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Thursday, June 2, 2022

In Washington’s northwest corner lies the Makah Reservation, home of the Makah Tribe and gateway to the rugged beauty of the Olympic Coast. Shi Shi Beach is situated near Neah Bay, a bustling harbor in the heart of the reservation and a great place to base your explorations. The Pacific Ocean and Olympic National Park create the western border of the tribal lands, while Cape Flattery and the Strait of Juan de Fuca define the northern boundary, with the coastal peaks of Vancouver Island seemingly within arm’s reach. Access from the east is via State Route 112 and is a four-hour drive from Seattle.

Image of Shi Shi Beach

Weather At Shi Shi Beach

The Olympic Peninsula includes portions of temperate rainforest. Expect cool, wet weather that gives rise to the lush green forests. The region is accessible year-round, though spring through fall will be the most enjoyable. Some of the services and accommodations around Neah Bay are closed during the winter, so check ahead. Be prepared with proper clothing if venturing out during the winter months which can bring big surf, up to 8 inches of snow and icy trails. Spring and summers are cool and damp, with temperatures ranging from the 40s to near 70 degrees Fahrenheit. Coastal fog is common but can really add to the mood of images. Sunny skies can be had only a few miles away; keep your options open and think about placing yourself at the transition zone for more dynamic skies.

Photo Experience

The multitude of sea stacks adorned with weathered spruce growing at impossible angles is a primary attraction to the Olympic Coast. Iconic Shi Shi Beach, Point of Arches and Cape Flattery are must-see locations for landscape photographers. Makah recreation permits—required to access these areas—are $10 per calendar year and easily purchased in Neah Bay. Additional parking fees are charged for overnight visits to Shi Shi Beach as overnight parking isn’t allowed at the day-use trailhead.

While photo opportunities are available at some roadside turnouts along State Route 112 and Tsoo-Yess Beach Road, I highly recommend a day hike or overnight trip along Shi Shi Beach for the unique sea stacks, lighting and tidal conditions. As Shi Shi is part of the National Park System, camping permits and approved bear-proof containers must be obtained. Tide charts are also a must since portions of beaches are submerged at high tide and require advanced planning for safe passage.

Wide-angle to mid-range zooms were my go-to lenses for capturing the towering stacks and sky. Sunset light tended to work best along the west coast, though sun shining through fog can create some surreal effects. A tripod for low-light shooting or smoothing wave action with long exposures was necessary.

Best Times To Visit

I chose to visit in the spring, when temperatures are cool and crowds minimized. Midweek visits might lessen camper congestion on beaches for overnight camping. As access to some areas may be limited depending on conditions, be sure to inquire with the Makah Tribal Council when planning your trip.

Contact: Makah Tribal Council, makah.com


See more of Harry Lichtman’s work at HarryLichtman.com.

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In Washington’s northwest corner lies the Makah Reservation, home of the Makah Tribe and gateway to the rugged beauty of the Olympic Coast. Shi Shi Beach is situated near Neah Bay, a bustling harbor in the heart of the reservation and a great place to base your explorations. The Pacific Ocean and Olympic National Park create the western border of the tribal lands, while Cape Flattery and the Strait of Juan de Fuca define the northern boundary, with the coastal peaks of Vancouver Island seemingly within arm’s reach. Access from the east is via State Route 112 and is a four-hour drive from Seattle.

Image of Shi Shi Beach

Weather At Shi Shi Beach

The Olympic Peninsula includes portions of temperate rainforest. Expect cool, wet weather that gives rise to the lush green forests. The region is accessible year-round, though spring through fall will be the most enjoyable. Some of the services and accommodations around Neah Bay are closed during the winter, so check ahead. Be prepared with proper clothing if venturing out during the winter months which can bring big surf, up to 8 inches of snow and icy trails. Spring and summers are cool and damp, with temperatures ranging from the 40s to near 70 degrees Fahrenheit. Coastal fog is common but can really add to the mood of images. Sunny skies can be had only a few miles away; keep your options open and think about placing yourself at the transition zone for more dynamic skies.

Photo Experience

The multitude of sea stacks adorned with weathered spruce growing at impossible angles is a primary attraction to the Olympic Coast. Iconic Shi Shi Beach, Point of Arches and Cape Flattery are must-see locations for landscape photographers. Makah recreation permits—required to access these areas—are $10 per calendar year and easily purchased in Neah Bay. Additional parking fees are charged for overnight visits to Shi Shi Beach as overnight parking isn’t allowed at the day-use trailhead.

While photo opportunities are available at some roadside turnouts along State Route 112 and Tsoo-Yess Beach Road, I highly recommend a day hike or overnight trip along Shi Shi Beach for the unique sea stacks, lighting and tidal conditions. As Shi Shi is part of the National Park System, camping permits and approved bear-proof containers must be obtained. Tide charts are also a must since portions of beaches are submerged at high tide and require advanced planning for safe passage.

Wide-angle to mid-range zooms were my go-to lenses for capturing the towering stacks and sky. Sunset light tended to work best along the west coast, though sun shining through fog can create some surreal effects. A tripod for low-light shooting or smoothing wave action with long exposures was necessary.

Best Times To Visit

I chose to visit in the spring, when temperatures are cool and crowds minimized. Midweek visits might lessen camper congestion on beaches for overnight camping. As access to some areas may be limited depending on conditions, be sure to inquire with the Makah Tribal Council when planning your trip.

Contact: Makah Tribal Council, makah.com


See more of Harry Lichtman’s work at HarryLichtman.com.

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Wednesday, June 1, 2022

Sigma 16-28mm F2.8 DG DN

Sigma today introduced a new wide angle zoom for Sony E-Mount and L-Mount (Sigma/Leica/Panasonic) full-frame mirrorless systems. The Sigma 16-28mm F2.8 DG DN | Contemporary is an internal zoom design, meaning that its exterior length doesn’t change as you move throughout the zoom range. At 4 inches in length and 3 inches in diameter, it’s relatively compact for a wide angle zoom with a fast, constant maximum aperture and weighs just under one pound.

The lens can focus on objects as close as 9.9 inches for landscape compositions with prominent foreground elements and uses a stepping motor for autofocus that Sigma states is both “fast and silent,” the latter being especially important for video work.

The editors at our sibling publication Imaging Resource had the opportunity to shoot with the new lens prior to announcement. Read their hands-on preview.

Availability of the Sigma 16-28mm F2.8 DG DN | Contemporary is expected in “late June” with a list price of $899. For more details, see the press release below.

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SIGMA Announces 16-28mm F2.8 DG DN | Contemporary Lens, a Wide-Angle Zoom with Uncompromising Optical Performance in a Compact Body

Ronkonkoma, NY – June 1, 2022 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the upcoming release of the 16-28mm F2.8 DG DN | Contemporary, the latest high-performance zoom lens in the SIGMA Contemporary line, and a perfect companion to the current 28-70mm F2.8 DG DN | C.

The new 16-28mm F2.8 DG DN | Contemporary is designed to achieve optimal balance for a wide-angle zoom lens.  An expressive ultra-wide angle of view, incredibly sharp optics, bright constant aperture, and robust yet lightweight construction all come together in one easy-to-use package.

Available for Sony E-mount and L-Mount systems, this full-frame, mirrorless zoom lens is equally suitable for both still photography and video use.  With inner zoom and focusing mechanisms, a high-speed stepping motor, and a convenient front filter thread, this lens offers premium imagery and video quality in a compact, balanced body, ideal for use on a gimbal.

Paired with the similarly compact 28-70mm F2.8 DG DN | Contemporary lens (sold separately), users have the flexibility to handle a wide variety of compositions, all at F2.8 brightness, and all with outstanding clarity, contrast, and focusing performance.

The SIGMA 16-28mm F2.8 DG DN | Contemporary lens will be available in the U.S. at SIGMA Authorized Dealers for a retail price of $899 in late June 2022.

Exclusively for mirrorless cameras | Compatible with full-frame cameras

C | Contemporary

SIGMA 16-28mm F2.8 DG DN

Effortless freedom.

A high performance compact ultra-wide zoom with a constant F2.8 aperture.

  • Uncompromising optical performance within a compact body
  • Convenient form-factor allowing more freedom and usability
  • Exceptional build quality with intuitive ergonomics

Supplied accessories: Petal-type lens hood (LH756-01), Front Cap (LCF-72 III), Rear Cap (LCRII)

Available mounts: L-Mount, Sony E-mount

* The appearance and specifications of the product are subject to change.

* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

The full-frame SIGMA 16-28mm F2.8 DG DN | Contemporary combines exceptional optical quality, a bright F2.8 constant aperture and a robust and lightweight body, opening up new possibilities for L-Mount and Sony E-mount shooters who need professional results in a compact package.

With its excellent field curvature correction, the 16-28mm F2.8 DG DN | Contemporary is able to achieve exceptional edge-to-edge sharpness, which is essential for most wide-angle applications. It boasts five FLD elements and four aspherical lens elements to ensure optimal image quality with minimal aberrations. The lens has an inner zoom mechanism that keeps overall length consistent throughout the entire zoom range, helping it feel balanced in the hand. The inner zoom also means the lens’ center of gravity stays fairly constant, so it’s perfect for gimbal use. A front filter thread allows filters to be attached more easily.

The lens boasts an exceptionally compact form-factor, weighing in at just 450g and measuring just 100.6mm in length*, which makes it a highly practical optic that is portable enough for everyday shooting. It’s especially appealing for landscape, wedding and travel photographers who need to carry their kit for long periods. *size and weight measurements given for L-Mount version

Lightweight, versatile and extremely capable, SIGMA’s 16-28mm F2.8 DG DN | Contemporary offers photographers effortless freedom at the ultra-wide end.

[Key Features]

  1. Uncompromising optical performance within a compact body

Optimized with the latest optical design technology, the 16-28mm F2.8 DG DN | Contemporary is a high-performance optic that delivers exceptional image quality despite its compact size. The two large-diameter aspherical lens elements and five ideally arranged FLD glass elements (whose characteristics mirror that of fluorite) keep the lens light and compact while effectively suppressing the lateral and vertical chromatic aberrations that often diminish the image quality of other ultra-wide lens designs. The lens also utilizes the advanced digital correction capabilities of modern cameras to enable it to achieve such impressive image quality from such a small body.

An F2.8 constant aperture gives a shallow depth-of-field for blurry out-of-focus areas, which is especially useful when shooting close-ups. The bokeh is smooth and circular thanks to the nine rounded diaphragm blades, which means the background never distracts from the in-focus subject.

SIGMA has also taken extensive measures to counter ghosting and lens flare, which are caused by reflections inside the lens barrel. The Super Multi-Layer Coating ensures that the 16-28mm F2.8 DG DN | Contemporary delivers punchy, high contrast results even in the most difficult of backlit conditions.

  1. Convenient form-factor allowing more freedom and usability

The new 16-28mm has a front filter thread built in, which allows neutral density and polarizing filters to be attached more easily. This is especially useful for landscape photographers and film-makers.

By using a stepping motor to control the AF actuator, the autofocus of the 16-28mm F2.8 DG DN | Contemporary is both fast and silent, making it ideal for shooting photography and video in quiet environments.

The inner zoom mechanism allows the lens to maintain the same length throughout the entire zoom range and with almost no shift to its balance point. The resulting stability will be appreciated by anyone looking to use the lens with a gimbal, or for hand-held or vlog-style video shoots. The inner zoom mechanism also greatly contributes to the lens’ favorable physical dimensions: at a length of 100.6mm, a diameter of 77.2mm and a weight of only 450g*, its compactness rivals wide-angle zooms with slower maximum F4 apertures. *size and weight measurements given for L-Mount version

Paired with the SIGMA 28-70mm F2.8 DG DN | Contemporary, photographers are able to cover ultra-wide to medium telephoto focal lengths with only two lenses. Their combined weight of only 920g makes for an extremely versatile, compact lens system with uniform F2.8 brightness.

  1. Exceptional build quality with intuitive ergonomics

The lens is constructed using specially selected lightweight materials including Thermally Stable Composite (TSC), a polycarbonate with a thermal contraction rate similar to that of aluminum. This enables the lens to function at peak performance even in environments with harsh temperature differences, as the metal and plastic parts contract and expand at similar rates.

The precision of each individual component and the simple beauty of the finished product are made possible thanks to the craftsmanship and expertise of SIGMA’s staff, the company’s unparalleled manufacturing technology and the rigorous quality control at SIGMA’s only production base in Aizu, Japan.

Compact and lightweight, the 16-28mm F2.8 DG DN | Contemporary lens is a sophisticated but versatile photographic tool that offers photographers and film-makers the perfect blend of portability and performance.

[Additional Features]

  • Lens construction: 16 elements in 11 groups, with 5 FLD and 4 aspherical lens elements
  • Inner zoom
  • Inner focus system
  • Compatible with high-speed autofocus
  • Stepping Motor
  • Compatible with front filter (72mm)
  • Compatible with Lens Aberration Correction
    • Function available on supported cameras only. Available corrections and auto correction functionality may vary depending on the camera model.
    • On cameras where lens aberration correction is controlled with “ON” or “OFF” in the camera menu, please set all aberration correction functions to “ON” (AUTO).
  • Support for DMF and AF+MF
  • Super Multi-Layer Coating
  • Focus Mode switch
  • Petal-type lens hood (LH756-01)
  • Mount with dust and splash-resistant structure
  • Support for switching between linear and non-linear focus ring settings (L-Mount only)
  • Compatible with SIGMA USB DOCK UD-11 (sold separately; L-Mount only)
  • Designed to minimize flare and ghosting
  • 9-blade rounded diaphragm
  • High-precision, durable brass bayonet mount
  • “Made in Japan” craftsmanship
  • Every single lens is evaluated with SIGMA’s proprietary MTF measuring system

Learn more about SIGMA’s craftsmanship here:

https://www.sigma-global.com/en/about/craftsmanship/

[Key Specifications]

The figures below are for L-Mount:

Lens Construction:                                         11 groups, 16 elements (5 FLD, 4 aspherical elements)

Angle of view:                                                 107.0° – 75.4°

Number of diaphragm blades:                        9 (rounded diaphragm)

Minimum aperture:                                         F22

Minimum focusing distance:                           25cm / 9.9 in.

Maximum magnification ratio:                        1:5.6

Filter size:                                                       72mm

Dimensions (Max. Diam. x Length):               77.2 x 100.6mm / 3.0 x 4.0 in.

Weight:                                                            450g / 15.9 oz.

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Today’s Photo Of The Day is “Sunflowers in the Sunlight” by Garry Everett.

“The morning sun streaming through a small opening in the trees of an almond orchard behind me to spotlight a pair of sunflowers,” describes Everett.

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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As a professional wildlife photographer, my first and foremost desire is to record my subjects without disturbing natural behavior. Wild animals are naturally skittish, and many are dangerous to approach, so I frequently need to use long focal length, super-telephoto lenses to make my photographs.

Photo of a wolf at Yellowstone National Park

Canon EOS R5, Canon RF800mm F5.6 L IS USM. Exposure: 1/1600 sec., Æ’6.3, ISO 500.

I could think of no better place to test the new Canon RF800mm F5.6 L IS USM than Yellowstone, America’s first national park. Canon’s corporate philosophy of Kyosei means we strive to have a positive impact on society, and coincidently, this year we celebrate Canon’s 25th anniversary of sponsoring Yellowstone Forever, the nonprofit partner of Yellowstone National Park.

Photographing predators in Yellowstone requires photographers to maintain a subject distance of at least 100 yards. That’s where a super-telephoto focal length lens can help close the gap for tighter compositions. Smaller subjects like birds typically require focal lengths of 600mm or greater to garner a usable image size in-camera, especially for printing. As you can see from my images taken in Yellowstone last winter, this lens allowed me to get close-up perspectives from safe, respectful distances.

Agile Handling

Much of what we do as wildlife photographers depends on capturing fleeting behavioral moments—moments that I might otherwise miss if I were fumbling with a tripod. When trying to track an erratically moving subject it becomes difficult to pivot around a tripod, and the raising and lowering of tripod legs takes valuable time away from the task at hand. The ability to handhold a lens with optimized weight distribution affords valuable maneuverability.

Image of the Canon RF800mm F5.6 L IS USM

Canon RF800mm F5.6 L IS USM

When I first picked up the Canon RF800mm F5.6 L IS USM, I was floored by its relatively light weight and compact size. This 800mm f/5.6 lens weighs 6.9 pounds and measures just 17-inches in length. (It’s actually shorter and similar in weight to the Canon RF600 F4 L IS USM.) Together with the lens’s 4.5-stop optical image stabilization and an impressive F5.6 maximum aperture, its light weight and precise handling are big advantages in getting the shot.

Three image stabilization (IS) operation modes enhance the versatility of the system. IS Mode 1 can be used for nearly all situations, including while using a tripod or monopod and while photographing action. IS Mode 2 is optimized for panning with moving subjects horizontally or vertically. IS Mode 3 activates only when the shutter is released with no correction between shots. I primarily use IS Mode 1, as a stabilized viewfinder image is particularly advantageous when shooting handheld and trying to maintain exacting subject composition.

Image of a Bison at Yellowstone National Park

Canon EOS R3, Canon RF800mm F5.6 L IS USM. Exposure: 1/250 sec., Æ’/5.6, ISO 1600.

Exceptional Build & Optical Quality

The lens has a 9-blade, circular aperture that creates gorgeous bokeh, isolating the subject from otherwise distracting elements within the field of view. The wide F5.6 maximum aperture lets me use faster shutter speeds and lower ISOs in low-light conditions, resulting in better overall image quality. And this lens is tack sharp even when shooting “wide open” at its largest apertures.

Canon’s premium L Series lenses are known for providing not only superior image quality, but the highest quality construction for durability in the field, with extensive sealing throughout the lens to protect against dust and moisture—especially important for wildlife photography. The RF800mm F5.6 L IS USM most certainly maintains the L Series legacy of outstanding build quality, and fluorite, UD and Super UD lens elements with advanced coatings set new standards in optical excellence.

Image of a ram at Yellowstone National Park

Canon EOS R5, Canon RF800mm F5.6 L IS USM. Exposure: 1/2500 sec., Æ’/8, ISO 400.

Not often mentioned in reviews, the fluorine coating on the front element helps to repel moisture and dust that can be easily overlooked when shooting continuously in the field and can lower contrast and degrade image quality. Air Sphere (ASC) and Super Spectra Coatings (SSC) improve image quality by maintaining high contrast and color accuracy while reducing lens flare and ghosting even at maximum aperture in harsh back-lit conditions. These coatings not only enhance image quality, but also prove subsequently beneficial with AF acquisition.

Responsive, Customizable Autofocus

The RF800mm F5.6 L IS USM’s autofocus performance proved fast, accurate and near silent in the field, a benefit for both photo and video applications. My jaw dropped when I learned the lens has a minimum focusing distance of just 8.5 feet—impressive for a lens of this focal length—and a magnification of 0.34x, making it even more valuable for small subjects like birds at close range. For wildlife subjects, I recommend using the lens’s Focus Range limiter to improve AF responsiveness by constraining the focusing range to where you anticipate the action to occur. Three Focus Range settings are available: Full range; 8.5 feet to 65.6 feet; and 65.6 feet to infinity.

Image of an eagle at Yellowstone National Park

Canon EOS R3, Canon RF800mm F5.6 L IS USM. Exposure: 1/1600 sec., Æ’/6.3, ISO 800.

The lens also offers the ability to memorize one or two focus distances and instantly return to those presets, another advantage for wildlife photography. For example, you can pre-focus on two different spots where you expect wildlife to appear, and immediately jump to either memorized position via the lens’s playback ring. Full AF or manual focus operation remains available, as well.

When shooting in rain or falling snow, it is often best to manually focus. The RF800mm F5.6 L IS USM offers a Customizable Electronic Focus Ring, with manual focus override capability during autofocus. The large manual focus ring can be programmed to three different sensitivity levels to adjust the responsiveness of the focus ring rotation to your desired preference. Mode 1 provides the fastest sensitivity (a small amount of focus ring rotation provides significant focus change), while settings 2 and 3 progressively reduce the sensitivity, allowing for finer manual focus adjustments.

Extendable & Adaptable

To help get you even closer to distant subjects, the lens is compatible with Canon’s Extender RF1.4x or Extender RF2x teleconverters to magnify the effective focal length to 1120mm at Æ’/8 with the Extender RF1.4x, or 1600mm at Æ’/11 using the Extender RF2x—all while maintaining the 8.5-foot minimum focusing distance. Pro tip: Stopping down two-thirds to one stop from maximum aperture when using teleconverters will often help increase image quality, especially with a 2x converter.

Image of a raven at Yellowstone National Park

Canon EOS R3, Canon RF800mm F5.6 L IS USM. Exposure: 1/1600 sec., Æ’/6.3, ISO 400.

Another highlight of the lens is the convenient built-in, drop-in style 52mm filter holder which I use with ND filters when shooting video or to slow or maintain shutter speeds when using larger apertures in bright ambient conditions.

If you are a wildlife or sports photographer whose subjects and situations require a long super-telephoto focal length and maximum portability, this lens is the complete package.

For more information on Canon EOS R cameras and lenses, visit usa.canon.com.


Charles Glatzer is a Canon Explorer of Light specializing in wildlife photography. His dynamic and inspirational teaching has also made him one of the most sought-after educators and keynote speakers in his field. Glatzer’s images and articles appear in publications worldwide. See more of his work at shootthelight.com.

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Did you miss a Photo Of The Day last month? View all of May’s selections in the slideshow below!

Want to get your images in the running for a Photo of the Day feature? Photo of the Day is chosen from various galleries, including AssignmentsGalleries and Contests. Assignments have weekly winners that are featured on the website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

[See image gallery at www.outdoorphotographer.com]

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Image of the Fujifilm X-H2S

Fujifilm X-H2S

Fujifilm today announced a new flagship in its APS-C sensor X Series mirrorless lineup, along with two new lenses including a super-telephoto that will be of particular interest for wildlife photographers. The Fujifilm X-H2S is the company’s most advanced X Series camera yet, with impressive burst shooting capabilities. Paired with the new FUJINON XF150-600mmF5.6-8 R LM OIS WR, the camera offers a compelling system for telephoto wildlife and sports photography.

Top view of the Fujifilm X-H2S

Top view of the Fujifilm X-H2S

The Fujifilm X-H2S features a new 26.2-megapixels X-Trans CMOS 5 HS imaging sensor that’s a stacked design with back-side illumination that Fujifilm states delivers up to 4x faster signal reading. The camera also introduces a new X-Processor 5 that doubles the processing power compared to the previous generation processor.

Back view of the Fujifilm X-H2S

Back view of the Fujifilm X-H2S

The new sensor and processor combination allows subject-detection AF and improved image quality throughout the ISO range. It also enables the camera to shoot with full AF/AE tracking at up to 40 frames per second with its electronic shutter (15 fps with the mechanical shutter). For extended bursts, the camera can record over 1,000 frames at 30 fps in JPEG or 20 fps RAW. Even the slower of these speeds are ample for wildlife and sports photography.

Fujfilm X-H2S with FUJINON XF150-600mmF5.6-8 R LM OIS WR lens attached

Fujifilm X-H2S with the new FUJINON XF150-600mmF5.6-8 R LM OIS WR super-telephoto zoom

The FUJINON XF150-600mmF5.6-8 R LM OIS WR introduced with the X-H2S is the company’s longest telephoto zoom, providing an equivalent focal length range of 229-914mm. The lens is also compatible with the X Series XF1.4x TC WR and XF2x TC WR teleconverters. When used with the 2x, the XF150-600mmF5.6-8 can reach a remarkable 1828mm equivalent.

Image of the FUJINON XF18-120mmF4 LM PZ WR

FUJINON XF18-120mmF4 LM PZ WR

Also introduced today is another new zoom, the FUJINON XF18-120mmF4 LM PZ WR, equivalent to 27-183mm. With the new X-H2S body and FUJINON XF18-120mmF4 and XF150-600mmF5.6-8 R LM OIS WR zooms, photographers can cover an impressive focal length range with just two lenses.

The Fujifilm X-H2S and FUJINON XF150-600mmF5.6-8 R LM OIS WR are expected in “early July” with the FUJINON XF18-120mmF4 LM PZ WR following “in or around September.” List prices: $2,499 (X-H2S); $1,999 (XF150-600mm); $899 (XF18-120mm).

For additional details on all three products, see the press releases below.

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 Fujifilm Introduces X-H2S Mirrorless Digital Camera 

New flagship camera features enhanced still and video capabilities 

Valhalla, N.Y., May 31, 2022 – FUJIFILM North America Corporation today announced the launch of its next flagship X Series mirrorless digital camera, FUJIFILM X-H2S (X-H2S). The most advanced X Series mirrorless camera yet, X-H2S includes advanced features for both still photography and video. It is also the first APS-C digital camera of its kind to feature Fujifilm’s 26.16MP X-TransTM CMOS 5 HS imaging sensor, a stacked, back-side illuminated imaging sensor with a signal reading speed up to four times faster than Fujifilm’s previous X-TransTM CMOS 41. 

X-Trans™ CMOS 5, combined with the newly minted X-Processor 5 (which doubles the camera’s processing power compared to X-Processor 4), greatly enhances overall image fidelity at lower ISOs and reduces noise at higher ISOs. Subject-detection AF, which maximizes the tracking speed and accuracy of moving subjects is now made possible through the incorporation of an AI processor. 

For video, X-Processor 5 enables the recording of 10-bit 4:2:2 video in resolutions up to 6.2K/30P and frame rates as fast as 4K/120P and FHD/240p. Support for professional codecs, like Apple ProRes HQ/ Pro Res 422/ Pro Res LT, provide incredible flexibility within post-production workflows, while also minimizing power consumption, thereby extending the camera’s maximum video recording time up to 240 minutes. 

“The universal reaction to X-H2S has been, ‘This is exactly what I’ve been waiting for!’ The overwhelmingly enthusiastic response reinforces my belief that X-H2S will be the versatile, hybrid digital camera that can meet the diverse needs of photographers and motion production professionals,” said Victor Ha, vice president, Electronic Imaging and Optical Devices Divisions, FUJIFILM North America Corporation. “It’s fun to see so much enthusiasm for this camera, especially since the features it has aren’t normally found at a price point of only $2499.95.” 

With these sensor and processor updates, X-H2S achieves substantial performance improvement over other digital camera models on the market, including: 

Major boost to burst mode capability: X-H2S can apply AF / AE tracking in blackout-free continuous shooting conditions of up to 40 frames per second*2, and can create over 1,000 frames continuously with the high-speed burst shooting mode set to 30 frames per second (JPEG) or 20 frames per second (RAW)*3 

1 In comparison with the X-TransTM CMOS4, carried in the current camera model 

2 Applies to high-speed continuous shooting conditions without viewfinder black-out (i.e., with photographer still able to view the subject). AF / AE tracking in these conditions is only available when using the electronic shutter. 

3 Performance based on a cold start, when using the electronic shutter. 

Dramatically evolved autofocus (AF) performance: X-H2S’s high number of AF calculations performed per second improves overall AF accuracy and facilitates subject-detection AF. Developed with Deep Learning technology, subject-detection AF implements an advanced prediction algorithm to enhance the performance of Zone AF, by refining the camera’s ability to track moving subjects in low-contrast environments. Subject detection and tracking has also been expanded from the human face and eyes to now include animals, birds, cars, motorcycles, bicycles, airplanes and trains. X-H2S keeps targeted subjects consistently in focus, allowing users to concentrate on framing and critical image-making opportunities. 

Exceptional video performance: X-H2S digital camera supports internal recording of 4:2:2, 10-bit Apple ProRes HQ/ ProRes 422/ ProRes LT and ProRes 422 Proxy at resolutions of up to 6.2K/30P and 4:2:2, 10-bit h.265 video in frame rates as fast as 4K/120P and FHD/ 240p. The sensor’s readout speed of 1/180 seconds when recording video further assists in minimizing rolling shutter effects on moving subjects, or when the camera itself is moving. A heat-dissipating design brings the 4K/60P continuous video recording time to approximately 240 minutes, while the optional FAN-001 cooling fan accessory assists with maintaining similar levels of performance in high-temperature conditions. 

Significant flexibility for external recording: X-H2S is the first X Series digital camera to contain F-Log2, which provides a dynamic range of up to 14+ stops, allowing for more creative possibilities both in production and post-production workflows. 

Additional Product Features: 

Best subject tracking in X Series history 

● X-H2S controls phase-detection pixels independently from image display when in burst mode. This triples the number of calculations in phase detection from the acclaimed FUJIFILM X-T4 and enables high-speed focusing even during high-speed continuous shooting. 

● X-H2S’s electronic viewfinder uses a high-resolution, 5.76-million-dot panel with a magnification of 0.8x. With a frame rate of approximately 120fps, the smooth viewfinder offers stellar visibility as a result of strong suppression of parallax and distortion (which commonly occurs when an eye position becomes displaced while using the viewfinder), thereby enabling accurate subject tracking. 

Thoughtful design to enhance users’ content creation experience 

● The camera features an all-new five-axis, in-body image stabilization mechanism, which offers up to 7.0-stops of image stabilization4. Users can comfortably choose to operate the camera handheld in active environments (e.g., sports) or in low-light conditions (e.g., nightscape). 

4 When mounted with the FUJINON XF35mmF1.4 R lens 

● X-H2S incorporates the popular design features of Fujifilm’s previous X-H1 model, such as a large grip that works well with large lenses, an LCD display on the top panel for users to check settings at any time, and a highly-robust body that withstands heavy professional use. Many additional improvements have also been included in the design and construction of X-H2S: 

● The shutter button’s overall feel has been adjusted to improve its operability when it is half-pressed. This allows users to release the shutter exactly when intended. 

● A standalone video recording button has been added to make the experience of recording video with the 1.62-million-dot, vari-angle LCD monitor a seamless experience. 

● From the fit and finish of the buttons and materials used in the construction of X-H2S to being able to map specific functions to the AF ON button, image-makers will find the experience of using X-H2S intuitive and familiar. Shutter durability has been optimized, withstanding 500,000 actuations during quality and performance testing. 

● The camera features dual memory card slots supporting one CFexpressTM Type B and one SD card5. Users can draw out the full potential of X-H2S’s fast, continuous image-making and video performance with the high-speed data processing performance of CFexpressTM Type B memory cards. 

5 See the Fujifilm website for a list of verified compatible cards. 

X-H2S Accessories 

Several new accessories are also being introduced to complement the launch of X-H2S. These optional accessories include: 

Vertical battery grip (VG-XH) 

● Dust- and moisture–resistant and is designed to operate at temperatures as low as 14 degrees Fahrenheit (-10 degrees Celsius). It fits two FUJIFILM NP-W235 high-capacity batteries. 

● The grip’s button layout is designed to provide equal operability whether holding the camera vertically or horizontally. 

File transmitter (FT-XH) 

● Features wired LAN connectivity and high-speed wireless communications capability, essential for in-studio tethered content creation or for creating sports/media content. It can also be used as a vertical grip using two FUJIFILM NP-W325 high-capacity batteries. 

● It can be combined with X-H2S to support the following communication specifications: 

● FTP transfer by wired LAN / wireless LAN / USB Smartphone tethering 

● Tethered shooting by wired LAN / wireless LAN 

● Remote recording function by wired LAN / wireless LAN; capable of controlling up to four X-H2S cameras from a browser at the same time 

Cooling fan (FAN-001) 

● Specifically designed for the X-H2S to facilitate extended image creation and video recording in high temperatures. 

● The fan can be fitted to the rear of the camera body without a cable, supplying power, extending continuous video recording time at high temperature, and eliminating concerns of heat-related camera shutdown. 

Cover kit (CVR-XH) 

● Protects various terminals on the camera. Items contained in this kit: 

● 1x Sync terminal cover 

● 1x Hot shoe cover 

● 1x File transmitter / vertical battery grip terminal cover 

● 1x Cooling fan terminal cover 

● 1x Memory card slot cover 

Pricing and Availability: 

FUJIFILM X-2HS mirrorless digital camera is expected to be available in early July 2022 at the Manufacturer’s Suggested Retail Price of $2,499 USD and $3,200 CAD. 

Pricing and expected availability for X-2HS accessories are as follows: 

VG-XH Vertical Battery Grip: Available early July 2022 at a Manufacturer’s Suggested Retail Price of $399 USD and $515 CAD. 

FT-XH File Transmitter: Available in September 2022 at a Manufacturer’s Suggested Retail Price of $999 USD and $1,280 CAD. 

FAN-001 Cooling Fan: Available early July 2022 at a Manufacturer’s Suggested Retail Price of $199 USD and $260 CAD. 

CVR-XH Cover Kit: Available early July 2022 at a Manufacturer’s Suggested Retail Price of $19.99 USD and $26 CAD. 

For more information about X-H2S and its accessories, please visit https://fujifilm-x.com/en-us/products/cameras/x-h2s/. 

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 Fujifilm Introduces FUJINON XF150-600mmF5.6-8 R LM OIS WR Lens 

Super-telephoto zoom lens offers premium image quality, lightweight design and outstanding speed 

Valhalla, N.Y., May 31, 2022 – FUJIFILM North America Corporation is pleased to introduce FUJINON XF150-600mmF5.6-8 R LM OIS WR telephoto zoom lens (XF150-600mmF5.6-8 R LM OIS WR). Engineered for photographers who rely on extreme zoom capabilities, even in the most challenging photographic situations. From distant wildlife to sprawling landscape photography, XF150-600mmF5.6-8 R LM OIS WR is designed to create long-distance images with pinpoint accuracy. 

“The outstanding coverage that is achievable with this lens places a range of far-reaching subjects–including wildlife, nature, and landscape details–firmly within frame,” said Victor Ha, vice president, Electronic Imaging and Optical Devices Divisions, FUJIFILM North America Corporation. “An incredible focal range paired with fast, reliable autofocus, and a perfectly balanced, lightweight design removes barriers between photographers and their subjects, so their only limitation is their own creativity.” 

The lens consists of 24 lens elements in 17 groups including three extra-low dispersion (ED) elements and four Super ED elements, to deliver an advanced level of image resolution edge to edge across the entire zoom range. 

Covering 35mm equivalent focal lengths of 229mm – 914mm, image makers can extend the reach of XF150-600mmF5.6-8 R LM OIS WR through either FUJIFILM XF1.4X TC WR or FUJIFILM XF2X TC WR teleconverters. The lens’s longest focal length extends to 1200mm (35mm equivalent of 1828mm), closing distances in an instant. 

The fast autofocus system, driven by a linear motor, attains precise focus quickly and accurately, even in the super-telephoto range, where focusing can be difficult due to a shallow depth of field. 

Main XF150-600mmF5.6-8 R LM OIS WR Product Features: 

Fujifilm’s longest super-telephoto range delivers premium image quality 

● HT-EBC coating, typically used on broadcast lenses, has been applied on all elements of XF150-600mmF5.6-8 R LM OIS WR, to achieve high transmittance and low reflectance despite containing 24 lens elements. 

● Compatible with FUJIFILM XF2X TC WR and XF1.4X TC WR. 

○ XF2X TC WR – 300mm to 1200mm 

○ XF1.4 TC WR – 210mm to 900mm 

(35mm equivalent focal lengths of 457mm – 1828mm 

(35mm equivalent focal lengths of 315mm – 1350mm 

Rugged yet lightweight design to reduce user load, enabling extended shooting in a variety of situations 

● XF150-600mmF5.6-8 R LM OIS WR weighs just 3.5 pounds (1605g)1 despite being a super-telephoto zoom reaching up to 600mm. Two super ED elements are used to keep the lens barrel small, while maintaining an advanced level of image-resolving performance. The use of an Inner Zoom system means the lens barrel maintains a constant length at every focal length. This results in a lightweight lens that zooms easily with no shift in weight distribution. 

1 without lens hood, lens cap, and tripod collar foot 

● The lens body is matte silver to mitigate temperature increase under even the most challenging wildlife, nature, and landscape photography environments. 

● Magnesium alloy is used for the internal base frame that supports the lens structure to maintain durability, while keeping the overall lens weight low. 

● The lens barrel is weather-sealed at 19 locations for dust and weather-resistance and the ability to operate at temperatures down to 14 degrees Fahrenheit (-10 degrees Celsius). 

5-stop image stabilization mechanism 

● XF150-600mmF5.6-8 R LM OIS WR features a high-precision sensor and control system to deliver up to 5-stops2 of optical image stabilization, making it easier than ever to make images at even the super-telephoto range. 

2 Compliant with CIPA in pitch / yaw directions 

Diverse functions for fast and silent autofocus (AF) and easy AF operation 

● XF150-600mmF5.6-8 R LM OIS WR uses the Inner Focus system, which drives the lens with a linear motor to achieve fast and silent AF. Focus is attained in as fast as 0.25 seconds,3 even in the hard-to-focus super-telephoto range. 

● The Focus Preset function ensures the lens remembers the focus setting for a location pre-defined with the SET button4. Users can keep creating images without having to re-adjust focus on a targeted subject. 

● The Focus Limiter allows users to restrict the lens AF range. This can effectively shorten AF time when photographing a subject that is 16 feet (5 meters) away or more. The Focus Control button is conveniently located at the front edge of the lens barrel4. The Focus Select switch may be used for added operability of AF and focus lock. 

*3 AF speed measured at the telephoto end, using CIPA Guideline compliant measurement method, and when mounted on the FUJIFILM X-T4 mirrorless digital camera with Phase Detection AF activated and in High Performance Mode. The AF speed at the wide-angle end under the identical condition is approx. 0.15 seconds. 

*4 Fujifilm’s latest X Series digital camera firmware update must be downloaded to activate the lens Focus Preset function and the Focus Control button. An applicable firmware update for the FUJIFILM X-T4, FUJIFILM X-T3 and FUJIFILM X-S10 digital cameras will be forthcoming. 

Pricing and Availability 

FUJIFILM XF150-600mmF5.6-8 R LM OIS WR is expected to be available in early July 2022 at a Manufacturer’s Suggested Retail Price of $1,999 USD and $2,550 CAD. For more information on this lens, visit https://fujifilm-x.com/en-us/products/lenses/xf150-600mmf56-8-r-lm-ois-wr/. 

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 Fujifilm Introduces FUJINON XF18-120mmF4 LM PZ WR Lens 

Hybrid Broadcast/Video/Photo Lens a First for X Series 

Valhalla, N.Y., May 31, 2022 – FUJIFILM North America Corporation today announced the launch of FUJINON XF18-120mmF4 LM PZ WR lens (XF18-120mmF4 LM PZ WR), specifically designed for photographers, filmmakers, and image-makers creating both stills and video. 

“This lens marks the first collaboration between FUJINON Optics and FUJIFILM X Series engineers, creating a truly hybrid solution for motion production professionals and enthusiasts alike,” said Victor Ha, vice president, Electronic Imaging and Optical Devices Divisions, FUJIFILM North America Corporation. “Incorporating our inherent broadcast technology has allowed us to create a lens with both cinema and broadcast-style features that delivers smooth zoom, focus, and iris functionality.” 

XF18-120mmF4 LM PZ WR covers focal lengths ranging from the wide-angle 18mm to telephoto 120mm (equivalent to 27mm – 183mm in the 35mm film format). The highly versatile 6.7x power zoom, with its compact design, facilitates a variety of shooting situations including landscape (wide angle) and portraiture (telephoto). The lens is also capable of producing premium-quality video due to the advanced video performance Fujifilm has nurtured in its broadcast and cinema lenses over many years. 

The lens offers constant maximum aperture of F4.0 across the entire focal range from wide angle to telephoto. It also has a maximum magnification ratio of x0.2, adding versatility to how the lens can be used to frame images when subjects are closer to the lens. 

Thanks to the expertise of FUJINON Optics engineers, XF18-120mmF4 LM PZ WR has minimal focus breathing. As a result, changes in angle of view and variances in optical axis shift that can occur when focusing or zooming the lens are kept to a minimum. In addition to the regular zoom and focus rings, the lens is equipped with other versatile video features including a variable zoom/focus control ring and a custom Fn button. 

Main Product Features: 

Broad range of focal lengths for superior stills and videos 

● XF18-120mmF4 LM PZ WR comprises 15 lens elements in 12 groups, including three aspherical elements and three extra-low dispersion (ED) elements, to effectively suppress spherical aberration, distortion, and chromatic aberration. The result is excellent image-resolving performance. 

● Optimum positioning of the focusing element minimizes the effects of focus breathing. 

Fast and highly accurate auto focus (AF) 

● The lens uses an Inner Focus system, which drives the compact and lightweight group of focusing elements with a linear motor to achieve focus in as fast as 0.02 seconds1. 

● XF18-120mmF4 LM PZ WR’s focus-tracking performance is dramatically improved when attached to the FUJIFILM X-H2S digital camera. The combination brings together X-H2S’s high-speed focus drive mechanism with XF18-120mmF4 LM PZ WR’s focus-tracking performance to easily track subjects, even while recording video. 

Diverse video-filming functions for easy video production 

The aperture drive control in the XF18-120mmF4 LM PZ WR has been updated from that of other XF lenses to successfully suppress exposure shift linked to aperture adjustments. When the level of luminosity changes, the aperture transitions smoothly so that exposure stays constant, even when light conditions are changing rapidly. 

● The lens features a zoom/focus control ring, which allows users to control zooming or focusing at a variable speed. 

● The lens also comes with a zoom feature, that drives zooming at a constant pace2, allowing users of all levels of expertise to master video production with zooming. 

● Combine with FUJIFILM X-H2S digital camera and FT-XH file transmitter accessory to remotely record video on a single or multiple cameras, online through a web browser. 

Compact and lightweight design for advanced mobility 

● The aspherical and ED elements were designed for both size and weight efficiency, weighing just over one pound (460g), measuring approximately 4.9 inches (123.5mm) in length and with a filter thread diameter of 2.8 inches (72mm). 

● The use of the Inner Zoom system means the lens barrel has a plain, non-extending structure, resulting in a lightweight lens that zooms easily with no shift in weight distribution. XF18-120mmF4 LM PZ WR also uses a smooth power zoom mechanism to drive the zoom lens group linearly with a stepping motor. This results in high-quality zooming with minimal optical axis shift across all focal lengths, from wide angle to telephoto. 

Dust and weather resistant structure capable of operating at low temperatures 

● The lens barrel is weather-sealed at 13 locations to ensure dust and weather-resistance and to provide the ability to operate at temperatures down to 14 degrees Fahrenheit (-10 degrees Celsius). 

Pricing and Availability 

FUJINON XF18-120mmF4 LM PZ WR is expected to be available in or around September 2022 at a Manufacturer’s Suggested Retail Price of $899 USD and $1,150 CAD. 

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