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Monday, August 31, 2020

Photo By Walt Mather

Photo By Walt Mather

Today’s Photo Of The Day is “Badlands National Park” by Walt Mather. Location: South Dakota.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

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“Clear skies, temps in the low 70s, no wind and cloudless skies for the next two days,” states the weather person on the local news channel. “Oh well,” I mutter out loud, “more of the same mundane conditions with no mood or drama.” No shots of saturated, wind-blown autumn leaves blanketing a curved country dirt road while radiating red, yellow and orange. No images of dramatic thunderheads entering the skyline above the mountain lake. No moody fog coursing its way through the stand of redwoods and ferns. No possibility to get reflected city lights in a puddle with streaks of car lights mirrored on drenched streets. I really wanted to use the red umbrella I purchased while I release the shutter with my remote trigger to capture a photo of me walking down that beautiful S-curved road.

I’m being a bit cynical, but there’s truth and validity in the above words. I fully concede that first light as the sun crests the horizon and last light right before the sun goes to sleep provide gorgeous light. As a scene is bathed in the color and warmth at these two times of day, smiles appear on photographers’ faces. Everyone strives to make these types of images. The caveat is once the image is made, unless something changes, the next day provides the same. Where’s the added drama, the fleeting spotlit portions of the landscape or the ominous clouds that make the viewer go, “Wow!”? Let’s take a look at some of the benefits tempestuous weather provides.

Fog

I absolutely adore foggy conditions. Regardless of where you are, mood, layers, serenity and mystery are added to the photo. Look for layers that recede into the background. Capture it as it rolls in and out and varies in density. The exact same location imaged over a 10-minute span can net a plethora of photos. Different parts of the landscape will be revealed or obscured as gentle winds bring in varying thicknesses of low clouds. Be sure to make verticals, horizontals, wide and telephoto images to exhaust all possibilities.

Rain

Use slow shutter speeds to exaggerate the streaking lines. A super slow speed will make them disappear, while intermediate ones show streaks. Experiment using different speeds and zoom the LCD to see how much of a streak is recorded. Evaluate the effect and adjust the shutter to capture the size of the streak you desire. Stay dry—both yourself and gear. A waterproof hiking boot is a must. I also invested in a pair of storm socks. They’re neoprene on the outside and fleece on the inside. Even if my boots fail, my socks keep me warm and dry.  Keep the camera dry in a number of ways. Each depends on the intensity of the rain and how long the camera is exposed to the elements. Towel drying works in drizzly conditions. I often keep the camera and lens inside my waterproof jacket. The only drawback is moisture can build up inside if I’m active. Omni-Tech makes waterproof covers that come in different sizes to accommodate different focal length lenses.

Tempestuous Weather

Snow

The same suggestions I provided when images are made in the rain also apply to snow. Snow photography provides a number of opportunities. One deals with making images while snow is falling and envelops the landscape. Another provides a monochromatic wonderland in its expanse or a miniature world of white on white if you choose to make macros. Use slow shutter speeds to exaggerate streaking lines of falling snow. This adds mood and atmosphere to the scene. To arrest descending flakes, use a shutter speed of 250th or faster depending on the size and number of them. Avoid using flash. It will illuminate the flakes directly in front of the lens and appear as undesirable, bright blobs.

Cold

While this may surprise many, there are numerous advantages to shooting in the cold. During the winter, the sun stays at a lower angle providing better light. This low angle gives the subject dimensionality with more pleasing shadows than if the sun was directly overhead.  Additionally, it skirts the horizon for a longer period of time thereby lengthening the duration of sweet light. The sun rises later in the day, which translates to more sleep. Hand in hand with this, the sun also sets earlier and allows normal dinner schedules to be maintained. Lastly, there are no bugs to eat you alive at both sunrise and sunset.

Cameras handle the cold very well. Always carry lots of spare batteries. After battery failure, the second biggest concern is the buildup of condensation when you bring equipment indoors. Put the camera in a plastic bag and let the moisture form on the plastic. Let it sit for a few hours before you remove it. An alternative is to put all gear into a camera bag, which acts as an insulator, and let it gradually warm up to room temperature.

Tempestuous Weather

Bonus Scenarios

Rainbows appear only when moisture is in the sky. Carpe diem when they appear. If clear skies follow a fresh snow, warm light on the scene can be magnificent. Dramatic clouds don’t have to coincide with falling rain—skies can be totally ominous at the edge of a storm, so take advantage.

Visit www.russburdenphotography.com for information about his nature photo safaris to Tanzania.

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Sunday, August 30, 2020

Photo By Denis Dessoliers

Photo By Denis Dessoliers

Today’s Photo Of The Day is “Bandon Sunset” by Denis Dessoliers. Location: Bandon Beach, Oregon.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Saturday, August 29, 2020

Today’s Photo Of The Day is “Bugaboo Splendor” by David Connel. Location: Bugaboo Provincial Park, British Columbia.

“My climbing buddy and I climbed Pigeon Spire in Bugaboo Provincial Park in British Columbia, Canada,” explains Connel. “I debated about bringing my DSLR camera, not wanting to haul the extra weight up the peak. Since I did bring the camera with me, I spent the whole climb looking for that unique perspective to capture the drama of climbing and the rugged beauty of the mountains. When we got to a saddle, I knew immediately that this was the image I wanted. If you look very closely, you can see my climbing buddy in a red jacket on the ridge. I’m so glad that I carried the extra weight.”

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Friday, August 28, 2020

Photo By Hank Miller

Photo By Hank Miller

Today’s Photo Of The Day is “Matanuska River” by Hank Miller. Location: Alaska.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Thursday, August 27, 2020

Congratulations to Heather Nicole for winning the Lazy Summer Days Assignment with the image, “Sleepy Siblings.” See more of Nicole’s work at momentsbyheathernicole.com.

[See image gallery at www.outdoorphotographer.com]

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Photo By Jody Partin

Photo By Jody Partin

Today’s Photo Of The Day is “Blue Hour at Mono Lake” by Jody Partin. Location: Mono County, California.

See more of Jody Partin’s photography at jody-partin.pixels.com.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Jody Partin appeared first on Outdoor Photographer.



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Wednesday, August 26, 2020

Photo By Scherbroeck

Photo By Scherbroeck

Today’s Photo Of The Day is “Half Moon Rising” by Scherbroeck. Location: Kluane National Park and Reserve, Yukon, Canada.

“While driving along the Alaskan Highway looking for wildlife, we saw the large half moon rising above the Kluane Mountains as the sun was setting,” says Scherbroeck. “What a beautiful sight.”

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Scherbroeck appeared first on Outdoor Photographer.



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Tuesday, August 25, 2020

Photo By Patrick Nowotny

Photo By Patrick Nowotny

Today’s Photo Of The Day is “Relaxing Puma” by Patrick Nowotny. Location: Patagonia.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Patrick Nowotny appeared first on Outdoor Photographer.



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Monday, August 24, 2020

Fall will soon be upon us with its shorter days, moody weather and stunning foliage color, changes that remind us of nature’s clockwork and that make this a favorite time of year for photographers. Our September issue is focused on helping you make your best images of the season. In his article, “Fall Color Fundamentals,” Kevin McNeal shares his top tips to capture the bold hues and atmosphere of the season, as well as recommended destinations for autumn photography.

Also in this issue, Jonathan Irish introduces us to the idea of “Dancing Around The Teacup,” a concept he picked up while working as a photographer for National Geographic. The core idea is to explore a variety of creative approaches to a subject or scene and not simply settle for a photograph of your first observations.

At the foundation of every successful photograph is an awareness of light. We recognize good light when we see it—but translating what’s in front of our lenses to a final image is the challenge. In the first article of a three-part series, “The Art Of Luminosity,” Marc Muench explains the limitations of digital camera sensors and methods for overcoming those limitations.

On the cover is a photograph Kevin McNeal made in Denali National Park, Alaska. Here’s the story behind the shot.

Image of the cover of Outdoor Photographer's September 2020 issue

“I had always dreamt of photographing Alaska and, more specifically, Denali National Park in autumn. As a child, I had seen images of the larger-than-life mountain. I realized from research on Denali that the peak didn’t always make an appearance. It wasn’t unusual to not see the mountain for several weeks. Armed with this knowledge, I promised not to get my hopes too high.

“As I entered the Wonder Lake campground, the outdoor enthusiasts I met were disenchanted, as the mountain had not been out in weeks. Early that next morning, I woke to the sounds of joyous shouts that the mountain had emerged. I joined the lucky few other photographers as we made our way to the ridge above Wonder Lake. As first light appeared, I saw the first glimpses of the elusive Denali Peak and the dazzling display of red autumn tundra at my feet. The warm bearberry carpeted the valley as far as the eye could see.

“When the morning light surfaced and showcased the autumn colors, I searched for a composition that would do justice to the majestic scene. I positioned myself at the top of the ridge and framed the view to include Wonder Lake leading into Denali mountain. I made sure to capture various compositions and shoot at Æ’/16 for depth of field and lowered the camera to a 45° angle to get closer to the fall foliage. I wanted to create an impact with the foreground color and texture. Having a colorful foreground brought the image together more cohesively. The icing on the cake was the captivating clouds that balanced the overall scene. It was an autumn morning I shall not forget.”

– Kevin McNeal

The September 2020 issue is now available in a variety of digital formats including Apple News+.

Outdoor Photographer Plus and VIP members get full access to all of the content on outdoorphotographer.com, plus print and digital editions of the magazine, as well as other great benefits. Learn more about our membership options.

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Photo By John Pierce

Photo By John Pierce

Today’s Photo Of The Day is “Twilight Bugle” by John Pierce. Location: Near Telluride, Colorado.

“In the San Juan Mountains outside Telluride, a bull elk calls to his harem at twilight,” describes Pierce.

Nikon D800. Exposure: 1/80 sec., f/4.5, ISO 1600.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Want to bring home better images of animals? Practice these tips for using flash in wildlife photography and see your images improve. Before you get started, let’s consider the following questions:

Q: What is the most underused photographic implement that can exponentially improve wildlife images?
A: Flash.

Q: How can flash improve my photography?
A: Use it outdoors as a main light or as a source of fill.

Q: Is it hard to learn?
A: Don’t be afraid to read the manual.

Q: When do I need to use it?
A: When the subject is back lit, when you want a highlight in the eye, when the light is too contrasty and more.

Let’s examine each of the above questions for using flash in wildlife photography.

Flash Is A Source Of Light

When you create an image, light paints the sensor. When the light is great or dramatic, the painted light produces a great image. If the light isn’t good, the image suffers. Most wildlife photographers have a vast assortment of lenses that cover everything from wide to super telephoto. They also have lots of memory cards, spare batteries, maybe some filters and a pair of binoculars in their camera bag. The problem is that very few have a powerful flash. If you don’t currently own a good flash, before you purchase a new lens, get a good flash. As stated above, flash is a source of light. It can be used to improve the light cast upon many a wildlife subject.

Use Flash In Wildlife Photography As A Main Light

When flash is used outdoors, it can be used as a main light or as a source of fill to brighten up contrasty shadows. If a bird nests in a tree and you want to photograph the interaction between the parents and newborn chicks on a sunny day, the highlight-to-shadow ratio will be extreme. If there was a way to evenly light up the dark, contrasty void and not have the bright areas blow out, the images would be great. Flash to the rescue. Use your flash as a main light. The dark areas receive light and the bright areas are toned down since the flash is now the main light. To avoid getting too close to the nest as it may scare off the parents, use a flash modifier that projects the light a long distance. I use the MagMod wildlife kit.

Using Flash In Wildlife Photography

Add Light To A Subject’s Shadow Side

Flash can also be used to add light to a shadow side of a subject. If a subject is side-lit, the shadow side can be too dark. Flash to the rescue. The flash is used to fill in the dark void. Flash has become sophisticated and interfaces with the electronics of the camera body so the amount of light emitted from the flash can be dialed down or up. In the same way an in-camera exposure may need compensation, the same principle can be applied to the amount of light emitted from the flash. I often dial it down to -1 stop by simply rotating a wheel on the back of the unit to -1.

Learn To Use Flash Compensation

Flash has become very sophisticated, but for use in wildlife photography, there’s only one dial you need to learn: Flash Compensation. I use a Nikon SB5000, and to dial in plus or minus compensation, I touch the top of the command wheel and then dial in the amount of light I want the flash to provide. It’s that simple, so don’t fear the flash as it has the power to greatly improve the final image. Flash to the rescue.

Using Flash In Wildlife Photography

Adding Light To A Subject’s Face

If a subject is backlit but you want light on the face, you can add light to the exposure but the background will be void of detail, which isn’t a good scenario. Flash to the rescue. On the other hand, if the subject is backlit and you attach a flash to the camera, the light emitted from it will light up the face of the animal. I start at zero compensation and then look at my image on the LCD. If there’s too much or too little light, I adjust the amount by dialing up or down the compensation on the flash.

On an overcast day, I use flash to create a highlight in the animal’s eye. I dial it down to -2 stops, which creates a point of light in the subject’s eye—it’s that simple!

Contrasty light has deep shadows and bright highlights. By now, you probably guessed: Use flash to brighten up the shadows. If the result is too much light, dial down the flash compensation and vice versa if there’s not enough.

Visit www.russburdenphotography.com for information about his nature photo safaris to Tanzania.

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Sunday, August 23, 2020

Today’s Photo Of The Day is “Acadia Dawn” by Beth Baker. Location: Acadia National Park, Maine.

“Early morning, pre-sunrise sky color from the Maine coastline inside Acadia National Park,” describes Baker.

See more of Beth Baker’s photography at www.bethbakerphotos.com.

Canon 5D Mark IV, Sigma 14-24mm F2.8 DG HSM, 13 sec., f/14, ISO 100.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Saturday, August 22, 2020

Photo By Deena Sveinsson

Photo By Deena Sveinsson

Today’s Photo Of The Day is “Sunrise In The Tetons” by Deena Sveinsson. Location: Grand Teton National Park, Wyoming.

“It was a nice sunrise that morning, but I seemed to have some difficulty positioning myself properly to get a decent photo,” says Sveinsson. “We were all in shadow—the moose and the few photographers that were near the river that early December morning. I figured I could try and make a nice moose silhouette with the Tetons being lit up nicely by the beautiful morning light. But the moose were doing what moose normally do and were grazing on the tender foliage. Then, to my surprise, the bull moose came together perfectly—eye to eye.”

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Our 2020 Nature’s Colors Photo Contest has kicked off with a bang. Be sure to enter your best shots for the chance to win great prizes.

Need some inspiration? We’ve compiled the winners and finalists of the 2019 Nature’s Colors Contest into a slideshow for your viewing pleasure. We received some incredible submissions last year, so check them out below.

[See image gallery at www.outdoorphotographer.com]

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Friday, August 21, 2020

Photo By J Fritz Rumpf

Photo By J Fritz Rumpf

Today’s Photo Of The Day is “Inspiration” by J Fritz Rumpf. Location: White Sands National Park, New Mexico.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By J Fritz Rumpf appeared first on Outdoor Photographer.



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Thursday, August 20, 2020

Congratulations to Gerry Groeber for winning the View From The Top Assignment with the image, “Grandview.” See more of Groeber’s photography at www.gerrygroeber.com.

View the winning image and a selection of submissions in the gallery below. And be sure to check out our current photography assignment here and enter your best shots!

[See image gallery at www.outdoorphotographer.com]

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Photo By Valerie Millett

Photo By Valerie Millett

Today’s Photo Of The Day is “Grand Canyon With Sunrise Inversion Layer” by Valerie Millett. Location: Arizona.

See more of Valerie Millett’s photography at valmillett.blogspot.com.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Valerie Millett appeared first on Outdoor Photographer.



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A tricolored heron inches toward the muddy shores that a rival snowy egret has claimed for the afternoon. I lift my lens through my car’s sunroof and take aim. The mid-afternoon sun perfectly silhouettes them in the silvery water. Suddenly, the snowy egret takes off with a flurry of motion toward the tricolored heron. The retreating bird quickly dances through the water, running from the onslaught of white feathers. I snap my first photos of a species that, up until this moment, I had no idea lived in the middle of Orange County, California.

Example of urban wildlife: tricolored heron

A tricolored heron dances through the shallow waters, hastily running from an attacking snowy egret. Animals in urban environments live in closer quarters than their rural counterparts, so interactions between species is frequent here as they all vie for space.

The greater Los Angeles area, which consists of five counties, including L.A. and Orange counties, is not the first place that most people think of when they think of “nature.” In fact, it’s probably one of the last. Ask any local, and they will tell you how much they love living in L.A. because all you have to do is drive a few hours to get to something natural. Very rarely will someone tell you how beautiful the city itself is.

Everything from the San Fernando Valley to South Orange County is sadly almost completely developed. It is an urban jungle, or what I like to call it, an “urban chaparral.” It is a short and stout metropolis, mirroring the dense shrub-like forests that once dominated the area. Freeways cut through the basin-like rivers, transporting millions of people across county lines as they travel along their daily commutes.

This is where I live, along with 13 million other people who call the area home. Like many who live here, I didn’t think of Los Angeles as a natural place. So much of living in this urban sprawl can be asphyxiating, especially if you are like me and crave natural spaces. It never rains enough for my liking, and sometimes the smog makes it difficult to see the local mountain ranges despite them being so close. Nature can feel so unreachable here, or at least it did until a shift in my perspective.

Urban Wildlife Hiding In Plain Sight

The freeways of the L.A. basin are more like parking lots when rush hour gets going, and, boy, do I sit in a lot of traffic. In these moments of longing for better public transit or the ability to teleport, I began to notice just how many birds live with us along the freeways. I quickly found myself in awe of all the other species traveling along my commute with me. Red-tailed hawks hunting pigeons, giant flocks of crows numbering in the hundreds, gulls fluttering through the air like pieces of silver—these were species I grew up with that I was suddenly seeing in a completely different light.

Example of urban wildlife: red-tailed hawk

Red-tailed hawks thrive in an urban environment thanks to the abundance of food. They are also very predictable in their behavior, and if you spend enough time in the same area, you’ll start to get a feel of when and where they hunt and rest.

Then I began to see species that I didn’t even know lived in Southern California. Did you know that there are kestrels in Orange County? I sure didn’t, but I have not gone a day since first seeing one without seeing them again. I was becoming a bit of a freeway birder and was starting to understand how wild the L.A. basin really is. It was liberating. I needed more. My time birdwatching on the freeways was fascinating, but I wanted to dive more into the story of urban wildlife. This was when I found my sanctuary in a place called the Upper Newport Bay.

Finding An Oasis Amid Urban Sprawl

Located in the heart of Newport Beach, California, the Upper Newport Bay Nature and Ecological Preserve is an interesting dichotomy between nature and human development. Nestled in between two populated bluffs, it is one of the largest wetlands in Southern California, spanning almost 1,000 acres. It is one of the last remaining West Coast estuaries, which originally covered over 2 million acres. These once-expansive ecosystems have been reduced by 85 percent due to human expansion and development in the state. This makes the area even more special.

Like many of the wetlands that once lined the California coast, it was slated to become a marina featuring private docks and waterfront property. Thanks to the efforts of concerned locals, these plans were beaten in court, and in 1975 the area fell under the management of the California Department of Fish and Game.

Upper Newport Bay is a haven for wildlife in Orange County. It is a major stop on the Pacific Flyway, the north-south migratory pathway for West Coast birds that extends from the Arctic tundra to Patagonia. For some species, their trip stops here, and for others, it is merely a respite from their long journey north or south. This wetland is home to four endangered bird species: the Belding’s Savannah sparrow, Ridgway’s rail, the California least tern and least Bell’s vireo. These species rely on the riparian and salt marsh habitats that have been lost from so much of the California coast. Upper Newport Bay represents one of the last places that they have to call home.

Example of urban wildlife: Belding’s Savannah sparrow

Upper Newport Bay is home to four endangered bird species, like this Belding’s Savannah sparrow. While Savannah sparrows in general may be common, this subspecies is only found in Southern California salt marshes and is heavily reliant on the native plant ecology.

Like most undamaged spaces in an urban environment, Upper Newport Bay is not without its conservation struggles. Entirely surrounded by multi-million-dollar homes that make up Newport Beach, this wetland is a unique mosaic of human and animal life. Snowy egrets stalk the sides of roads, unflinching as bikers rush past them, and harriers speed across the road, narrowly avoiding unsuspecting runners. This delicate dance gave me the same feeling that I felt when I first saw the magic happen along my commute, and it instantly captivated me.

The rhythm and flow of life here are dictated by this intersection of human urbanization and nature, and it does not come without its challenges. Everything from noise and light pollution to trash to road trauma from cars and bikes presents serious problems for our wild residents of the bay. Invasive plants specifically are one of the biggest issues for the local ecology. Because these invasive species are well adapted to our environment but missing the natural checks and balances of their original home, they flourish here. It is a slow stranglehold on the lifeblood of the ecosystem. Many of the birds here, especially the endangered ones, are unable to adapt to the changing landscape.

But for all the wetland’s issues, the community has rallied to save it. Locals flock to weekly trash clean-ups, and habitat restoration projects are plentiful. There are multiple nonprofits that work directly on the removal of invasive species, and the local universities and colleges often send their students here for field experience. It is a beloved natural escape for the community, me included. Many people use the one-lane road that snakes along the bay to run, bike or birdwatch. Others choose to kayak or row through the calm brackish waters. I find my joy hiding in my car, using it as my own personal photo blind. It seems even in nature, I cannot escape my car.

Example of urban wildlife: marsh wren

Native plants like pickleweed are the perfect place to hide for small birds like marsh wren. This day was busy with hawk and harrier activity, which had this brave wren darting back and forth between hiding in the underbrush and perching on the highest stalks to keep watch on the raptors overhead.

Using Your Car As A Blind For Urban Wildlife

There is something special about shooting from a vehicle, wind blowing through the open windows, listening to the sparrows chirping through the rustling grass and being completely hidden from the birds you are watching. It is the perfect reprieve from the hustle of the city, where I can finally recharge from a week of working at my full-time job. Like any blind, a vehicle helps obscure your presence from your subject, giving you a much more intimate view of their lives while giving them the space they deserve. Even with urban birds, who can be much more comfortable with humans, they still shy away if you get too close. Having the opportunity to shoot from your own mobile blind is a real asset and is a much more ethical option than risking flushing birds.

If you do not have the opportunity to use a blind, then it is important that you give animals their space. It takes a lot of energy for a bird to take off, and altering an animal’s behavior in any way can put them in danger. Wherever you are, you should do everything you can to be an unseen observer to your subject.

Because this is a shared space, as urban areas often are, it is important to be courteous to others enjoying this natural escape. This is especially true if you are in your car while others are on foot or on bikes. I am always careful to drive slowly and make sure that bikers and runners have the space they need to feel safe. If I am traveling on foot, I make sure I am walking and standing in a safe place, particularly around blind corners.

Getting Your Timing Right

Example of urban wildlife: snowy egret

A snowy egret stalks through a forest of red pickleweed, looking for small fish and crustaceans in the shallow low tide waters. Southern California is not known for its fall colors, but our native plants will still show off some reds and yellows, like this usually green pickleweed.

Timing the tides is key to photographing here—or in any environment that is affected by tides. The things you will see and the conditions you will have to deal with will vary dramatically.

High tide is my favorite for many reasons. The wetland fills with water, turning it into a lush and vibrant landscape. Birds flock to the few islands that rise above the water, uncovering biodiversity that you would never expect to see in the middle of a city.

It is also a good opportunity to get low. When you deal with an urban environment, you do not always have the luxury of moving closer to your subject. Many of the natural places in the greater Los Angeles area are protected, so you cannot move off the permitted path. High tide brings the waterfowl onto the same level as the road, meaning you can finally get on the bird’s eye level. This can create a much more flattering photo than if you were taking it at a higher angle. Runoffs from smaller streams or culverts can be a great place to set up, as waterfowl often flock to these areas to eat the incoming nutrients entering the main body of water.

Low tide offers more challenges than high tide but can result in some really special moments, especially if you are trying to capture behavior. At Upper Newport Bay, low tide means a lot of mud. The vast arterial system that feeds this estuary emerges, revealing steep banks cut through the muddy floor. The light dances off the uneven terrain, casting dark shadows with golden hour-like highlights, even when the sun is hours from setting. If a bird decides to sit in just the right place, it is magic. All of this mud also means many of the shorebirds are active and feeding, scouring the wetland floor for small bugs, fish and crustaceans. This is when you really get to see the different species’ personalities come through. Cranes and egrets jump after each other fighting over territory, and huge flocks of willets and curlews take off without a moment’s notice in a flurry of action.

Example of urban wildlife: greater yellowlegs

Low tide is the best time to see shorebird feeding behavior. As the waterline drops, muddy shores are revealed, offering a buffet to birds like this greater yellowlegs.

Knowing your subject’s schedule is one of the most important things you can do as a photographer, no matter how wild or urban your subject. In the heat of the afternoon, hawks, harriers and turkey vultures take to the skies, searching for an afternoon meal. I can almost always find them in the same places as I drive along. In the late afternoon, white-tailed kites take to the skies, searching through the grasses that fill the wetland’s higher topography. I know exactly which branches they will rest on as they travel through the bay. And right as the sun sets behind the bluffs, great blue herons take off and fly to some unknown place to roost.

A New Appreciation For Nature’s Persistence

Upper Newport Bay is a special place and the perfect example of urban nature. All you have to do is look up the bluffs to remember you are in a big city.

My journey to urban wildlife photography began on a freeway. It has since moved me through the city on a quest to document the lives of the animals that occupy and thrive in this space with us. Discovering the wild side of Los Angeles has redefined my relationship with the urban sprawl in which I live. For the first time in my life, I actually feel like I can call this place home.

Sure, sometimes the smog is literally suffocating, and the lack of dramatic weather can feel monotonous, but now when I look out over the city as I drive along the freeway, I see so much more.

Example of urban wildlife: Canada goose

Canada geese are one of the seasonal residents of Upper Newport Bay, arriving in late winter and staying until spring. High tide is a great chance to catch a good portrait of a goose as they, along with other waterfowl, flock to the culverts that feed the bay with nutrients. Once the geese arrive, one can’t help but feel like they are always being watched by the ornery birds.

There is so much beauty hiding right under our noses. Just count the songbirds flying through the trees. Watch the raptors soar through the air while you sit stuck in traffic. If you also live in a metro area, find the nature living in the urban jungle you inhabit and realize how lucky you are that you share the city with such amazing creatures. We all have wild neighbors. 


See more of Sara Stein’s work at sarasteinphoto.com.

The post Finding Urban Wildlife appeared first on Outdoor Photographer.



from Featured Stories – Outdoor Photographer https://ift.tt/34iuc26

A tricolored heron inches toward the muddy shores that a rival snowy egret has claimed for the afternoon. I lift my lens through my car’s sunroof and take aim. The mid-afternoon sun perfectly silhouettes them in the silvery water. Suddenly, the snowy egret takes off with a flurry of motion toward the tricolored heron. The retreating bird quickly dances through the water, running from the onslaught of white feathers. I snap my first photos of a species that, up until this moment, I had no idea lived in the middle of Orange County, California.

Example of urban wildlife: tricolored heron

A tricolored heron dances through the shallow waters, hastily running from an attacking snowy egret. Animals in urban environments live in closer quarters than their rural counterparts, so interactions between species is frequent here as they all vie for space.

The greater Los Angeles area, which consists of five counties, including L.A. and Orange counties, is not the first place that most people think of when they think of “nature.” In fact, it’s probably one of the last. Ask any local, and they will tell you how much they love living in L.A. because all you have to do is drive a few hours to get to something natural. Very rarely will someone tell you how beautiful the city itself is.

Everything from the San Fernando Valley to South Orange County is sadly almost completely developed. It is an urban jungle, or what I like to call it, an “urban chaparral.” It is a short and stout metropolis, mirroring the dense shrub-like forests that once dominated the area. Freeways cut through the basin-like rivers, transporting millions of people across county lines as they travel along their daily commutes.

This is where I live, along with 13 million other people who call the area home. Like many who live here, I didn’t think of Los Angeles as a natural place. So much of living in this urban sprawl can be asphyxiating, especially if you are like me and crave natural spaces. It never rains enough for my liking, and sometimes the smog makes it difficult to see the local mountain ranges despite them being so close. Nature can feel so unreachable here, or at least it did until a shift in my perspective.

Urban Wildlife Hiding In Plain Sight

The freeways of the L.A. basin are more like parking lots when rush hour gets going, and, boy, do I sit in a lot of traffic. In these moments of longing for better public transit or the ability to teleport, I began to notice just how many birds live with us along the freeways. I quickly found myself in awe of all the other species traveling along my commute with me. Red-tailed hawks hunting pigeons, giant flocks of crows numbering in the hundreds, gulls fluttering through the air like pieces of silver—these were species I grew up with that I was suddenly seeing in a completely different light.

Example of urban wildlife: red-tailed hawk

Red-tailed hawks thrive in an urban environment thanks to the abundance of food. They are also very predictable in their behavior, and if you spend enough time in the same area, you’ll start to get a feel of when and where they hunt and rest.

Then I began to see species that I didn’t even know lived in Southern California. Did you know that there are kestrels in Orange County? I sure didn’t, but I have not gone a day since first seeing one without seeing them again. I was becoming a bit of a freeway birder and was starting to understand how wild the L.A. basin really is. It was liberating. I needed more. My time birdwatching on the freeways was fascinating, but I wanted to dive more into the story of urban wildlife. This was when I found my sanctuary in a place called the Upper Newport Bay.

Finding An Oasis Amid Urban Sprawl

Located in the heart of Newport Beach, California, the Upper Newport Bay Nature and Ecological Preserve is an interesting dichotomy between nature and human development. Nestled in between two populated bluffs, it is one of the largest wetlands in Southern California, spanning almost 1,000 acres. It is one of the last remaining West Coast estuaries, which originally covered over 2 million acres. These once-expansive ecosystems have been reduced by 85 percent due to human expansion and development in the state. This makes the area even more special.

Like many of the wetlands that once lined the California coast, it was slated to become a marina featuring private docks and waterfront property. Thanks to the efforts of concerned locals, these plans were beaten in court, and in 1975 the area fell under the management of the California Department of Fish and Game.

Upper Newport Bay is a haven for wildlife in Orange County. It is a major stop on the Pacific Flyway, the north-south migratory pathway for West Coast birds that extends from the Arctic tundra to Patagonia. For some species, their trip stops here, and for others, it is merely a respite from their long journey north or south. This wetland is home to four endangered bird species: the Belding’s Savannah sparrow, Ridgway’s rail, the California least tern and least Bell’s vireo. These species rely on the riparian and salt marsh habitats that have been lost from so much of the California coast. Upper Newport Bay represents one of the last places that they have to call home.

Example of urban wildlife: Belding’s Savannah sparrow

Upper Newport Bay is home to four endangered bird species, like this Belding’s Savannah sparrow. While Savannah sparrows in general may be common, this subspecies is only found in Southern California salt marshes and is heavily reliant on the native plant ecology.

Like most undamaged spaces in an urban environment, Upper Newport Bay is not without its conservation struggles. Entirely surrounded by multi-million-dollar homes that make up Newport Beach, this wetland is a unique mosaic of human and animal life. Snowy egrets stalk the sides of roads, unflinching as bikers rush past them, and harriers speed across the road, narrowly avoiding unsuspecting runners. This delicate dance gave me the same feeling that I felt when I first saw the magic happen along my commute, and it instantly captivated me.

The rhythm and flow of life here are dictated by this intersection of human urbanization and nature, and it does not come without its challenges. Everything from noise and light pollution to trash to road trauma from cars and bikes presents serious problems for our wild residents of the bay. Invasive plants specifically are one of the biggest issues for the local ecology. Because these invasive species are well adapted to our environment but missing the natural checks and balances of their original home, they flourish here. It is a slow stranglehold on the lifeblood of the ecosystem. Many of the birds here, especially the endangered ones, are unable to adapt to the changing landscape.

But for all the wetland’s issues, the community has rallied to save it. Locals flock to weekly trash clean-ups, and habitat restoration projects are plentiful. There are multiple nonprofits that work directly on the removal of invasive species, and the local universities and colleges often send their students here for field experience. It is a beloved natural escape for the community, me included. Many people use the one-lane road that snakes along the bay to run, bike or birdwatch. Others choose to kayak or row through the calm brackish waters. I find my joy hiding in my car, using it as my own personal photo blind. It seems even in nature, I cannot escape my car.

Example of urban wildlife: marsh wren

Native plants like pickleweed are the perfect place to hide for small birds like marsh wren. This day was busy with hawk and harrier activity, which had this brave wren darting back and forth between hiding in the underbrush and perching on the highest stalks to keep watch on the raptors overhead.

Using Your Car As A Blind For Urban Wildlife

There is something special about shooting from a vehicle, wind blowing through the open windows, listening to the sparrows chirping through the rustling grass and being completely hidden from the birds you are watching. It is the perfect reprieve from the hustle of the city, where I can finally recharge from a week of working at my full-time job. Like any blind, a vehicle helps obscure your presence from your subject, giving you a much more intimate view of their lives while giving them the space they deserve. Even with urban birds, who can be much more comfortable with humans, they still shy away if you get too close. Having the opportunity to shoot from your own mobile blind is a real asset and is a much more ethical option than risking flushing birds.

If you do not have the opportunity to use a blind, then it is important that you give animals their space. It takes a lot of energy for a bird to take off, and altering an animal’s behavior in any way can put them in danger. Wherever you are, you should do everything you can to be an unseen observer to your subject.

Because this is a shared space, as urban areas often are, it is important to be courteous to others enjoying this natural escape. This is especially true if you are in your car while others are on foot or on bikes. I am always careful to drive slowly and make sure that bikers and runners have the space they need to feel safe. If I am traveling on foot, I make sure I am walking and standing in a safe place, particularly around blind corners.

Getting Your Timing Right

Example of urban wildlife: snowy egret

A snowy egret stalks through a forest of red pickleweed, looking for small fish and crustaceans in the shallow low tide waters. Southern California is not known for its fall colors, but our native plants will still show off some reds and yellows, like this usually green pickleweed.

Timing the tides is key to photographing here—or in any environment that is affected by tides. The things you will see and the conditions you will have to deal with will vary dramatically.

High tide is my favorite for many reasons. The wetland fills with water, turning it into a lush and vibrant landscape. Birds flock to the few islands that rise above the water, uncovering biodiversity that you would never expect to see in the middle of a city.

It is also a good opportunity to get low. When you deal with an urban environment, you do not always have the luxury of moving closer to your subject. Many of the natural places in the greater Los Angeles area are protected, so you cannot move off the permitted path. High tide brings the waterfowl onto the same level as the road, meaning you can finally get on the bird’s eye level. This can create a much more flattering photo than if you were taking it at a higher angle. Runoffs from smaller streams or culverts can be a great place to set up, as waterfowl often flock to these areas to eat the incoming nutrients entering the main body of water.

Low tide offers more challenges than high tide but can result in some really special moments, especially if you are trying to capture behavior. At Upper Newport Bay, low tide means a lot of mud. The vast arterial system that feeds this estuary emerges, revealing steep banks cut through the muddy floor. The light dances off the uneven terrain, casting dark shadows with golden hour-like highlights, even when the sun is hours from setting. If a bird decides to sit in just the right place, it is magic. All of this mud also means many of the shorebirds are active and feeding, scouring the wetland floor for small bugs, fish and crustaceans. This is when you really get to see the different species’ personalities come through. Cranes and egrets jump after each other fighting over territory, and huge flocks of willets and curlews take off without a moment’s notice in a flurry of action.

Example of urban wildlife: greater yellowlegs

Low tide is the best time to see shorebird feeding behavior. As the waterline drops, muddy shores are revealed, offering a buffet to birds like this greater yellowlegs.

Knowing your subject’s schedule is one of the most important things you can do as a photographer, no matter how wild or urban your subject. In the heat of the afternoon, hawks, harriers and turkey vultures take to the skies, searching for an afternoon meal. I can almost always find them in the same places as I drive along. In the late afternoon, white-tailed kites take to the skies, searching through the grasses that fill the wetland’s higher topography. I know exactly which branches they will rest on as they travel through the bay. And right as the sun sets behind the bluffs, great blue herons take off and fly to some unknown place to roost.

A New Appreciation For Nature’s Persistence

Upper Newport Bay is a special place and the perfect example of urban nature. All you have to do is look up the bluffs to remember you are in a big city.

My journey to urban wildlife photography began on a freeway. It has since moved me through the city on a quest to document the lives of the animals that occupy and thrive in this space with us. Discovering the wild side of Los Angeles has redefined my relationship with the urban sprawl in which I live. For the first time in my life, I actually feel like I can call this place home.

Sure, sometimes the smog is literally suffocating, and the lack of dramatic weather can feel monotonous, but now when I look out over the city as I drive along the freeway, I see so much more.

Example of urban wildlife: Canada goose

Canada geese are one of the seasonal residents of Upper Newport Bay, arriving in late winter and staying until spring. High tide is a great chance to catch a good portrait of a goose as they, along with other waterfowl, flock to the culverts that feed the bay with nutrients. Once the geese arrive, one can’t help but feel like they are always being watched by the ornery birds.

There is so much beauty hiding right under our noses. Just count the songbirds flying through the trees. Watch the raptors soar through the air while you sit stuck in traffic. If you also live in a metro area, find the nature living in the urban jungle you inhabit and realize how lucky you are that you share the city with such amazing creatures. We all have wild neighbors. 


See more of Sara Stein’s work at sarasteinphoto.com.

The post Finding Urban Wildlife appeared first on Outdoor Photographer.



from Outdoor Photographer https://ift.tt/34iuc26
Polar Bear Learning Photography

Photo By Roie Galitz

“I was guiding a photography expedition in Svalbard in 2018, and while we were photographing this male polar bear, he suddenly turned around and started walking in our direction,” says Roie Galitz. “Of course, when a bear approaches, the most important thing to do is clear its path as soon as possible to avoid confrontation. So, we jumped on our snowmobiles and had to leave some of our cameras behind since there was no time. The bear approached the camera, looked at it and smelled it with curiosity. After he understood it wasn’t edible, he continued on his path. Polar bears are very intelligent and curious, that’s one of the reasons I love going out there so many times.”

This image was the winner in the Lesson category of the inaugural ROAM Awards 2019. See more of Roie Galitz’s work at galitz.com.

Nikon D850, AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR. Exposure: 1/640 sec., Æ’/5.6, ISO 80.

The post Last Frame: Polar Bear Learning Photography appeared first on Outdoor Photographer.



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Wednesday, August 19, 2020

Photo By Terrence Trevias

Photo By Terrence Trevias

Today’s Photo Of The Day is “Come Closer” by Terrence Trevias. Location: Svalbard.

“While on location in the Arctic, we came across a young female polar bear who was tracking my team’s scent when we came ashore a few minutes ago,” says Trevias. “Observing her from the safe distance of our skiff, we floated across the shore as she tracked us for a few minutes, hoping we might be daring enough to come to land.”

See more of Trevias’ work at https://ttrevias.myportfolio.com.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Terrence Trevias appeared first on Outdoor Photographer.



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Tuesday, August 18, 2020

Photo By David Lipton

Photo By David Lipton

Today’s Photo Of The Day is “Anna’s Hummingbird on Red Yucca Flower” by David Lipton. Location: Mount Diablo State Park, Walnut Creek, California.

Exposure: 1/4000 sec., f/3.2, ISO 320, 180mm.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By David Lipton appeared first on Outdoor Photographer.



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