10 Unique National Parks

While Grand Canyon, Yellowstone and Great Smoky Mountains are among the most visited and widely recognized, the National Park Service currently manages 419 areas, including 62 that are formally designated as national parks. Though some are more famous than others, all of them protect something special. Photographer QT Luong captured them in his award-winning book, Treasured Lands: A Photographic Odyssey Through America’s National Parks. Here we feature a selection of 10 unique national parks, each with a characteristic that makes it noteworthy, as Luong transports us on a virtual tour through his photographs and stories of his experiences in the field.

Gates of the Arctic National Park and Preserve

Aerial view of Alatna River, Gates of the Arctic National Park.

The northernmost national park

My friend and I took off from Bettles, Alaska, during a short weather break. Despite the double rainbows and the beautiful views over meandering rivers in vast mountain valleys, the flight was so bumpy that we were glad to reach our destination, a narrow circular band of water. The pilot helped us unload our backpacks, and after instructing us to come back to the same point one week later for pickup, he was quickly on his way. A few minutes later, the noise of the engine disappeared, leaving the place in absolute silence.

The Brooks Range is so vast that each of its mountains has a different character. The Arrigetch Peaks area, a place of gothic black granite spires and pinnacles reaching haphazardly into the clouds, is considered by many to be the most spectacular part. In eight days, we backpacked to a base camp near them.

Located north of Arctic Circle, Gates of the Arctic National Park and Preserve is the ultimate wilderness park in the country. Absent any facilities such as trails, signs or campsites, it is often possible to feel that you are the first human ever to set foot in the park. Unless you are a guest at one of the private lodges or hire an outfitter to guide you, you must be self-sufficient. No roads lead into the park. You could trek from the Dalton Highway, but it is a long way to the more scenic areas. Most visitors charter a bush plane to fly into the park, choosing either a floatplane for landing on lakes or a plane equipped with oversized tires for landing on gravel bars. The main gateway is Bettles, which can be reached in summer only by air, usually via Fairbanks, the closest major city 200 miles south.

It is said that in Alaska, there are four seasons: June, July, August and winter. The term “arctic” evokes the idea of a white wasteland roamed by polar bears; however, the ground is generally free of snow from June to the beginning of September. Wildflowers, sunshine and mosquitoes are at their peak at the beginning of July. Beautiful fall colors that blanket the entire tundra, rainier skies and fewer mosquitoes characterize the August weather.

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Behind The Shot: Fishing Nets In The Wind

Photo By Chin Leong Teo

Xiapu is a county in Fujian province. It’s widely known as one of the most quaint and scenic fishing areas in China. It has an ample coastline, clean coastal waters and enjoys plentiful sunshine. This makes for an ideal ecosystem for various forms of fishing and seaweed harvesting.

A vibrant and extensive fishing community permeates various forms of interesting tools used for fishing. This photograph shows an elaborate setup of nets along a river in Xiapu. The beauty of this system is not so much how it’s used to catch fish but rather how the nets flutter when the wind blows. 

I waited for a while. It wasn’t easy getting a good composition. Sometimes there was no wind. Sometimes the wind blew but the nets flew and clumped rather unaesthetically together. For this particular shot, I had time and luck on my side. The wind was blowing strongly, and the nets were fluttering about. I got a fisherman to row up his boat to the nets. Finally, I was able to take what I consider a balanced and well-composed shot with the fisherman as the subject amidst the nets.

Most photographers will know that taking a photograph is the first step. Often, post-processing is as important a process, if not more, than the taking of the photograph itself. When I went home and saw the RAW file, the lighting and mood were expectedly not great, but I saw tremendous potential in the composition.

For post-processing, I first cropped the photograph so that the frame is full of the nets. I then saturated the nets with a warm glow and softened the texture selectively to create a mystical atmosphere. This was combined with selective dodging and burning.

When I finished post-processing this photograph, I was stunned by its beauty. This was something that I imagine I could hang on a wall and appreciate for a long time. Indeed, this is one of my personal joys of photography. Sometimes I surprise myself with what I can do with a camera and some post-processing. OP

This image was the winner in the Discovery category of the inaugural ROAM Awards 2019. See more of Chin Leong Teo’s work at teochinleong.com.

Sony a6500, Sony Vario-Tessar T* E 16-70mm f/4 ZA OSS at 67mm. Exposure: 1/320 sec., ƒ/8, ISO 400.

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Nikon Announces Z 5 Full-Frame Camera, New Lens And Teleconverters

Nikon today introduced an attractively priced ($1,399, body only), “entry level” full frame mirrorless camera, along with a compact zoom lens and two teleconverters for the Z system. The 24.3-megapixel Nikon Z 5 is similar in form and size to the Z 6 and Z 7, with the main physical difference being the omission of a top-panel LCD information display, replaced by the exposure mode dial.

One of the key performance differences between the Z 5 and the Z 6 and Z 7 is the continuous shooting speed, which on the Z 5 maxes out at 4.5 frames per second. That’s slow compared to most newer camera models; if you shoot fast-moving subjects like wildlife or sports, it’s a limitation to consider.

The 3.2-inch touchscreen on the Z 5 is tillable. The back panel controls are identical to the Z 6.

The Z 5’s in-body image stabilization system provides up to 5 stops of correction. When paired with a compatible NIKKOR lens with built-in Vibration Reduction, the two systems work together for 3-axis stabilization. The camera’s AF system includes 273 points that cover “most” of the frame, and incorporates eye detection technology for humans, cats and dogs. Like the Z 6 and Z 7, the Z 5 has a touchscreen LCD that can be tilted. The Z 5’s LCD is a 3.2-inch monitor with 1040k-dot resolution. There’s also an EVF with 3.6-million-dot resolution.

Another notable difference between the Z 5 and the Z 6 and Z 7 is the inclusion of dual SD card slots. The Z 6 and Z 7 have a single card slot and use XQD format cards, which has speed advantages over SD particularly for high-resolution video but is not nearly as ubiquitous. For many photographers, especially those who don’t shoot a lot of video, the dual SD slot is a convenience with options for automatic backups or recording RAW and JPEG files to individual cards.

A key physical difference between the Z 5 and the Z 6 and Z 7 is that the Z 5 omits the top-panel LCD information display and moves the exposure mode dial into its place. Also seen here is the new NIKKOR Z 24-50mm f/4-6.3 lens attached to the camera, giving you an idea of the compact size of the lens.

The Z 5 is offered as the body only, or in one of two kits. The 24-200mm Lens Kit is priced at $2,199 and includes the versatile NIKKOR Z 24-200mm f/4-6.3 VR “all-in-one style” zoom. The other kit includes a new lens, also introduced today, a very compact wide-to-standard zoom, the NIKKOR Z 24-50mm f/4-6.3. The smallest NIKKOR Z lens yet, it’s an interesting option for photographers who want to carry less but still have zoom flexibility. The Z 5 24-50mm Lens Kit is offered at $1,699, and the lens is also available separately for $399.

Nikon Z TELECONVERTER TC-1.4X (left) and Z TELECONVERTER TC-2.0X (right).

The bigger news today for advanced and professional photographers, particularly wildlife and sports shooters, is the introduction of two teleconverters for the Z system, the Z TELECONVERTER TC-1.4X and Z TELECONVERTER TC-2.0X. Nikon notes that these teleconverters allow Nikon Z cameras to maintain AF functionality at apertures as small as ƒ/11. They’ll make a nice pair with the NIKKOR Z 70-200mm f/2.8 VR S and future telephoto lenses on Nikon’s roadmap. They’re priced at $549 for the 1.4x and $599 for the 2x.

All of the products introduced today are expected in August. For more information, see the press release below.

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EMBARK ON THE FULL-FRAME MIRRORLESS JOURNEY: NIKON UNVEILS THE Z 5, AN INNOVATIVE AND FEATURE-RICH MIRRORLESS FX-FORMAT CAMERA FOR EMERGING CREATORS

Nikon Expands the NIKKOR Z Lens Lineup with the Addition of the Extremely Compact and Versatile NIKKOR Z 24-50mm f/4-6.3 as well as the new Z TELECONVERTER TC-2.0X and TC-1.4X; Nikon Also Announces Free Webcam Utility

MELVILLE, NY (July 21, 2020) – Today, Nikon Inc. announced the Z 5, the new full-frame (FX-format) entry-point into its award-winning lineup of Z series mirrorless cameras. The Nikon Z 5 combines sophisticated features inherited from the Z 7 and Z 6 with the benefits of Nikon’s next generation Z mount at an unprecedented value. For those new to mirrorless or creators looking to push the limits of their craft with the power of full-frame, the compact Z 5 will exceed expectations. With an incredibly robust feature set, including in-camera vibration reduction (VR) image stabilization (IBIS) and the perfect balance of seamless automation and full manual control, creators can effortlessly share their artistic passions, travel adventures and so much more. 

 Nikon also unveiled the new NIKKOR Z 24-50mm f/4-6.3, the shortest, lightest and most affordable full-frame zoom lens in the NIKKOR Z lineup. Designed for on-the-go creators, the 24-50mm lens is the ideal companion for Z series users who want to capture it all – from vast landscapes and cityscapes, to street photography and striking portraits.

“The Nikon Z 5 offers the next generation of creators a gateway into the full-frame Z series lineup, opening the door to the limitless possibilities of mirrorless photo and video capture, while providing the means to share their creativity with others,” said Jay Vannatter, Executive Vice President, Nikon Inc. “With the addition of the NIKKOR Z 24-50mm f/4-6.3, Nikon is introducing the smallest full-frame NIKKOR Z lens to date, providing an extremely lightweight, versatile option to help users pursue all creative endeavors, regardless of which Z series camera they use.”

Nikon Z 5: The Full-Frame Journey Starts Here

As the new entry point to Nikon’s full-frame mirrorless lineup, the Nikon Z 5 offers a lot of power and capabilities at an attractive price, empowering the next generation to begin their journey with the confidence to learn and grow as creators.

• Incredible Image Quality: Featuring a powerful FX-format 24.3-megapixel CMOS sensor, the Z 5 is the gateway to the benefits of full-frame, helping creators to capture intensely detailed images, ultra-shallow depth of field and clean low-light shots with unrivaled consistency. From portraits that flatter, nighttime landscapes that astound and street shots that impress, the gorgeous tones, faithful colors, minimal noise, and revered Nikon color science all play a part to help users capture images that are true to their vision.
• High Speed Performance and Processing: Engineered with the EXPEED 6, Nikon’s fastest image processor to date, the Z 5 is a dependable, high-performance tool designed for content creation. EXPEED 6 allows for a boost in processing power and energy efficiency while rendering subtle textures and small details with amazing results.
• Stellar Low-Light Performance: With an ISO range up to 51,200 (expandable to 102,400), the camera effectively reduces noise, maintaining both high sensitivity and resolution to excel in low-light situations, making it ideal for shooting everything from low-light events to an all-nighter under the Milky Way.
• Capture with Speed: With shutter speeds up to 1/8000, the Z 5 can capture fast-moving subjects with clarity including fast-action sports and wildlife. This higher maximum shutter speed enables photographers to better tame even the brightest mid-day light to unleash the potential of fast-aperture NIKKOR glass. When the moment strikes, the camera can also capture full resolution bursts at 4.5 fps with full AF/AE.
• Silent and Smooth: The combination of the camera’s silent photography mode and In-Body 5-Axis VR stabilization provides quiet, stable shooting to document sensitive moments without distractions.
• Vast Lens Selection: Whether shooting glamorous portraits from a studio on the sidewalk, long-distance wildlife, epic wide landscapes in the field or street photography, the growing lineup of NIKKOR Z lenses provides Z 5 users the versatility to capture incredible shots with sharpness across the frame and superior light gathering in any situation. For even more flexibility, the vast array of traditional F-mount NIKKOR lenses can be used via the Mount Adapter FTZ to enhance images with a unique focal length or beautiful bokeh, while gaining the benefits of in-body stabilization.
• Dual UHS-II SD Card Slots: Equipped with two UHS-II card slots for overflow, backup or separating RAW and JPEG photos, the Z 5 enables photographers to shoot with extreme confidence when using widely available consumer SD cards.

Simple Yet Sophisticated for Expanding Creativity

A great option for emerging creators getting started, the Nikon Z 5 is packed with powerful tools and user-friendly controls to help users explore and capture their artistry with ease.

• Focus Anywhere: The Z 5 boasts 273¹ on-sensor AF points, to quickly and accurately track subjects throughout the frame, while Eye-Detection AF capabilities help precisely capture the eyes of humans and animals. The wide array of AF points covers nearly the entire frame, and multiple AF modes allows the user to have pinpoint control or fully automatic assurance to easily lock onto a subject.
• Easily Shift Gears: The Nikon Z 5 offers the ability to effortlessly switch between manual mode for the ultimate in control, as well as a large variety of automatic creative modes to help mirrorless users capture truly distinct images and video.
• Creativity Built-in: Equipped with 20 Creative Picture Controls, and advanced features like Focus Shift Shooting and multiple exposure mode, users can compose unique images, produce extraordinary depth of field, or combine several shots and layer images on top of each other with the in-camera image overlay function.
• Advanced Video Capture: The Z 5 makes it easy to document any creative vision in 4K UHD/30p² or in 1080/60p (full-frame). When recording video, the PDAF system is rapid to react, allowing users to quickly lock critical focus on subjects, and is fully customizable to fit any production style. In-camera VR image stabilization and electronic VR reliably eliminate the shake when shooting video, plus users get the added benefit of focus peaking and the ability to capture stills while recording.
• Flexible Recording Modes: In addition to the traditional interval timer and in-camera time-lapse modes, the Nikon Z 5 is equipped with a new Time-Lapse Movie mode that gives users the best of both worlds for more streamlined movie making – the ability to use images from interval timer mode and create a time-lapse in-camera.
• Unique Lighting Options: For enhanced creative control, the camera features a hot shoe, and is fully compatible with the Nikon Speedlight wireless lighting system.
• Get Connected: The Nikon SnapBridge³ app makes it easy to remotely control the Z 5 or seamlessly transfer and share content to a smartphone, tablet, Mac, or PC thanks to built-in Wi-Fi®⁴ and Bluetooth®⁵ 

Rugged Reliability and Engineered for Versatility

In addition to providing high-quality imaging capabilities, the Nikon Z 5 is compact and comfortable in-hand while promising the rugged reliability as well as innovative features and controls that Nikon is known for.

• Legendary Nikon Build: Designed with a durable, weather-sealed exterior for worry-free use, the Z 5 employs the same magnesium alloy shell and robustness as the Z 6 and Z 7. Both the camera and NIKKOR Z 24-50mm f/4-6.3 lens are built with consideration for dust and drip resistance and are ready to tackle the next adventure.
• Functional Operability: The camera sports a powerful, high-resolution 3.2-inch LCD monitor with the capabilities to tilt, touch, tap, swipe, and pinch for an intuitive and flexible user-experience. Meanwhile, the 3.6M-dot Quad-VGA EVF ensures users can see exposure, ISO, white balance and creative picture controls in real time, making the transition from optical viewfinders seamless for new mirrorless shooters.
• Packed with Power: Powered by the new EN-EL15c battery, the Z 5 offers significant advancements in the number of shots per charge and is the first Nikon camera to enable constant power through the USB port, even with select portable USB power banks⁶. For added power and grip, the camera is also compatible with the MB-N10 hot-swappable battery pack.
• Webcam Ready: When connected via the USB-C cord, the Z 5 can be used as a webcam, making the camera a great option for modern vloggers, influencers and gamers looking to improve their livestreaming capabilities.

NIKKOR Z 24-50mm f/4-6.3: Portable, Yet Powerful

The NIKKOR Z 24-50mm f/4-6.3 is the latest addition to the rapidly expanding lineup of NIKKOR Z lenses and is the smallest FX-format NIKKOR Z lens yet. Optically designed to take advantage of the advancements of the wide Z mount, this lens delivers sharpness across the entire frame and a versatile zoom range for everyday use. The 24-50mm is less than three inches long when retracted, making it the perfect lens for shooters seeking a versatile yet compact option for lightweight travel and street photography. When used together, the Z 5 and 24-50mm lens are the ideal discrete travel kit that can easily be packed and carried for all-day adventures. This compact NIKKOR Z lens is also an enticing option for Z 6 and Z 7 users who want a small all-around lens for portraits, landscapes, and street photography.

New Z Teleconverters Take NIKKOR Z Lenses to New Lengths

Designed for photographers and videographers who need more telephoto reach in their kit, the new Z TELECONVERTER TC-1.4X and Z TELECONVERTER TC-2.0X bring added versatility with 1.4x and 2.0x magnification to select NIKKOR Z lenses. These lightweight teleconverters are great tools for those photographing sports, wildlife and aviation, reducing the need to crop images and allowing for tighter compositions with maximum resolution.

The new TC-1.4X and TC-2.0X teleconverters maintain superior rendering performance and minimize various lens aberrations, while retaining focusing speed, VR functionality and minimum focusing distance. As an added benefit, the new teleconverters allow Nikon Z series cameras to retain functionality on all focus points up to f/11, making it easy to focus on and track subjects throughout the entire frame. Featuring the same robust construction as NIKKOR Z lenses, the teleconverters are designed with a fluorine coating on the front and rear elements to resist dirt and smudges, and offer a durable, weather-sealed body to protect against the elements. 

When the teleconverters are used with the NIKKOR Z 70-200mm f/2.8 VR S (availability scheduled for late August), the focal length on the telephoto end is extended to 280mm (1.4x) or 400mm (2.0x) producing a significant expansion of this telephoto lens’ shooting range. These new teleconverters will also be compatible with applicable interchangeable lenses for Nikon Z mount mirrorless cameras that Nikon will release in the future.

New Webcam Utility Software for Nikon Cameras

In August, Nikon will release a beta version of the Webcam Utility software for many Nikon DSLR and Z series mirrorless cameras, including the new Z 5. Initially available for Windows 10, the free software will allow compatible Nikon cameras to be used as webcams. When connected via USB, this free software will provide users with incredible sharpness, clarity and flattering depth of field for all of their livestreaming needs including teleconferencing and gaming.

For more information on how to use your Nikon camera as a webcam, please visit https://www.nikonusa.com/en/learn-and-explore/live-streaming-with-nikon-cameras.page

Pricing and Availability

The Nikon Z 5 will be available in August in several configurations, including body-only for a suggested retail price (SRP) of $1,399.95*, a one-lens kit with the new NIKKOR Z 24-50mm f/4-6.3 for an SRP of $1,699.95* and a one-lens kit with the NIKKOR Z 24-200mm f/4-6.3 VR lens for an SRP of $2,199.95* for those seeking extra reach when photographing wildlife or travel adventures. Also available in August, the NIKKOR Z 24-50mm f/4-6.3 lens can be purchased separately for an SRP of $399.95*. The new Z TELECONVERTER TC-1.4X and TC-2.0X will have an SRP of $549.95 and $599.95 respectively and will be available in late August.

For more information on the latest Nikon products, including the new Z 5 and NIKKOR Z 24-50mm f/4-6.3 lens, as well as the full Nikon Z mount system, please visit www.nikonusa.com.

 

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Photo Of The Day By Timothy Joyce

Photo By Timothy Joyce

Today’s Photo Of The Day is “Sand Harbor Sunset” by Timothy Joyce. Location: Lake Tahoe, Nevada.

 “A spectacular sunset with mysterious painted clouds at Sand Harbor Beach in Lake Tahoe, Nevada,” describes Joyce.

Canon EOS 5D Mark II. Exposure: 2 sec., f/20, ISO 100.

See more of Timothy Joyce’s work at www.timothyhjoyce.com.

Photo of the Day is chosen from various OP galleries, including Assignments, Galleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Photo Of The Day By Kris Walkowski

Photo By Kris Walkowski

Today’s Photo Of The Day is “Tufa Towers” by Kris Walkowski. Location: Mono Lake, California.

Photo of the Day is chosen from various OP galleries, including Assignments, Galleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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So You Want To Become A Nature Photographer?

So you want to become a nature photographer. The reality is often much different than the dream though. Find out if you have what it takes to turn a passion into a successful career.

The Weekend Warrior’s Viewpoint

The dream occupation is to create gorgeous nature images and get paid for it. Go ahead and sign me up. Get paid to travel and photograph, see the world on someone else’s dime, expand your photo library and more. I’m totally in. Yes—it’s the dream job!

The Professional Nature Photographer’s Viewpoint

Photographers who own and operate their own businesses have many responsibilities. They must advertise, schedule appointments, set and adjust equipment, purchase supplies, keep records, bill customers, pay bills and, if they have employees, hire, train and monitor them. In order to run a successful business, the nature photographer must be creative, know and understand the technical aspects of their gear, have patience, stay focused and concentrate, pay attention to details, have strong networking skills, know how to relate to clients, be a good team leader, possess teaching skills and a whole lot more. Every job has two sides to the equation.

Living Up To Expectations

Expectations influence your perception of the services and products you buy. When you eat at a restaurant, you expect a certain level of service and good food. When you go on vacation, you look for reviews of the accommodations and research customer satisfaction. If you remodel your kitchen, you have lengthy discussions with contractors to make sure the work they perform is precisely what you desire. It’s fair to say that as a consumer, you base your buying decisions on the high expectations you set for yourself which, in turn, you impose on others.

As a professional nature photographer, it’s mandatory you live up to the expectations of your clients. Are you ready for this? Your website might proclaim you run workshops, but how many have you actually run? You claim you know every location inside and out, but how many times have you traveled to the site? What if the weather goes south? What if the animals don’t show up? If you do scenics, when are high and low tides? Where and at what time does the sun rise and set? You better have a Plan B for every scenario.

Educating Yourself To Become A Nature Photographer

There are dozens of other nature photographers who offer nature photography tours. Have you ever taken a workshop from any of them to comprehend the reality of what’s required? You may be a fantastic nature photographer, but can you teach? Have you ever taken any education courses? You’re good at what you do, but what makes you stand out from the rest, and what can your clients expect when you show up to take pictures?

Everyone wants to become a photographer for National Geographic. Have you ever watched any of their specials on PBS to see what these photographers endure? Some hang from the canopy of the rain forest in a hammock for hours and get bit by every insect in the Amazon. Some camp on the tundra for weeks and endure below zero temperatures the entire time. Some dive to the depths of the sea and withstand huge amounts of pressure in their heads while getting tossed around by underwater currents. How alluring does it sound now?

With the above being said, if you’ve got the chops and are willing to tackle the responsibilities and your life is based around photographing nature, there’s no better job in the world. Will you become rich and famous? Not a chance, but will you love every minute of your job? Absolutely. With regard to my “work life,” I’ve been very lucky. I taught for 27 years and loved every day. If you love to share your knowledge and enthusiasm as I do, it’s a dream job.

Marry Your Passions

When I left the classroom to become a nature photographer, I incorporated every minute of my 27 years of classroom experience and applied those teaching skills to the adults with whom I now teach in my workshops. I married my two passions—photography and teaching—and since doing this, I feel like I’ve never actually worked a day in my life. If it’s your dream to become a nature photographer, never give up your pursuit. If you’re willing to invest the time, effort and patience and deal with the speed bumps, I encourage you to persevere. Become successful and one day, everything I listed in the professional nature photographer’s viewpoint paragraph will simply be accepted as part of the job!

Visit www.russburdenphotography.com for information about his nature photography safaris to Tanzania.

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Photo Of The Day By Laura Zirino

Photo By Laura Zirino

Today’s Photo Of The Day is “Zion Sunrise” by Laura Zirino. Location: Zion National Park, Utah.

This was the last day of a 10-day photography trip across Utah,” explains Zirino. “The sunrise didn’t look like much when I woke up, so I went to breakfast instead. About halfway through I looked out the window and saw dark clouds building behind the Tower of the Virgin. I hightailed it out of there, headed to the first spot I could find, and the sky suddenly lit on fire. I gasped—I’ve never seen anything like this. I started shooting with the equipment I had from the night before because there wasn’t any time to change it.”

Photo of the Day is chosen from various OP galleries, including Assignments, Galleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, Facebook, Twitter and Instagram. To get your photos in the running, all you have to do is submit them.

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