22, 2023

Photo By Charlotte Couchman

Today’s Photo of the Day is “Colorado Rock Climbers” by Charlotte Couchman. 

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Tuesday, March 21, 2023

Photo By Ryan Cairl

Today’s Photo of the Day is “Infinity” by Ryan Cairl. Location: Point Reyes National Seashore, Northern California.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Monday, March 20, 2023

Photo By Danielle Austen

Today’s Photo of the Day is “Enchanted Walk” by Danielle Austen. Location: Cherry Brook Preserve, Montgomery, New Jersey.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Color has a huge influence on how viewers perceive images. Interestingly, it mostly happens subconsciously. The average onlooker does not know why an image transmits a certain mood—it occurs without them knowing. As a photographer, it’s important you master the why so you can knowingly incorporate it into your creations. This week’s tip explains how color affects people in ways that communicate feelings or a frame of mind. Certain colors project impressions that lure onlookers in numerous ways. Begin to utilize color to magically influence those who study your photos.

It’s imperative to understand how color affects an onlooker. Imagine how futuristic and Jedi it could be to know you have “the force” to channel one’s thoughts and emotions when someone views your photos. Obtain an understanding to grasp how it influences the psyche. Strategically introduce color into your imagery to have it resonate with your audience in emotional ways.

Multiple means can be employed to grab a beholder’s attention to immerse them in your images. One way is through saturated color. This doesn’t mean you go into Photoshop and simply move the Saturation slider to 100%. That will likely destroy any picture. I prefer to use Vibrance but do so sparingly. It’s more laid back but still allows the photo to “pop.” Another way is through the use of bold colors that stand out from the background. A basic example is a sole dandelion that grows in an all green patch of grass. A single bold color has power. Sometimes multiple bold colors work. Great examples are dramatic sunrises and sunsets. Colors that contrast are another good approach to arrest a beholder’s attention. Aspen leaves adorned in yellow vibrancy set against a mountain blue clear sky perfectly illustrates this.

Incorporate mood to lure people into your images. On a foggy monochromatic day, a cyclist dressed in bright red who rides up a mountain can be very striking. Use the subject of the isolated vibrant color as a primary focal point in the composition. It evokes a feeling of hope and positivity that the rider makes it. If that foggy condition is primarily blue in color, a melancholy overtone is unknowingly planted into the observer’s mind. A feeling of calm is analogous to blue hues.

In actuality, all colors project and represent precise feelings, emotions and thoughts. Colors are broken down into warm and cool tones. Warm tones such as yellow, red and orange provide the viewer with specific messages very different from photographs that are predominately green, blue and purple. Cool tones emit feelings of tranquility and calmness while warm tones run the gamut from anger to warmth to love. What continent you reside in determines a given color’s connotation because various cultures have different meanings for different colors.

The following list summarizes how given colors impact those in the Western world:

Black: Power / Strength / Stability / Grief. When related to clothing, black is associated with power. The CEO of the company wears a black suit or black dress. It has a “slimming” effect. Graduation gowns are often black. Grief is associated with black mourning garments. Villains often wear black. It’s also stylish and timeless. Black can also imply submission. Priests wear black to show submission to God.

White: Purity / Cleanliness / Innocence. White is the color of innocence. A bride wears white, when a baby is baptized it’s in a white suit and a white picket fence symbolizes a happy home. Pure thoughts are associated with white. It’s popular in decorating because it goes with everything. Doctors and nurses wear white coats to imply sterility.

Yellow: Happiness / Optimism / Cheer / Rebirth. In spring and summer, yellow flowers bring new life and warmth. It’s an attention-getter. Traffic signs such as YIELD are bright yellow and traffic lights use yellow to signal caution. Yellow is often used in advertisements as an attention-getter. It spurs creative thoughts and brings promise. It’s synonymous with the sun and suggests happiness, warmth and laughter.

Red: Notice Me / Speed / Anger / Love. Red provides a plethora of symbolism. Red roses and hearts are associated with Valentine’s Day. Speed is associated with red cars. More speeding tickets are issued to drivers of red cars. Because it triggers endorphins in the brain, anger and rage are represented by red. Red subjects are high on the list of most photographers. It commands attention. Stop signs are red. Their shape, color and message are universal regardless of the language. When red appears in a photo, it’s hard to overlook.

Orange: Fun / Energy. It connotes a feeling of change—think fall color. If it leans more toward reddish hues, it creates excitement. If more yellow, it favors tranquility. Orange is vibrant, so traffic cones are this color, road workers wear orange vests to be noticed and prison outfits are orange. Orange tends to stimulate activity and appetite.

Blue: Calm / Tranquility. When blue is viewed, the body releases hormones that produce a calming effect. It’s a trustworthy color. A clear blue sky is calming and provides relaxation. The ocean has the same effect. It’s often used in bedrooms. Job recruiters recommend wearing blue suits to interviews as it shows loyalty. On the other hand, it can be cold and depressing. Think about having “the blues.” An entire genre of music is devoted to it.

Green: Nature / Growth / Harmony. It’s the predominant color in the natural world, so it has a refreshing quality. It’s soothing and provides tranquility. When people wait to appear on TV, they go to the Green Room. Hospitals use green because it relaxes patients. Fresh and lush veggies are green. We associate green with spring and new growth.

Purple: Royalty / Wealth. Purple is the color of kings and queens, so it’s associated with luxury, royalty and wealth. Royal robes were purple. Sophistication is a characteristic of purple. Purple can be both uplifting and calming. It depends on the vibrancy and hue. It is also feminine and romantic. It’s not often associated with nature as most purple items are man-made.

Now that you’re armed with the above information, I feel obligated to impart a warning of great magnitude. A warning that’s so huge, I request you read this paragraph again before you try out the aspects of this week’s tip. It’s Imperative to understand color and I encourage you to use it strategically, but don’t include bold color just because you can. Use the information in this week’s tip to realize how and why you use it to your advantage. Don’t incorporate color just because it’s there. Exploit the psychological aspects I presented to include strong color purposefully, not because strong color is seen through your lens. Please heed this warning!

If you want to probe more deeply into this topic, study advertisements and commercials to see how creators use color to lure potential buyers. You’ll more thoroughly understand how it is used to influence shoppers to try their product. I leave you with one more thought—I came across a great word a number of years ago: chromotherapy. I found it intriguing and did a bunch of research. I encourage you to explore it. You can start by using the above search field above and insert the word. I wrote a Tip of The Week that relates to it.

Feel free to explore more of my photography at my website: www.russburdenphotography.com or visit my SmugMug page: https://russburden.smugmug.com.

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Sunday, March 19, 2023

Photo By Nunzio Guerrera

Today’s Photo of the Day is “Great View” by Nunzio Guerrera. Location: Banff National Park, Alberta.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Saturday, March 18, 2023

Photo By Charles Cormier

Today’s Photo of the Day is “Frozen Traveler” by Charles Cormier. Location: Alstead, New Hampshire.

“Out on the ice in Alstead, New Hampshire, under Orion and Milky Way,” describes Cormier. “The winter night sky is stunning as the cold air allows for clearer visibility.”

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Friday, March 17, 2023

Photo By Katherine Plessner

Today’s Photo of the Day is “Caddo Lake” by Katherine Plessner. Location: Caddo Lake on the Texas/Louisiana border.

“I took this photo while on a tour at Caddo Lake, Texas,” says Plessner. “This lake is known for the huge cypress trees that grow there. The trees and their reflections were amazing subjects to photograph. We were out every morning and evening capturing these beauties in the different light we experienced. When I got home, I had 2,500 photos of trees to sort through!”

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Congratulations to Hi il Lee for winning the recent Patterns Of Winter Assignment with the image, “Looking at the Sky.”

View the winning image and a selection of submissions below. And be sure to check out our current photography assignment here and enter your best shots!

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Thursday, March 16, 2023

Photo By Gary Gray

Today’s Photo of the Day is “Sandhill Cranes in Monte Vista” by Gary Gray. Location: Monte Vista, Colorado.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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